Tamen and MC Manaki set

Recorded live at Run it Red

Tamen & Mc Manaki -  Live At Run It Red - Oct 7 2023

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

Born in Konya in 1974. Acid house, 1987, was his first step into electronic music. He played at various local radio stations and parties between 1994-2005. Currently he does not actively play as a dj but he is a devoted follower of electronic music. He likes to play and listen to techno, dark techno,hard techno, drum&bass, jungle, drumfunk, hardstyle, gabber, speedcore, breakcore etc..

Andrew Wowk is a DJ, producer, radio host, promoter, and writer who has been active in the Eora (Sydney) electronic music scene for over 20 years. First introduced to dance music culture through work experience at community radio station Rhythm FM at age 16, Andrew exudes a passion for and knowledge of music that is the result of years of experience.

As a DJ, Andrew has earned a reputation for refined technical skills and eclectic track selection. His tastes run the gamut of techno, house, breakbeat, drum & bass and jungle, electro, and leftfield electronica, demonstrating a deep respect for the history of dance music, a love for its present, and excitement about its future. But even with such a wide range of music at his disposal, he finds ways to combine these numerous sounds into a cohesive whole. Often focused more on telling a story or creating a particular feeling with his sets, he regularly moves fluidly across stylistic boundaries, preferring to find other similarities between tracks than just their genre.

His intelligent approach to DJing has led to him playing at some of Sydney and Australia's most well-respected clubs/events, both as a headliner and as a support act for international artists. He has also received international recognition, being invited to play guest sets at Circus Osaka in Japan, DEPTH and Train Car House Party in Seattle, as well as perform on 313.FM in Detroit, WNYU in New York, and provide mixes for Animal Instinct in Berlin, Fnoob Radio, and Error Sessions in the UK.

Outside of club DJing, Andrew also produces music under the alias End User License Agreement, which has been released on labels such as Biotech Recordings, Baroque Recordings, Extra Spicy, Communication Records, Monarch Recordings, and Late Night Music. His remix of Floor Twenty’s “Say My Name” and his original track “Chonk” were both featured in Beatport’s and Juno's best bass music releases from 2021. He also hosts a weekly radio show "Time To Track" on 2SER, regularly writes for both print and online media, and runs events covering the spectrum of underground dance music, featuring previous headliners such as Dave Clarke, Ben Sims, Marcus Intalex, Regis, Hodge, Adriana Lopez, Djinn, SNTS, and Nastia Reigel. 

Andrew is passionate about social and political issues and strongly believes in using music as a medium for addressing these issues. Much of the music he loves was originally created in tandem with social, cultural, and political movements, and he believes that contemporary music should also carry a message. To put this into practice, he launched Music For Change, a label which donates 100% of profits from all releases to various charities, alongside Jessica Tassone in 2021. Releases on the label have been supported by international artists such as Dave Clarke, Ani Klang, and Alchemist/Amy Kisnorbo, played on BBC Radio 1, and added to the rotation on local radio stations FBI Radio and 2SER.

Jungle // Hardcore

Camps with Amps // Trip Hazard Sound System
Run it Red // Echo Chamber Sound

Naarm/Melbourne based producer & DJ.

Samurai I Rupture I 3024 I Trule I Repertoire I Subtle Audio I Tempo I Dext I Echo Chamber I Junglistic

Bookings/Info: djtamen@gmail.com
Bandcamp: https://tamen.bandcamp.com/