LIGHT TRAVELS THROUGH A VORTEX OF WIND

Tiempos

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

HOPE FOR HUMANITY - Vocals for Collabs

Unlike our previous two collabs, Dan does lyrics, vocals and lead guitars on an instrumental by me.
I made a 7/4 track for him, knowing he can sail odd waves, and here you are the fantastic result !!

https://soundcloud.com/user-276716031: lyrics, vocals, guitar solos and fills, percussion, artwork on logo by WouWou
https://soundcloud.com/ruizzoidman21centurions: instrumental idea, rhythm guitars, bass, drums

Verse 1:
A promise was made
And It shouldn’t fade
The words were spoken
Then they was broken

We were in the bright sunshine
I thought she was mine
It’s not something you can pawn
And asa now she is gone

I was here forever beau
It was years ago

Verse 2:
But I thought it still held
Like a solid weld

A promise is a promise
Even for a doubting Thomas
It should carry some weight
It doesn’t have an expiration date

But a last I find
That things can unwind
And we are not together
In this Summer weather

Verse 3:
She made her assurance
But I had no insurance
From the broken promise she made
Yes our romance began to fade

Now I am in the dark
What was there was just a spark
Now I Don’t know
Which way to go

No direction in my life
Yes I’m living in such strife
Wondering if life means anything
My joy has no more spring

I am that sad guy you passed by
Not noticing the tears in his eyes

B E T R A Y A L (with Daniel Lockhart)

For Earth Day, an electro hymn at a chill 70 bpm

In praise of water 
Created before we 
of land and sea came to be 
Glory to water 
Magic elixir 
Life sustaining 
Half of it containing 
My body 
Fills oceans rivers lakes 
And thirsty tree
Fatefully 
Where it chooses 
Water never loses 

Sacred aquifer
Whose travels blaze 
the paths we sail
To raise a glass of wine
To water!
To living well 
To drink of grapes that streams 
Feed over time 
To the majestic flow 
On and on and on we go 
Like a slave’s escape to liberty 
Wade in the water, children
Set yourself free 

With props to Ramsey Lewis, Wade In The Water, 1966.

…………………….
 DAW: Apple Logic Pro X 
MIDI: Akai Professional Keyboard 
E-INSTRUMENTS: Concert Grand piano SoCal Ballad Piano
Mexican Guitarron
South African Singers  Momentum synth Lunar Strings synth  Deep Round Synth Bass 
E-DRUM KITS: Drum ‘N Bass Remix  Trip Hop Remix  Trip Hop Remix Phaser Trance Remix
2-Step Remix  African Kit Latin Kit

Audio of running water recorded live on April 20, 2025.

COVER ART is original CGI by SUNNYBECK using a composite derived from AI-generated images rendered as original CGI, then retouched and designed in Photoshop. ………………..
.

Water Hymn

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Joy Swirl - AfterHours

Original music by neno J.
This composition was created 25 years ago and now I have finally decided to rearrange and record it. Classical guitars (Hohner guitar) and piano played by me, July 2025.

Vortex

I started making this piece with the intention of it being a set of songs that could stand on their own as well as being an open collaboration, but then it took on a life of its own, and things just got out of hand from there, lol! 

But I still managed to control myself and didn’t add too many samples though, haha! 

I was listening to 1985 and 1986 hip hop singles when making this so….

You can download this for free as well as some of the unmixed stems on Bandcamp. The lyrics can also be found on Bandcamp since SC didn’t provide enough space in the song info. I reached my description limit!

Feel free to treat it as an open collaboration if you like. The song list, BPMs, and time signatures are listed below. 

I Like To Sample Old Drums Bandcamp Link: 
https://musiciselation.bandcamp.com/album/i-like-to-sample-old-drums

Funny we are now moving to Portland. Bye, bye Hillsboro. I guess this is now a farewell song. 

Track Credits:

The Couch King: Lyrics, Vocals, Production
https://musiciselation.bandcamp.com
Russell Sinfield: Mix and Master
https://soundcloud.com/russell-sinfield

I Like To Sample Old Drums
Rap Attack: 112 BPM 4/4
Take The Max Down To Hillsboro: 189 BPM 4/4
Peach ’N Plum: 132 BPM 3/4
What, Would, When: 112 BPM 5/4
I Like To Sample Old Drums: N/A
This One Goes: 101 BPM 4/4
Bllll: 92 BPM 4/4
The Couch Can’t Help It: 87 BPM 4/4

Here are the lyrics just for: 

