Each acoustic instrument seems to have the best resonance and weaves a connection between the instruments, which makes me feel very comfortable. It's amazing.

Music: PJ Project & Janne Hennie
Vocal&Lyrics: Janne Hennie
Instruments & Mix: PJ Project

Forgive The Past W/PJ Project

An original composition titled Apologies, expressing regret and the longing for reconciliation. The tender melodies weave a story of vulnerability and heal. 

#Apology #OriginalPiano #EmotionalMusic #ReflectiveMusic #InstrumentalPiece #PianoMusic #SoundCloudOriginals #HealingMusic

Apologies

This is a cover of one of my favourite songs in the world. The original is a masterpiece.
I play it live and it can have a different meaning to me every time I play it.
The lyrics are about falling in love and the excitement and uncertainty of whether you can trust the person...but that can feel like a metaphor inside a metaphor...for whether to open up  to fully live or to keep yourself closed. Like so many Abba songs, it's full of complex human truths!
Strangely, I found myself trying to get Velvet Underground inspired primitive drums and pounding pianos on this. I think it's kind of a weird, slow version which brings out some loneliness and a touch of desperation.

The Name of the Game

under the use of a variation of a valse of Carulli

valse

ANARS ! Veux-tu encore sourire pour moi ?

Rock Star In Berlin

玉根は、さまざまな怪の近くにふわふわと浮いていたり、毛の間や足の裏など、怪の体のどこかにくっついていることが多い。玉根は、取りついた怪の情報を栄養として蓄える。付かれた怪にとっては多少くすぐったいくらいで、特に害はない。取り付く怪を次々と変えて移動し、情報が増えるにつれて体の中央の模様が複雑に変化してゆく。刻まれる模様が細密になり、遠目には単色に見えるほど成長すると、やがて土や水や火の中へ飛び込み、これまでに取り込んだ情報から選んだ別の怪の姿に変化して現れ、その怪の性質のままで死ぬまで過ごす。油に入った場合は、2匹に分裂して玉根として増える。玉根から変化した怪は完全な変容を遂げ、普通の観察で判別するのは困難だが、他の玉根を近づけると避けることでのみそれとわかる。玉根はすべての怪の卵のようなもの。卵が先か鶏が先かは人間の命題だが、怪は玉根が先である。美しい文様。2枚貝のような形状。通常の大きさは2cm～10cmだが、1mを超える巨大なものも数例発見された。両面同じ柄だが、稀にオッドアイあり。玉根から生えている細い触手は、1本でも切れると情報がリセットされて文様も消えてしまうので、手に取って見る時はそっと扱うように注意すること。



Tamane often float gently near various Ayakashi or attach themselves somewhere on the Ayakashi’s body, such as between fur or underfoot. They absorb information from the Ayakashi they attach to, storing it as nourishment. For the host Ayakashi, this causes a slight tickling sensation but poses no particular harm. As Tamane move from one host to another, accumulating information, the patterns at their center become increasingly intricate. When these patterns become so detailed that they appear monochromatic from a distance, the Tamane eventually plunge into earth, water, or fire, reemerging transformed into another Ayakashi form selected from the information they have gathered, and live out their existence with the characteristics of that Ayakashi until death. If they enter oil, they split into two, increasing their numbers as Tamane. Ayakashi that have transformed from Tamane undergo a complete metamorphosis, making them difficult to distinguish through ordinary observation; however, they can be identified by their tendency to avoid other Tamane. Tamane are akin to the eggs of all Ayakashi. While the question of which came first—the egg or the chicken—is a human dilemma, for Ayakashi, it is the Tamane that precedes. They possess beautiful patterns and have a shape resembling bivalve shells. Their usual size ranges from 2cm to 10cm, but some specimens exceeding 1 meter have been discovered. Both sides display the same pattern, though rare cases exhibit heterochromia. The thin tentacles extending from Tamane, if even one is severed, cause a reset of the stored information and the disappearance of their patterns. Therefore, when handling them, care should be taken to do so gently.

Kwai 怪 Sound track Part1

I'm 417Hz A here and wanted to throw Matilda's tin whistle in but couldn't make it work and didn't want to pitch shift it... Then I remembered I wanted to try Bath Flutes in a song. Pitch is controlled and tun-able by adding and removing water. A great toy for teaching kids pitch recognition or if you're Randy Marsh use them in a song!.... 'Hey Shaaron. Come check this out.'

Lyrics

Song Salmon heaven is here
New navigations still unclear
'Lateral Line
'Magnetic define
Their instinctusl map
Earth's mind of mind

I am Atlantic, Pink, Sockeye, Coho
I'm Chum, Chinook. Hunchen, Eosalmo
Born to a river
My venture covers thousands of miles
When the end is nigh
Home returns through magnetic smiles



I am a Salmon
With evolution I imagine
I am Salmon
With my body examine
Streamlined I teach you how to reach
My instinctual beach
To big field I'm a leech

I am a Salmon
With evolution we caught on
I am Salmon
With my kind examine
Unspoken finds beseeched
To broken human minds
Earth says,
Human planet bleach!

We're home
We spawn
My DNA 'aint gone
My degradation neweth become

Good Planet of one

We're home
SWe spawn
My DNA aint gone
Degredation lives on
Good Planet of One

I am a Salmon

Progress - Ceremony

There’s a real feeling of despair but also hope in this track.

Telephone Screams demo

Woman

I am an artist, writer and musician from Hastings, UK.  I make slightly wonky acoustic folk-pop, often with unusual guitar tunings, along with instrumentals that mix acoustic and electronic textures. 

Musically my current obsession is Judee Sill.
But it always comes back to the music of my childhood- The Cocteau Twins, The Waterboys, ABBA, The Beatles, Joni Mitchell, Kate Bush.

The Name of the Game

Ed Boxall

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