OpenAI

trndytrndy - minimal beat (lust flip)

Blood

Candy Paint

UGH!!

Released June 13, 2022
https://scalq.bandcamp.com/album/t-cito

Guilhotina

Extrait de "Ravi" kraak.bandcamp.com/album/ravi

KRAAK Records 117
Recorded & mixed by Romain de Ferron, 2022
Mastered by Sound Love
Artwork by Anouk Rebaud
Design by Dylan Belgrado
Vocals by Mona Chancogne

Ravi

free for non profit (check my beatstars)
peep my youtube for more beats like dis


scenecore pop punk i set my friends on fire post hardcore crabcore crunkcore type beat

myspace rave | scenecore x pop punk type beat

flat ear

A sonic exploration into a thunderstorm. Inspired by the numerous paintings of storms.

The Storm over the Sea (Demo)

Blightcaster - s/t
Cat. Nr: DN023
Format: DL
Release Date: October 21, 2022
Buy / stream: dansenoire.ffm.to/blightcaster

An anonymous duo split up by border control between Melbourne and London, with an axe to proverbially grind. Blightcaster takes its name from Magic: The Gathering but its affinity with the fantasy trading card game stops there. Or that’s at least if you think fantasy can’t also be a nightmare. The mostly recorded, rarely live noise, gorenoise, power electronics, hardstyle (etc.) band began in the dank privacy of a southeast London basement in 2016, before being cut short by an expired visa and a return to Australia for one of its members.

A handful of years and a global pandemic later, the two had the opportunity to finish their work remotely, sending files between countries and ruminating on the rotten core of a world that has only gotten rottener. Tracks like “Hymns from the Slaughterhouse”, “Disgraced Species” and “Devastator Slug” wheeze, croak and crackle with swells of extreme distortion. “Mind Unleashed” and “Weaponised Banter” offer a pounding though heavily degraded gabber in a barely melodic turn that you would never detect in the goregrind comparison of a band like Last Day of Humanity or Agents of Abhorrence’s contemporary grindcore.

Recorded using whatever they had with limited skills, Blightcaster is the no-fi product of sessions with a broken laptop, cracked software, a cheap synth and buggy contact mic. And while the duo’s own nihilism denies having a message, you might make one out in the blood-curdling shrieks and crunching beats of “Miserable, Mediocre, Nothing”. If ‘inspired' is the wrong word to use, Blightcaster are at least informed by the likes of labels like Self Abuse, Blood 'n' Guts, Head Fuck and Shit Wank Records. There are samples from survival horror games like Manhunt and Eternal Darkness: Sanity's Requiem, but also from the meme zeitgeist; such as the 'Small, Angry Man Yells at Trumpet Player' youtube video. This is the sound of life in the crumbling hell-realm of reality, where ruin and plague meet magic.

Mastering by Rashad Becker
Design by Niels Wehrspann
Artwork image by @clochefolle
Blightcaster logo by @rotten_realm

Blightcaster

buy / stream

Blightcaster - Disgraced Species

Serpenteen

I'm fascinated by riffs, and what makes them carry a song. This is an amazing riff from Trower's 20th century blues album.

Whisper Up A Storm (Robin Trower Cover)

Welcome to DOGZ or GODZ - Subscribe, Like, Share

Fuck It is an introduction to DOGZ OR GODZ (D.O.G)... Fuck It - will be available on the soon to be released album.

DOGZ OR GODZ can also be checked out via, You Tube @ www.youtube.com/watch?v=HBT_gaILPjA .............

Socials - Instagram - www.instagram.com/dogzorgodz/

Website - https://dogzorgodz.co.uk/

FUCK IT

Another track by Eat the Trees, this one focuses more on rhythm and complex arrangements with a nice level of melody overtop.

Dusk to Madness

A track about cats for  MuTaNT•BReaKS••••#14 Renoise competition

Mating Season-MuTaNT•BReaKS1-14

demos from 2020 to 2023

non mastered 
composed and mixed thru headphones and Hi-Fi
from one of my favorite place, my room.

include :
forgotten songs, raw demos of future songs without lyrics, 
demos for unfinished compilations

personal release 
100% headthinked
100% bodyfelt

K6 is a rehearsal recording with Sarah-Louise Barbett on drums

photo by Manon Tombe in 2022
painted together

K6 (instrumental rehearsal)

Ultima II Massage

Blow Your Heart

Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.

Traditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.

Jako Maron - 07 - An Lér Si Lo Bor

taken from the "Baroquecore EP"(aent.012) by Igorrr, to be released as a12" vinyl on Aentitainment and the CD album "Nostril"(adn132), to be released on Adnoiseam. Both November 2010.

Hit www.aentitainment.com to preorder the Baroquecore EP and maybe dress up with a new shirt.


Igorrr "Veins"

Written in a state of sleep-deprived malaise, aircode's difficult, queasy electronics find a home on Alien Jams.

'Effortless' is out September 25th on Alien Jams.

Pre-order: bit.ly/2FqRDfy

@aircode
@alien-jams

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角田 佑太

角田佑太