FAD oF The LAND P?ay<l!st

OpenAI

нн

trndytrndy - minimal beat (lust flip)

The Loss of Illusions

Endless Fall

To Live and to Die for

Carta De Un Romance Muerto

My First track: I Came from Hell

Basura Digital

No One

Vakit Ver Bana

A sonic exploration into a thunderstorm. Inspired by the numerous paintings of storms.

The Storm over the Sea (Demo)

Another track by Eat the Trees, this one focuses more on rhythm and complex arrangements with a nice level of melody overtop.

Dusk to Madness

A track about cats for  MuTaNT•BReaKS••••#14 Renoise competition

Mating Season-MuTaNT•BReaKS1-14

New “Stolen Goods” punk rock song, recorded by Murray Yates and Echoman Records

Final Hour

Destination unknown

A song written about changing the error of my ways, leaving a life of selfishness and addiction and finding a life of love and connection

Destination unknown

Rerelease, upgraded through the talents of Brad Hampton Music

That’s just life

Freedom

Heavy Rain

Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.

Traditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.

Jako Maron - 07 - An Lér Si Lo Bor

Metal, all kinds, all kinds of compositions.  There is no such thing as a bad recording, only missed opportunities to explore ourselves and make ourselves better than the last cycle.  Love you all.  Metal forever.

Everyone else puts this up : We do not use or engage with AI for any of our tracks, EVER, that defeats the entire purpose of being a musician.  All tracks are performed, recorded, mixed and mastered by hand in a controlled studio environment.

You can find most of our stuff on most streaming platforms.

Updates: Multiple projects going on at once.