Rap Attack

I will
Put you in a tourniquet
Bleeding there’s no stopping it
Got a pimple 
I be popping it
Tripple nipple
Don’t be knocking it
I be chopping it off
Now blood is slopping  
I ain’t mopping 
You be dropping
When you slippin’ in it 
Finna sit and watch as I scoff
Maybe lickin’ ice cream soft serve, huh
What cha sayin’ I can only seem to catch ya gurgling brah
Nah, No one can hear you scream 
When you got a severe stream of
Foam bumbling, bubbling from your mouth, tumbling gravitationally south
Bro, i’m feeling bad for your health
See you reeling keeling over looking so sad 
had I know your noncongealinkg slow at healing
I might have
Not tried to put you in a tourniquet 
Tried to put you in a tourniquet
Tried to put you in a

I Like To Sample Old Drums

Bandcamp

Russell Sinfield and the Couch King -I Like To Sample Old Drums

SUCH IS LIFE
Written, Performed & Produced
by Andrew Borderick Copyright 2025 AB Music

V1
IT'S ANOTHER ECLIPSE OF THE CITY
SOUNDS LIKE YOU'VE BEEN AWAY
S S SAILING AWAY
WHEN I FLOTE INTO YOUR EYE'S
LOOK'S LIKE YOUR FAR AWAY
THERE TO STAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
V2
WE ALL LIVE IN THE CRIME OF THE FUTURE
FEELS LIKE THE END OF TIME
REALING AWAY
NOW YOU'VE SLID INTO THIS STYLE
IT'S NOT THAT YOU HAD TO STAY
I'M HERE TO SAY
(CHORUS)
IT'S ALRIGHT, YOU'LL BE FINE
GET OFF THE GROUND, TO TAKE MY HAND
AND FALL AGAIN, TO FALL AGAIN
WE CAN HIDE AND TRY TO DEFINE
SUCH IS LIFE
(BREAK)
(CHORUS)
END

SUCH IS LIFE

/
We are all...—if you do not act accordingly (fill the gap, you know the words)

toolbox:
// choice of words: complicit, to blame, responsible... and so on


// all music written, arranged, produced and courtesy of That's Bizzare @that-bizzare

// Lyrics capture voices from public feeds—echoes of resistance and bravery, as well as shame and guilt.

// fusion of it all - fictionalive and That's Bizzare
// with the popoems series and the hyper media reports

// artwork provided by the net, fair use only

// dropped
// August 16th, 2025, 2pm

// 

//

/
/

/ba



We are all...—if you do not act accordingly (fill the gap, you know the words)

Recording sessions from 14-08-2025 - 18-08-2025.
presets, mixing, processing and editing: Pier WILL.

"Waiting for your sunshine"
Lyrics and singing: Special Cecilia 
Music: Pier WILL

Everything here is clear, simple and limpid... a voice, a synth, an old piano... enjoy listening. 
Pier WILL◄┤❤️🕊️🙏├►

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Sony, 
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Waiting for your sunshine

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Giving and Taking (open invitation for a collaboration from IPG1) 
https://soundcloud.com/ipg1/giving-and-taking-vox-90-bpm
Paploviante: E-Bass, Music, Composing, Arrangement, Mix and Mastering
Lyrics IPG1:
Cloud Stepping (Chorus) Life is relative, 
to the one that’s living it Inside outlook, 
to giving and taking it 
Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few 
we have can nearly fit
(Verse1) 
If we knew it all, and all, and all 
Then nothing would matter It’s all a puzzle to be solved 
We have always been the answer 
The plan of god without reward 
Evolves in different ways 
We are all awake in different dreams 
To let the devil play
(Verse2)
 Who amongst us hear the screams 
Of millions of lives lost,  and don’t look on it as savagery
 And wonder what’s the cost 
What’s the worth, and what’s the cost 
Are we listening or not 
Are we listening or not
(Chorus)
 Life is relative, to the one that’s living it Inside outlook, to giving and taking it Experience god’s works, all senses 
We were given just a little bit 
We couldn’t handle it all  the few we have 
can nearly fit the few we have can nearly fit

Giving And Taking IPG1 and Paploviante

Using Paul Revere's famous night-time ride alerting people of the coming of the red coats, Light The Lanterns serves as a contemporary warning to light the lanterns again, this time, for the enemy within the US Administration.
Smart people doing wrong always perplexes me.
Religious people supporting wrong raises concerns about faith claims of following truth.
Political parties  and governments oppressing people causes alarms to ring out.

