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Tathāgata (1691)

ЛИЗА

Осень длиною в тысячи лет

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Thousands of years of autumn

015 – Elizaveta Danilycheva

info: https://radio.syg.ma/episodes/guests-156-billy-gomberg
https://billygomberg.bandcamp.com
http://www.fraufraulein.com/billy
https://soundcloud.com/billygomberg

Billy Gomberg

GUESTS 156 – Billy Gomberg

Gorozhanin — Mirambira

Real Eyes.

Comfortably Numb

pavel milyakov intense mix

Mårble @ TESTFM — 31/10/2019

Paranjah

“Фильтреализм” начинается на территории, куда Gamayun еще не ступали – с той музыки, что только кажется простой, но на деле оказывается весьма сложносочиненной. Вот только былого эскапизма в этой записи не наблюдается – альбом целиком записан как расчленение, изучение и принятие повседневной реальности через личный и коллективный опыт музицирования. Под стать этому и сама физическая его часть – кроме «привычных» электронных инструментов на “Фильтреализм” можно услышать совершенно бытовые (и порой – даже кустарные) источники звука: посуду, мебель, деформированные диктофонные записи.  

Альбом звучит так, словно кто-то из советских пионеров электронной музыки перевёл свой фокус с модулируемого синтеза звука на простые окружающие вещи, а композицию дополнил более глубокой попыткой запечатлеть странности и моменты повседневного очарования. Которая срабатывает, надо сказать, очень быстро.
___________________________________________________________

"Filterealism" starts from the territories where Gamayun haven't stepped before, from the music that only seems to be simple, but in fact it turns out to be very compound. Their recordings are not escapist in any sense of its meanings anymore; the whole album consists of divisions, explorations and adoptions through the personal and collective experience of music-making. The technical side of this sound acts likewise: you can hear a large amount of routine items (furniture, utensils and deformed recordings of the nature) among "conventional" electronic gadgets and live instruments. "Filterealism" sounds just like some Soviet electronic music pioneer, which had shifted his focal grip from the modulations and synthesizers to all the simple things of surrounding and completed the piece with profounder shot of weirdness and commonplace wondering. And it literally works like a wonder.

GOST014:  Gamayun "Filterealism"

Side 1
A1: Situation (4:46)
A2: Alumium Dub (3:26)
A3: Chance (3:39)
A4: Kosmaj (6:39)

Side 2
B1: Transition (2:13)
B2: All This Is Not A Dream (5:44)
B3: Continental  Outcome (3:03)
B4: Arrival  (0:44)
B5: Photon Garden (4:07)

music – Anton Dvoenko
A3, B1 – co-produced w/ Dmitri Nikiforov
B3, B5 – co-produced w/ Stanislav Mitrofanov
mastering – Flaty
cover – Garif Basyrov
executive producer – Ildar Zaynetdinov

Smolensk
12" LP, full colour print, hand stamped white label
February 28, 2020, Russian Federation.
© «ГОСТ ЗВУК»

ГОСТ014: Гамаюн "Фильтреализм"

@collapse9 track from [ECH011] VA - Ten Years of Echotourism
cassettes and digital
bandcamp: tinyurl.com/y9tokpvm
iTunes: tinyurl.com/y8yre6v9

10 Years of Echotourism

Inward

Approach – Inward

@dyad track from [ECH011] VA - Ten Years of Echotourism
cassettes and digital
bandcamp: tinyurl.com/y9tokpvm
iTunes: tinyurl.com/y8yre6v9

Wintering Anthem

Dyad - Wintering Anthem

@minereed track from [ECH011] VA - Ten Years of Echotourism
cassettes and digital
bandcamp: tinyurl.com/y9tokpvm
iTunes: tinyurl.com/y8yre6v9

Headcrushing Dream

Minereed – Headcrushing Dream

@koyil  track from [ECH011] VA - Ten Years of Echotourism
cassettes and digital
bandcamp: tinyurl.com/y9tokpvm
iTunes: tinyurl.com/y8yre6v9

Glen's Season

Koyil – Glen's Season

Release is available exclusively via www.patreon.com/gostzvuk
Tracks by A. Kostyukov (@kostyukov), Shine Grooves (@shine-grooves), Gamayun (@gamayun_sml), FFAA (@producedbyflaty & @fama-87), Bryozone (@gannabryzhata), Sasha meets Vova (@sashameets). Mastered by @producedbyflaty. Compiled by Ildar Zaynetdinov and Flaty.

ПК006: A. Kostyukov, Shine Grooves, Gamayun, FFAA, Bryozone, Sasha meets Vova

February Scetch

I want to make a pilgrimage
back to our homeland
of sand, blood, and ripened figs.

To unearth the garden I planted in another life
the roots of which might still cling
to their moorings in the earth,
even after this long storm of upheaval.

I want to whisper your forbidden name
unto the ears of the warm winds
that my voice might ride the gusts unto you,
break upon your back, and cause you to look up
and think of me as we walk the long path
back to one another.
By L.M. Browning - Upon the Desert Wind

Voglio fare un pellegrinaggio
di nuovo nella nostra patria
di sabbia, sangue e fichi stagionati.

Per portare alla luce il giardino che ho piantato in un'altra vita
le cui radici potrebbero ancora aggrapparsi
ai loro ormeggi nella terra,
anche dopo questa lunga tempesta di sconvolgimenti.

Voglio sussurrare il tuo nome proibito
fino alle orecchie dei venti caldi
che la mia voce possa cavalcare le raffiche fino a te,
rompersi sulle tue spalle e farti alzare lo sguardo
e pensa a me mentre percorriamo il lungo sentiero
di nuovo l'uno all'altro.
L.M. Browning - Sul vento del deserto

Koyil – Glen's Season

Echotourist

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