"All is Nothing, Null is Anything is about the possibilities of a grand piano and my 45-year-long love/hate relationship with it. I recorded three tracks with three different approaches: electrified (literally, I apply either + or - 9V to the frame plus strings, and then play the instrument with the other polarity via EQ-ing to various speakers, totally primitive); electro-magitized (via electromagnetic waves, such as ebows and my own devices); and filtered (playing directly on the keyboard, but extremely dark). These three tracks are then layered and mixed resulting in a busy sound world, mixing harshness with tenderness, that might often only distantly remind you of a piano, however, all sounds share the very same source: my 1912 Ibach grand piano." - Cor Fuhler

Australia's Cor Fuhler is an improviser, composer, instrument builder and inventor whose practice is an interdisciplinary one crossing into installation, dance, puppetry and comic strip. His work has taken him on numerous tours around the globe and his recordings are released internationally. He was the director of the Corkestra, co-director of Doek-foundation, co-curator of the electronic music series ‘Kraakgeluiden’, chairman of the Jazz and Improvisers Union and board member of the Arts Council for Composition in the Netherlands. http://www.corfuhler.com/

EHE 08.12.16 - Cor Fuhler - All is Nothing, Null is Anything

Peter Hollo is raven.
cello, piano, loop pedals, laptop processing, post-classical, drone, folktronica, noise, dubstep, breakcore...
Also plays cello in FourPlay String Quartet, Tangents and Haunts, and with Sophie Hutchings, Close to Forever etc.

Ivana was born in Belgrade, she is active chamber musician performing with classical music ensembles, and engaging in interpretation and dissemination of New Music. She have been exploring different approaches in musical creation ranging from classical music performance, creative improvisation, integrating electronic devices and acoustic instruments. She is composing and arranging for film, theatre, and wide range of different multimedia performances and projects.
Having numerous performances all around Europe she has been collaborating with large number of academic composers, film and theatre directors, and artists. She was performing in festivals of classical and improvisational music, Kuhmo, Belef, Exit (Vexation, Satie) IEM Cube Graz, Balkan improvisational festival, Cologne, blink ART, Cronosfera, VNM music festival, INFANT etc. 
Ivana composed and implemented her original style of improvisational music in several well acclaimed theatre plays (Voices by Harold Pinter, Juditha (Jelena Bogavac) by Hauard Baker, Little Mirmaid, (Iva Milošević) by Hans Kristian Anderson) Thirteen (Gordana Lebovic) and received prize for movie composing.
In 2007 with Manja Ristić, she founded artistic society Auropolis that is engaging in sustaining criteria of high level performance and motivation of young artists and promoting classical music. 
In 2012 Ivana started collaborating with pianist Olivier Maurel on the project Opus Neo, comedian Sofie Terrade Maurel, clarinetist Jean Bru, and dancer Ivola Demange, giving several performances in France.
She graduated cello performance in Belgrade, Royal College of Music, London and Eastman School of Music, Rochester, USA.

Michel Banabila, born 1961, is a sound artist, composer, and producer. Banabila has released music since 1983 and has produced musical scores for numerous films, documentaries, theater plays and choreography. His music varies from minimal loop-based electronica, fourth world, and neoclassical pieces, to drones,  experimental ambient,  and punk-as-fuck tape music. His work has been published by labels like Bureau B (DE), Eilean Rec (FR), Knekelhuis (NL), Pingipung (DE) and Séance Centre (CA)

https://allisoncameron.bandcamp.com
Hello and thank you for visiting my Soundcloud page! Soundcloud is one place I especially like to 'catch up' with my friends' works and discover new music. On many of my tracks you'll notice that I have collaborated with a ton of amazing musicians from Toronto and around the globe which is an honour for me.  My creative work is so much about the people who I create for and with, people who I share ideas with and all kinds of musical influences. Because I love sharing music, I've made a support link to my Bandcamp page. This link is to support me and the people with who I work on the various recordings we've made together. Many of the tracks posted here are part of recordings that have been released over the years.  Additionally, I have a Bandcamp 'Fan' account where you can find music and artists that I support. Thanks for reading and here's to more listening and sharing! 

Bio:
Allison Cameron is a composer of chamber works that have been performed throughout Europe and North America; she is also an experimental performer.
Her works have been performed at numerous festivals and numerous ensembles have commissioned her. She co-founded the Drystone Orchestra in 1989 and founded the Arcana Ensemble in 1992, both dedicated to the performance of experimental music in Toronto. During 2000-2005, she was the artistic director of the Arraymusic ensemble where she created the Scratch! festival for experimental music. Her chamber music has been released on Redshift, XI records, CRI, Spool, Supermusique, Hevhetia, Musicworks, Rat-Drifting and others. Since 2000 Allison has been improvising with small, amplified objects in collaboration with many of Toronto’s finest musicians and also internationally respected performers. In 2007 she formed the group The Allison Cameron Band with Eric Chenaux and Stephen Parkinson to write music for two guitars and banjo from which a CD was released on the Rat-Drifting label.  Allison also performs in the improvising music trio c_RL (pronounced curl) with Germaine Liu (percussion) and Nicole Rampersaud (trumpet). 

Current projects include: a CD release on the critically acclaimed UK label Another Timbre with performances by Apartment House https://anothertimbre.bandcamp.com/album/somatic-refrain, a forthcoming recording of solo improvised pieces on Squint Press (Toronto), and a Bandcamp release from a quartet with Sandro Perri, Josh Cole and Nicole Rampersaud and myself called Shoo: Horn.

Australian based Sound Artist and Experimental Musician. 
lost in the expanding sonoverse of techno-industrial excess, sonic detritus and the beyond-human diversity of non-linear spacetime.

Learning to let the drums sound like a musical entity of it's own by creating harmony, melody and rhythm at the same time playing them - that's my cup of tea!
I love to integrate sound sources such as diverse percussive instruments or everyday objects, or to prepare the drums in one or another way. Otherwise I'm pretty much »old school«, working on groove to make people move. I love to learn from everybody - so please connect.

FBi Radio's multi-award winning 
experimental show (2011 - last air date August 29, 2019)

Created by Brooke Olsen & Scarlett Di Maio.
fbiradio.com/945fm/programs/ears-have-ears

EHE 08.12.16 - Cor Fuhler - All is Nothing, Null is Anything

Ears Have Ears