This vocal's tone is good‼️ I feel experimental rock vibes‼️

Some definite floydian vibes to this brilliant piece , lovely stuff Josh my mate

incredible epic work, real cool dreamy progressive rock sound, love hearing how you all interact with each other's parts, real impressive musicianship and team song crafting from all!

oh wow, guys, what you've created here together is an absolutely magnificent masterpiece - I am blown away, what a beauty!  to Mister Mark @user-432503709 : outstandingly beautiful poetry, chapeau

Josh man...What a emo cool song..Mark's vocals amazing..JJ sax(synth) all Gt and Ken&your bottom...perfectly COOL!

sounds great this has a little pink floyd vibe  great job to all

Wow, my friend, this is really a profoundly beautiful song. Well composed with great lyrics, and great performances. I REALLY like what was done on this track! great mix & recording production!

Sounds ..vocal.. really good! 🌍 ☮︎ 👍

FUNNY CASTING IN A PLANET OF SOULS

I decided to take another stab at this song (went down a rabbit hole for about 10 hours and completely re-played and re-sang the song).  I struggled with the vocals on my original version so I changed the key to E which made it easier to sing.   
****
Guitar:   strumming my Taylor 114CE
Organ: playing my midi keyboard with Native instruments clarinet organ
Wurlitzer 200A  Keys: playing my midi Keyboard with logic Wurlitzer sound.
Wurlitzer 200A:  EZ Keys 2
Bass: PG Music Real track
Drums: EZ drummer 3
****
Lyrics
In the planet of the ape’s movie in 1968
Astronauts crash landed on a planet that was in a sorry state
They stumbled across a society intelligent of apes who could speak
And there were humans, but they were mute and weak
They’d been asleep in their hibernation pods and 2006 years had elapsed
And somewhere during that time humanity had collapsed
And the astronauts didn’t realize they were on the planet where they’d been born as the apes hunted them and they hid in a field of corn
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that monkey fate, hope we smarten up
I wonder what those apes are thinking as they’re sitting in their cages at the zoo
Are they biding their time, making plans for what they’re goanna do
Are they dreaming of the day when they’re on the other side of that glass wall
Are they patiently counting the minutes, waiting for humanities downfall
The apes killed one of the astronauts and they stuffed him and put him on display j
Just like trophy hunters do with animals today
The Astronaut named Taylor, he got shot in the throat
He was unable to talk, so he got a pen and showed the apes what he wrote
The apes realized he was intelligent, and it shook them to their core
And the forbidden zone was a place they weren’t supposed to explore
Taylor met a girl he named Nova, she couldn’t talk but she was pretty.
A couple of apes helped them escape to what used to be New York city
And they rode together on a horse on a beach that looked like the west coast
Until they found that statue and realized humanity was toast
Just like Charlton Heston, we could be walking on that beach
To late to save our Lady Liberty, she’s been toppled sunk and breached
You maniacs you blew it up will we rant and rave like Chuck
Hope it’s not too late, who wants that Monkey Fate, hope we smarten up
The planet of the ape’s is supposed to be science fiction
Let’s hope it doesn’t turn out to be an accurate depiction

Planet Of The Apes V 2.0

About “Flickerstorm (Album Version)”
This track was inspired by the sounds of New Order and Echo & the Bunnymen that kept playing in my head under the moonlight.
I blended those influences with the dub and electronic elements I deeply admire, and it became the very first track I completed as Olttaoff.

Under my previous artist name, my works leaned more toward electronic downtempo. Over time, however, I realized that post-rock is an essential part of my identity, which led me to create this piece. In many ways, it feels like a return to my roots while moving forward.

It also marks a turning point in my process — shifting from hardware-based production to working fully in DAWs. The TR-909 featured on the artwork represents that transition, as well as a tribute to Roland, the iconic maker from my hometown in Japan.

Flickerstorm(Album Ver.)

The worst is not certain but it happens sometimes.
Le pire n'est pas certain mais il arrive parfois.

Minimalist piece of music for Quartet and Choir. Created with Session Strings 2 and Sonara (Komplete Suite).
Pièce de musique minimaliste pour Quatuor et Chœur. Réalisé avec Session Strings 2 et Sonara (Komplete suite)

Inclus dans la série  REPETITION
https://on.soundcloud.com/Xg40rCInFLg7JwsBMz

Glow of War

Z-Pieces of Fears

Cast of Characters:

The Beautiful Dark -- @thebeautifuldark -- Carl -- vocals, lyrics, Ovation acoustic guitar, and composition
J.J. Terrell– @j-j-terrell – organ and upright piano, and JJ's angels (voice synth)
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass and Collings mandolin
Mistermark-- @user-432503709 -- Mark –- VST fiddle
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
TexMex Shaman– @texmex-shaman –Stephen — Earle Scruggs custom banjo, production, mix, and mastering

