WHAT I CAN SEE IN A FRACTAL CHERRY

Know Your Phsychedelia
The feeling has been gathered man
By an eternal soul
He holds it with great passion man
To open now the door
The door to phsychedelia man
Where life is realized
And feelings are forgotten man
As fantasy is combined.
The truth Is now revealing man
The dealing starts to glow
The fire is your breathing air
The water is your flow.
Your thought is disappearing man
Inside the cave of call,
Where hearing sounds of clearness
Has always given all.
And now your phsychedelia man
Is starting to reform,
Prepare to live now in this trip 
To prove you can perform.
Enjoy the Phsychedelia!!

KNOW YOUR PSYCHEDELIA (Lyrics on Description)

Free Download for future collaboration !

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir

Old Textures

My old friend Strootman Pianomonster (will post soon on https://soundcloud.com/stroot-246138153) sent me some of his baroque recordings on harpsichord. I've worked on one of them with all the Ruizzoid stuff you can hear, and even translated to Latin one of my old poems!

VOLO OSCULUM TUUM  /  I WANT YOUR KISS

 Volo saxum ad clamare.  /  I want a rock to cry on.  
 Ad gemere, quis saxum.  /  To moan, any rock.  

(Volo osculum tuum ad somniare.  /  I want your kiss to dream.  
 Ad vivere, nisi osculum tuum.  /  For living, just your kiss.)
  
Volo flammam ad queri.  /  I want a flame to scream.  
 Ad pati, quis flammam.  /  To suffer, any flame.  

(Volo osculum tuum…  /  I want your kiss... ) 

 Volo pugionem ad exspirare.  /  I want a dagger to expire.  
 Ad mori quis pugionem.  /  To die, any dagger.  

(Volo osculum tuum…  /  I want your kiss... )

Volo Osculum Tuum (with Strootman on harpsichord)

In this time of wars & great crisis, we should keep call for Peace & equality, for a better humanity.
Here are some vocals extract of my song on the topic. So who want can use it, mixing it as you like with music or as featuring in another .song  
You can also use, in a same track, some part of other vocals from this playlist https://soundcloud.com/specialvocals/sets/call-for-humanity-vocals-for
The files are on Free Download.  If You Use My Vocals, Mention My Name in the Track & Let Me Know, I will Repost, Share, Include it in Playlists & Mix...
& If you use it for commercial purpose, let me know, all my songs are under Authors Rights

HOPE FOR HUMANITY - Vocals for Collabs

"A Love Like No Other"

Recollections of flowing memories from when you entered my life
Your long black flowing hair & those beckoning eyes that still call me
It was obvious that we were never through which is why I returned
And in this world, who could ever say they knew of romance like this?
A Love Like No Other

Am deeply sorry for the pain I caused from an addiction that destroyed me
You were always the one & I struggled to cope with all I could not say
As time slowly passes by, I know in my heart you will be back in my arms one day
A Love Like No Other, a girl that gave me a reason to smile
A Love Like No Other, the connection of two souls that become one

Shane Beck (The Last American Poet)

1 - A Love Like No Other - Shane Beck

JOY FEAT

Ambergris
Ambergris is a 30 minute live performance based upon a 3-minute composition commissioned for the exhibition Apologue Isle, shown at Contemporary Art Tasmania in October and November 2024. The performance combined an extrapolated version of the original composition ( built from field recordings) with improvised bass guitar. Big Thanks to Andy Hutson for commissioning my piece and for creating Apologue Isle
 
Live footage of Ambergris - https://vimeo.com/manage/videos/1035385453
Apologue Isle Website - https://www.apologueisle.com/

Apologue Isle
An apologue is a moral fable, often using animals or non-human entities as the primary drivers of narrative.  The ‘apple isle’ was a nickname given to lutruwita/Tasmania to highlight the importance of the state’s apple export industry; with the first apple trees being planted by colonist William Bligh in 1788. These trees mark the beginning of industrial agriculture and extractive industry, and their subsequent impacts on the landscape and original inhabitants of lutruwita.   From these converging starting points, Apologue Isle aims to reframe the human perspective and create new stories that propose a world inhabited not by humans battling nature, but a complex, entwined system of objects, beings and space.  After many conceptual iterations, the project eventually began as an invitation. Five writers were asked to create a new story, with two simple requirements: it must refer to the natural world, and at least one character must be non-human. These stories were then transformed into sets, puppets were built, music composed and narration recorded.     The project unfolded like a surrealist exquisite corpse, each person building on the work of the one before, whilst retaining creative control over their own work. This aimed to enhance a sense of trust between collaborators through the giving over of ownership and acceptance of the other’s intent. 
The result is five unique stories, told through an unexpected array of characters, that reflect on what it means to live in our world at this moment in history. And alongside these stories is a burgeoning community of creative individuals, brought together through the shared ideas and ethics of the project.