Track 10 from the 2025 Album called Fringe, available at https://www.terrywigmore.com/wigmore-allen-gibbons

Light The Lanterns

V1
In a world that's confusing
When the Sheriffs are the bad guys
When the ones with the masks on
Are putting cuffs on the good guys
When the ones being locked up
May be the ones that we needed

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it


V2 
When they tax the poor ones,
And give it back to the rich ones
When the constitution becomes
the  whim of a convicted felon
Maybe it's time for Paul Revere 
to light the lantern ( to light the lanterns)

Chorus
If you have a keen mind, then mind how you use it
If you've got a mean spirit, you don't have to use it/ abuse it

How can something wrong, seem so right, for some 
Right for some (yeah yeah)yeah yeah
How can something wrong, seem so right, for some
Right for some 
Something wrong was right
Something wrong not right
Something wrong but right
Something

Wigmore: Lyrics, Vocals, Music, Production
Allen: Lyrics, Vocals, Guitars, Bass

Light The Lanterns

Tom's piano melodies are so inspirational, not just to me (Mark) but also to Jussi, Georg and Boon. The energy of this piece carried us all off on a wonderful journey. We hope you enjoy the joyful enthusiasm that Tom initiated. Tom also gave me the key line, 'My Way Through' and I had to run with it as it made so much sense with this uplifting and hopeful music. Thanks for listening.

Tom Regnier -  @tom-r-gnier Music composition, piano and other instrumentation
Jussi Welin - @juswel First guitar and guitar arrangement
Georg Boehme - @georg-boehme Horns and horn arrangement
Boon Suzuki - @boon-suzuki Final guitar and guitar arrangement
Mark Bennett - Vocals and lyrics

Wherever you’re bound you know I’ll, 
Make my way through 
Sure may take a little while
 But I’ll make my way through

Wherever I’m bound I know I’ll,
 Make my way through
 It may take a longer while 
Till I make my way through

Wherever you’re bound,
…You’re bound
I know that I’m bound, yeah!

When I get there you know I’ll
Make my way through
Sure may need a broader smile
But I’ll make my way through.

The Clock Of The Four Winds

August 2025 Currently on residency in Italy !
All sounds here (melody, texture, harmony, percussive sounds etc) are made from a field recording of the dogs in the valley below my balcony... well except for my whistle : ) 
They have been my sonic companions
Residency is coming to end, its been a month of complete experimentation with more than 20 little sketches done, all using field recordings captured around Montegiovi, Tuscany. With these little works I am experimenting freely with what can be produced from each days sounds - manipulating them and stitching them back together with the aim of producing a long format work at the end of the residency. The idea is to have them done by the end of the day (or night) then move on to something fresh the next day.
I am truly thankful for this opportunity that has been provided for me by the Salamanca Arts Centre in Tasmania and Cultivate Projects/La Baldi residency in Italy and The USA.
And of course the wonderful people of Montegiovi !

Tuscany Experiments - Whistling with the Dogs of Mount Amiata : )

Utnyttjar du mig. 631 ( 1983 ) Margareta Theorin ( Margareta )

[ Albums ]
https://negativeheadphone.bandcamp.com

[ Youtube ]
https://www.youtube.com/c/negativeheadphone

[ Spotify ]
https://open.spotify.com/artist/6yptVqiGbvP3HpQNz2XTyQ

[ Facebook Page ]
https://www.facebook.com/negativeheadphone

[ Twitter ]
https://twitter.com/NegaPhone

This Magic Never Ends

Cast of Characters: 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass, Paul Reed Smith semi hollow body electric Guitar 
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ and triangle
TexMex Shaman– @texmex-shaman –Stephen — production, mix, and mastering

This song, in case you're not familiar, was written by Medeski, Martin, and Wood with guitarist John Scofield, and performed by them on an album eponymously named A Go Go. Josh has always been a huge fan of both MMW and J.S., and has always wanted to play more of their music, as he used to cover a couple of their songs in one of his main old bands. 
  Josh laid down the bass and after going back an forth a couple of times with Ken and his thrilling drums, they established the rhythm section. Soon after, Josh added his jazzy guitar, as well. We needed someone to play John Medeski's part, too, of course. So, we asked JJ if he'd do the honors, which he did in grand fashion. He also added some triangle hits you can listen for, that add a little bit more pizzaz to the whole thing. 
  Once it was all laid down, we needed a good mix, and no one is gooder than Stephen, so we asked him to mix it for us, which he did in his always pro manner. 
  This was a lot of fun to record, and we hope that comes through. This is a stripped down Eclectic Collective collab, where most of what we're all doing is improv. We hope you enjoy listening to it as much as we enjoyed making it.

A Go Go by Medeski, Martin, Wood and Scofield (Eclectic Collective cover)

(Don't follow me here, best on my main page ;)

LIGHT TRAVELS THROUGH A VORTEX OF WIND

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