This is the latest in our series of songs Carl has written about us. Being as both Tez, a lifelong, and to a lesser degree, Carl are Manchester United fans, Carl siezed on the opportunity to celebrate their shared fandom. Although the lyrics are a little inscrutable to us Americans, we love that football (soccer) fans from across the pond will know exactly what he's talking about. 
  Carl wrote this song on his acoustic guitar, and upon sharing it with us, we weren't sure as to the direction we wanted to take it. JJ threw down first, adding his good-time-sounding upright piano and strikingly beautiful organ to the mix first. He also added the subtle human voice choral synth you hear throughout. Enchanted with Carl's composition, Josh next added his bass and mandolin both in the same recording session, without even closing his DAW. Mark was in right after, adding his friendly fiddle solo as well as fiddle fills throughout. Being as the song is about him, Tez came along shortly after and added the tuneful intro and outro on his guitar. Then, as it was just about to sit for a while, Ken added his very tasteful, perfect drums to the mix, thus completing the rhythm section. 
  Before we put a bow on it, though, Stephen made it back from his week in the Colorado wilderness in time to add his magical banjo to the mix. Speaking of mixes, now it was time for one, and we turned it over to him, our in house pro, to do the honors.
  We all really enjoyed working on this one. It is an example of Eclectic Collective taking one of Carls songs and having our way with it. Always a team effort getting it over the line, but we always manage to do it. We hope you enjoy listening to this as much as we enjoyed creating it.

Original lyrics by The Beautiful Dark:

Division Two Champs, '75
Small consolation for '74 cries
Fan wow land psyched
True Red Devil in this life

We fell to Leeds
Last Division 1
We had the Irish
Man, I followed them
McGrath didn't train
A different breed
Golden era
Boozed up greats as seed

Then, we mostly won
But still, these moments to memories shone
Keane's end at Juventus
His team's power won
Beast perseverance
2-3 semi so they march on

Teddy & Ole
Broken Bayern lines
Videos with no YouTube
In sport mad mind

Great from great, Cantona
Flying curve ball martial artist
Old Leeds leech
A la French finest

Man Utd before Glazier fud
Old Trafford dreams
Red Devil blood
A fan forever no matter loss
Good grinding Fergie
Our hairdryer boss

True Red Devil
Hughesy's volleys
Arsenal disheveled
Good Giggsy speed
End to end
Back of the net
Great teen we get
Front of our dreams

True Red Devil
Scars from Aguero
And Barce's better
New cycles please
We've been Malcolmed
Bought like shop
These greedy Glaziers fucking up
Our theatre of dreams

If only for Fergie time
We'd be doing just fine




True Red Devil - The Eclectic Collective

Child of Nature

Wild Wild West (Night on Earth Mix)

Wild Wild West (Remix 2025)

« La musique est pour les musiciens, le poème pour les poètes, la stupidité pour les stupides, mais l'amour est donné à celle qui le mérite. »
(Sivi le Poète, L'amour)

Aimons toujours ! Aimons encore
Victor Hugo
Aimons toujours ! Aimons encore !
Quand l’amour s’en va, l’espoir fuit.
L’amour, c’est le cri de l’aurore,
L’amour c’est l’hymne de la nuit.
Ce que le flot dit aux rivages,
Ce que le vent dit aux vieux monts,
Ce que l’astre dit aux nuages,
C’est le mot ineffable : Aimons !
L’amour fait songer, vivre et croire.
Il a pour réchauffer le coeur,
Un rayon de plus que la gloire,
Et ce rayon c’est le bonheur !
Aime ! qu’on les loue ou les blâme,
Toujours les grand coeurs aimeront :
Joins cette jeunesse de l’âme
A la jeunesse de ton front !
Aime, afin de charmer tes heures !
Afin qu’on voie en tes beaux yeux
Des voluptés intérieures
Le sourire mystérieux !
Aimons-nous toujours davantage !
Unissons-nous mieux chaque jour.
Les arbres croissent en feuillage ;
Que notre âme croisse en amour !
Soyons le miroir et l’image !
Soyons la fleur et le parfum !
Les amants, qui, seuls sous l’ombrage,
Se sentent deux et ne sont qu’un !
Les poètes cherchent les belles.
La femme, ange aux chastes faveurs,
Aime à rafraîchir sous ses ailes
Ces grand fronts brûlants et rêveurs.
Venez à nous, beautés touchantes !
Viens à moi, toi, mon bien, ma loi !
Ange ! viens à moi quand tu chantes,
Et, quand tu pleures, viens à moi !
Nous seuls comprenons vos extases.
Car notre esprit n’est point moqueur ;
Car les poètes sont les vases
Où les femmes versent leur coeurs.
Moi qui ne cherche dans ce monde
Que la seule réalité,
Moi qui laisse fuir comme l’onde
Tout ce qui n’est que vanité,
Je préfère aux biens dont s’enivre
L’orgueil du soldat ou du roi,
L’ombre que tu fais sur mon livre
Quand ton front se penche sur moi.
Toute ambition allumée
Dans notre esprit, brasier subtil,
Tombe en cendre ou vole en fumée,
Et l’on se dit :  » Qu’en reste-t-il ? « 
Tout plaisir, fleur à peine éclose
Dans notre avril sombre et terni,
S’effeuille et meurt, lis, myrte ou rose,
Et l’on se dit :  » C’est donc fini ! « 
L’amour seul reste. Ô noble femme
Si tu veux dans ce vil séjour,
Garder ta foi, garder ton âme,
Garder ton Dieu, garde l’amour !
Conserve en ton coeur, sans rien craindre,
Dusses-tu pleurer et souffrir,
La flamme qui ne peut s’éteindre
Et la fleur qui ne peut mourir !
Victor Hugo, Les contemplations, 1856