Apologue Isle - Ambergris (Live Snippet)

ENDLESS TIME
Written, Performed & Produced
by Andrew Borderick Copyright 2024 AB Music
YouTube Link
https://youtu.be/oR0dpoMQafI?si=DvNXSIOR5O_b81q0

V1
THIS IS YOUR LIFE, IT'S IN YOUR HAND
DON'T JUMP THE START, IT ALL ENDS FAST
V2
TO LOOK YOUR AGE, IS OUT OF STYLE
TO GO BACK IN TIME, THERE MUST BE DENIAL
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
V3
YOU CAN CHANGE YOUR LIFE, BUT NOT YOUR HANDS
THE END OF THE WORLD HAS ALREADY PAST
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(Break)
(Ref)
WE'RE LIVING IN ENDLESS TIME
(Chorus)
YOU'VE NEVER HAD A LONLY DAY
WITH THAT FACE, IT'S ALWAYS THE SAME
YOU CAN CALL IT ALL YOU LIKE
BUT NOBODY LIVES, UNTILL THE END OF TIME
(End)

2024

ENDLESS TIME

ENDLESS TIME - (see info for video link)

Live Reflexion #029

I AM KEEPING SCORES / Open Collaboration from IPG1
Lillithe : Music, Mix and Production
IPG1 : Vocals and Verses
https://soundcloud.com/ipg1/im-keeping-score-vocals-92-bpm


I Am KEEPING SCORE

Lyrics

Never doubt that a small group of thoughtful, committed citizens can change the world

Never doubt that a small group of thoughtful, committed citizens can change the world

Activated citizens change the world
Indeed, it’s the only thing that ever has

Radicalized citizens change the world
Indeed, it’s the only that ever has

Agitate and always agitated

One, two, three, four

Black bloc black mask
Take rights don’t ask
Confront and harass 
Those with power don’t pass

Activated citizens change the world
Indeed, it’s the only thing that ever has

Show your discontent

Track Credits:
Stricknice: Live drums, ending remix
@j-nice-6
Bitzone: Mix and Master
@bitzone
www.bitzones.net
Wou-Wou & the Wormling: Bass, Guitar, Original Demo Track, Song Art
@wouwouandthewormling
wouwouandthewormling.bandcamp.com
www.instagram.com/wouwouandthewormling
the Couch King: Lyrics, Vocals, Samples, Production
musiciselation.bandcamp.com

Lyrics

Never doubt that a small group of thoughtful, committed citizens can change the world

Never doubt that a small group of thoughtful, committed citizens can change the world

Activated citizens change the world
Indeed, it’s the only thing that ever has

Radicalized citizens change the world
Indeed, it’s the only that ever has

Agitate and always agitated

One, two, three, four

Black bloc black mask
Take rights don’t ask
Confront and harass 
Those with power don’t pass

Activated citizens change the world
Indeed, it’s the only thing that ever has

Show your discontent


Black Bloc

Stricknice, Bitzone, Wou-Wou & The Wormling, and the Couch King - Black Bloc

I can see further at night

GOODBYE OLD WORLD
WHEN THE TIMES THERE WERE A CHANGIN’
BUT THE SHIP SHE NEVER CAME IN  

BAD NEWS BLOWING IN THE WIND
SWEET LORD WHERE HAVE YOU BEEN

WHAT CAN I DO?
WHERE CAN I GO?
BAM BAM BAM BAM 

GOO DAY NEW WORLD
SUNSHINE TURNING GREEN
SUNK THE YELLOW SUBMARINE

CASTLES OF SAND A’ CRUMBLING
BANG BANG SISTER MORPHINE

WHAT CAN WE DO?
WHERE CAN WE  GO?
BAM BAM BAM BAM

WHAT CAN WE DO?

SHOW MUST GO ON

WHAT CAN I DO?

Original composition by Neno J.
Electric guitar Yamaha SG, recorded directly using multi effect Hotone Ampero 100

Fractal

Sakura Road Of Memories

Para escuchar la versión instrumental https://soundcloud.com/juan-fco-bueno/ana-maria-version-instrumental
Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/ana-maria-ac
Para escuchar la versión cantada por Dazz Deva  https://soundcloud.com/juan-fco-bueno/ana-maria

ANA MARÍA

No sé bien de dónde podía proceder la luz
y el valor sin miedo que siempre irradiabas tú
aún sabiendo que tu afección no iba bien.

¡Fueron tantos años con es misma actitud!
la niñez primero, continuó en la juventud 
y en ningún momento la rabia o el desdén.

Estribillo

Te recuerdo Ana María
aferrándote a la vida
a pesar del daño que debiste soportar.

Te recuerdo Ana María
convertida en mi heroína
por vencer en mil batallas a la enfermedad.

-----------------------

Cuando te decía que compondría la canción
para que la gente supiera toda la emoción
que sentíamos al estar cerca de ti.

Tú me sonreías y, conteniendo el dolor,
con la voz quebrada ponías una condición:
quiero que transmita alegría de inicio a fin.

Estribillo

ANA MARÍA

I don't know where the light came from
and the fearless courage that you always radiated
even knowing that your condition was not going well.

There were so many years with that same attitude!
childhood first, continued in youth
and never anger or disdain.

Chorus

I remember you Ana María
clinging to life
despite the damage you had to endure.

I remember you Ana María
becoming my heroine
for overcoming a thousand battles against the disease.

-----------------------

When I told you that I would compose the song
so that people would know all the emotion
that we felt when we were near you.

You smiled at me and, containing the pain,
with a broken voice you set a condition:
I want it to transmit joy from beginning to end.

Chorus

Ana María

I’m Keeping Score (open invitation for a collab from IPG1) 
IPG1 & Paploviante
Original Vocals from IPG1:
https://soundcloud.com/ipg1/im-keeping-score-vocals-92-bpm
Paploviante: E-Bass, Mix, Mastering and Music Composition. 
Picture Background P. Racle Senior (R.I.P)

I'm Keeping Score

Original sung by Bette Middler (1979)
Written by Amanda McBroom

This is one of my favorite song, just had to do it....

I used Piano backing track

The Rose (Cover)

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Ice On Fire

(Don't follow me here, best on my main page ;)

WHAT I CAN SEE IN A FRACTAL CHERRY

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