Superpitcher bookings & requiries: 
bookings@studiobarnhus.se
superpitcher@gmx.net

Aksel Schaufler, known as Superpitcher, is a German born producer, musician and DJ, based in Paris.  Since stepping out in 1996, he has steadily produced his own music and countless remixes aligned with Cologne based record label KOMPAKT. In 2011 Superpitcher and artist Rebolledo, created Pachanga Boys and together they own the record label, Hippie Dance.  In 2017 Superpitcher released his third full-length album The Golden Ravedays, an epic of 12 chapter LP’s.

Booking: agency@blitz.club

Muallem has always focused his attentions on the communal experience of dancing. This love was incubated in Munich, a city where Muallem first found himself sneaking into clubs at the tender age of 15. Over the years, his career saw him produce and perform under many guises and live across the world exploring local scenes and movements whilst refining his own DJ craft. However, it was when he returned to Munich after over a decade abroad, that Muallem was able to make his biggest mark on electronic music and its community. 

Playing a key role at influential Munich club Bob Beaman, Muallem was the creative director and programmer until May 2016. Also occupying a resident slot, he rapidly gained a reputation for a vast depth of music knowledge, which he uses knitting together house, techno and disco jams drawn from across the decades. His immersion within the Munich scene saw him busy running SMiLE Festival and affiliated Art of Dance nights until 2017 when he opened Blitz, one of Europe’s most respected club institutions. Here his progressive music policy, dynamic understanding of audio acoustics as well as an appreciation of the relationship between DJ and dance floor came to the fore. 

His desire to open venues and create a blank canvas for artists to express themselves was also driven by wanting to create a club that makes you part of something, a community and a place of freedom for the people who are fleeing the everyday. His DJing feeds this atmosphere of escapist hedonism and elevates the crowd to those transcendent dance floor moments. As the creative director of Blitz, the risks he takes with club programming are reflected in the risks he takes with his selection while DJing, a talent which places him amongst the scenes established taste making luminaries. Always working to find unheard cuts or records others might stay away from, it was the educated crowds at Bob Beaman and Blitz that served as the perfect foil for him to master this craft as a selector.

With regular and mostly long lasting closing sets at Panorama Bar as well as landmark sets at Robert Johnson, Printworks, DC:10, Rex Club, IFZ, Bar Americas and Shelter, his international profile has grown to match his domestic reputation as a DJ with a revered approach to track selection and ability to inject ecstatic vibes into any party. Performing internationally allowed him to realise that a great experience on the dancefloor is such a universal happening that the location doesn’t matter. 

Another milestone on Muallems storied timeline is the creation of LGBTQI+ night Cruise. Finding its home at Blitz, Cruise is a project close to his heart that he created with two close companions, Gio and Werner. The idea for the night was established over the years out of the desire to promote inclusivity for all with a forward thinking approach to music, something which has been a defining trend throughout Muallems career. Muallem considers the night as “blueprint for what Blitz is about”, no wonder it’s international acclaim goes hand in hand with the club. 

He understands the primary purpose of a club and a DJ is to make people dance TOGETHER, so as a performer he is one that lets the music do the work for him. Selecting tunes that feel familiar yet new, Muallem has a connection with the crowd that only an experienced dancefloor campaigner can attain.


In 2020, Muallem took the chance of nightlife’s closure due to the global pandemic in the form of creating his very own musical imprint, CHILDHOOD. So far, the label released singles by DJ Deep & Don Williams as well as albums by Mr. G and CYRK.

The Italian-German composer, DJ and founder of the record label 99CHANTS. He has been releasing music since 2010, but it took self- evaluation and a re-examination of his priorities for August to lean towards the future and follow his most experimental inclinations.
In 2023, his output is harder than ever to define, stretching across genres and disciplines to chafe the heart of the human experience.

“oOo (that’s my type)” and “omg” out now

MGMT: 
af@loyaltmgmt.com

BOOKING:
N/S America, Asia, Australia: 
mmarquis@paradigmagency.com
max@amonly.com 

UK/Europe:
nick@codaagency.com 

Act One, the debut full-length from songwriting duo Marian Hill, was written and produced in its entirety by Jeremy Lloyd (music/lyrics/production) and Samantha Gongol (music/lyrics/vocals). The multi-talented duo, who have been collaborating in one form or another since high school, have shifted the classic paradigm of a woman on a stage and a man with a piano to a woman on a mic and a man with a laptop -- and the results are seductive and vivid. Tempting paradox with a blend of blues and bass, acoustic and digital, classic and modern, Marian Hill have arrived.

Two years ago Sam and Jeremy wrote and recorded “Whisky” over spring break in Jeremy’s parents’ basement. When they released it for free on Soundcloud later that summer it was the only song they’d written for the project, and in a little over a year’s time they had recorded their first EP in a bedroom, amassed millions of plays on various platforms, sold out shows across the country and featured in high profile commercials. They signed to Republic Records in early 2015, released the Sway EP, and settled in to write and record their debut album over the course of the following year with a plan to push their unique sound to its fullest potential.

For the first 50 seconds of “Down” you might think you’re at a supper club in the 1920s, but when the bass drops out of nowhere you couldn’t be anywhere but 2016. Act One then takes you on a journey through the complexities of modern relationships, with each song inhabiting a specific and charged relationship lyrically, melodically, and sonically. “I Know Why” constantly transforms and reinvents itself as the vocals grapple with a secret while “Mistaken” is the hardest of sax trap with a classic songwriting backbone. “Same Thing” is the saddest part of the album, a haunting ballad depicting serene resignation of a doomed relationship, but castanets rise from the ashes as “I Want You” closes out the night in a pure moment of optimistic electricity, a glance across a crowded room that changes everything.

Marian Hill’s one of a kind sound is present throughout — blues harmonies blend with sparse hip hop drums, horns blast under classic vocal melodies, and soloistic vocal chops sit side by side with clear, intimate lyrics. You’ve never heard this before, yet it’s surprisingly familiar. And it’s only the beginning.

Diynamic has constantly been an underground electronic music label on the rise. The motto: Do It Yourself. Founded in 2006 by Solomun and Adriano Trolio in Hamburg, nowadays undeniably amongst the hottest imprints worldwide: Diynamic Showcase events all around the globe, Diynamic Festivals in Amsterdam, Berlin and Brazil, two own weekly residencies on Ibiza including the infamous “Solomun +1” events at legendary night club Pacha and the Diynamic Outdoor event series as well as own stages at major music festivals everywhere. 

DEMOS:
We don't accept any music via Soundcloud or Facebook, but you can send a 320 kbits MP3 via email. Send promos to solomunpromo@diynamic.com and demos to solomundemo@diynamic.com. All submissions will be listened to and if we are interested, we will get back! Please allow some time though, because, as you can imagine, there are very many people sending in music.

Tomek Borowski (Fantomas-Records) Label Owner, DJ, Producer and Remixing Artist.

#SIGO
#(sometimes I go Out)

"Ministry of Sound (UK)"
"Fantomas-Recordings"
"Monoton Relases"

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