https://www.poetica.fr/poeme-5979/victor-hugo-aimons-toujours-aimons-encore/

Aimons toujours

Shanghai Subway - Υπόγειος Στην Σαγγάη

A song about Project Monarch/MkUltra abuse survivor and educator, Cathy O'Brien, who has, and continues to, inspire me with her wisdom, fearlessness, resilience, and enlightened consciousness. I love you, Cathy. 
Instrumental, Production: Oussama Arichi
Lyrics: Nadia Selvaggi & Cathy O'Brien
Vocals, Mix, Production: Nadia Selvaggi
To learn more about Cathy's journey, visit her website: https://trance-formation.com/jan-6/

Cathy by Oussama Arichi & Nadia Selvaggi

Exploring the Blue (Live Jam)

Solar Flare Awakening Soul

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 synth voice, synth sax, and JJ's angels (voice synth)
TexMex Shaman– @texmex-shaman –Stephen– master and production

This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
  Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning. 
  The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
  Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
  This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid at the back of your mind

how could I have been so blind?

 

It was so long ago now it’s just you and me 

it seems I've forgotten the way you like your tea

the house becomes quiet as the guests head for home 

the garden’s been gathered and the kids are all grown 

on their own


“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play” 

our leaders assured us we’d never go poor

and nobody questions the truth anymore 

but what did we do it all for?

 

Our science sustains us like fine works of art

but are we closer together or farther apart?

we’re each on an island alone on the sea

the ocean between us expands rapidly

is this where we wanted to be?

 

It was so long ago now it’s just you and me 

it seems we’ve forgotten the way it used to be

machines tried to help us but something went wrong

the future we wanted was here all along

 

The wind by the seashore, the wash of the waves

the sand on your skin and the glance that you gave

the sounds of the carnival we left it all behind 

there were words left unsaid…

Faded Fortunes (Eclectic Collective)

A song about using my defense mechanism of humor to avoid conflict and achieve romance. Dedicated to class clowns everywhere.
Sorry I've been off SC lately, I've been taking care of a few things.

Lyrics:
I was just having a drink
In a bar on the rough side of town
Yeah, minding my own business
And these tough guys come up to me
They say: "Hey, we're tough guys."
"we don't like you drinking sparkling Chablis,"

Well, I had a real good read on the situation
I've got the gift of gab (talk) from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I said: Gentlemen, may  I suggest a truce?
Let me be the peacemaker and buy you a bottle of booze
Then I got loose
I left them with a bill
For a three hundred dollar
Bottle of Chartruse

Oh, I listened to what my Mama say
You're gonna have to fight those boys someday
But if you use your brain
Then you'll find another way
Fight back, hit em in the funny bone (3X)
Funny bone

I was a young undergrad
A full-time miscreant
A part-time handsome man
I needed to get the attention of the ladies
But I wasn't that good-looking
But I knew what I had

I had a good read on the situation
I have the gift of gab from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I listened to what my Mama say
If those girls don't give you the time of day
You're gonna have to use your brain
Then you'll find another way 
Step back, appeal to her funny bone (3X)
Funny bone

Funny Bone

hot summer

Hoping you enjoy this latest song  , Gary has  added all  of the beautiful vocals , harmonies and lyrics too! 
Thank you for all of your kind plays reposts and  playlists!

Vocals  :- Gary Scott
Lyrics  :- Gary Scott
Music and arrangements : Annette Scott
(C) 2025



Cast Away (Ft Gary Scott)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

(Don't follow me here, best on my main page ;)

Faded Fortunes (Eclectic Collective)

Entheogenic Psychonaut (Josh Clary)

Recent comments

SOUND23

Frans Beelaard

Mathieu

Glenny G's One Man Band

Related tracks