Klank.ist Ensemble
Violin: Secil Isiksoy
Violoncello:Zeynep Ayse Hatipoglu
Keyboard: Sabina Kjuhaeva
Voice,Electronics: Eda Er 
Live recording : @mertcanicuz

01.01.2018 Bomontiadaalt (Miam Music Dunya Concert)

Hyperboreans for Violin,violoncello,keyboard,voice,electronics

HueyChing CHONG (1986*) began her composition studies in August 2008 with composer, Yii Kah Hoe. From 2010 to 2017, with the support of Monbukagakusho Scholarship Award, she continued her musical exploration under the tutelage of Prof. Keiko Harada. Besides that, she has also studied with Prof. Akira Nishimura, and Prof. Michio Kitazume. In 2017, she obtained her Doctor of Musical Arts (Composition) from Tokyo College of Music. 

 

Her music had been performed in many countries including Malaysia, Philippines, Japan, Taiwan, Australia, Spain, Germany, Netherland, Switzerland, and Lithuania. She has participated in multiple international masterclasses, including the International Ensemble Modern Academy (IEMA) 2016/17, Composers+ Summer Academy 2017, Atlas Lab 2016, DAAD International Exchange Creative Exposition, HfM Würzburg X Tokyo College of Music 2015, and many more. She has also collaborated with extraordinary musicians internationally including Iñaki Alberdi (Accordion), Ricardo Descalzo (Piano), Elena Casoli (Guitar), Wu Wei (Chinese Sheng), Hong Yoo (Korean Daegeum), Naoko Kikuchi (Japanese Koto), Atsushi Sugawara (Percussion), Little Giant Chinese Chamber Orchestra (Taiwan), Malaysian Philharmonic Orchestra,  and Duo Jeux d’Anches (Accordion Duo).

 

In her works, energy is formed prior to sonority. This energy within her music refers to the details that can be sensed and physically felt inside oneself (for example, the changes of speed in physical breathing) when emotions are awoken within a human being. She explores the mystical point where physical and mental control during music performance cease to be. Her solo piece for accordion (Introspection) was precisely described by musicologist, Stefano Russomanno, as “La exploración de los límites del acordeón, donde el control del instrumento se hace menos firme, produce una intensidad cuya base se asienta, paradójicamente, en la inestabilidad, en la vulnerabilidad (Russomanno , S. Aula de (Re)estrenos 103: Compositores Sub-35 (VI). Madrid: Fundación Juan March, 2018)”.

1986年マレーシア生まれ。22歳より作曲を始める。2017年東京音楽大学大学院音楽研究科音楽専攻博士後期課程(作曲)修了、博士号を取得。マウリツィオ・ピサーティ（イタリア）、ジョナス･バエス（フィリピン）、タズル・イザ ン・タジュディン（マレーシア）、 カルロ･フォルリヴェジ（イタリア）、ディッター・マック（ドイツ）のマスタークラスとアンサンブル・モデルン＆トーキョーワンダーサイト アカデミーを受講。作品はスペイン、スイス、ドイツ、マレーシア、フィリピン、日本、オーストリア、インドネシアの様々な音楽フェスティバル、コンサート、コンクー ルで演奏される。作曲を原田敬子、西村朗、北爪道夫、イー･カ･ホゥ（マレーシア）に、ピアノを廻由美子に師事。

Eda Er is a composer, multimedia artist, and vocalist exploring storytelling, technology, and interdisciplinary art. Her work integrates electronic music, visuals, and performance, drawing from identity, belonging, trauma, and cultural heritage.

📧 Contact: info@edaer.me
🌐 Website: www.edaer.me

https://giovannizaniol.wixsite.com/website

Rewend was born in 1992 in Turkey. 
Dark, Hard, Industrial Techno Producer.

Sabina Khujaeva Abay is a composer and pianist whose music lives in the space between cultures, traditions, and sonic experimentation. She creates works shaped by rich timbral palettes, inventive rhythmic energy, and expressive nuance, moving fluidly between acoustic, electroacoustic, and spatial forms. Her passion for the visual arts infuses her compositions with a cinematic quality, bringing vivid imagery and atmosphere to sound.
Her music often engages in cross-cultural dialogues, expanding expressive horizons through the fusion of diverse traditions. She has collaborated with ensembles such as the Hezarfen Ensemble, Schallfeld Ensemble, and Omnibus Ensemble, with performances at international festivals. Notable works include Luminescences, Astray, Ardent Meditation, and the original soundtrack for the film Cadi, adapted from Hüseyn Gürpınar’s novel.