READ-J: 'Quantum Society' playlist

READ-J / EXTRA QR play list. A 'Quantum Society' suggestion for reading books.

Composer-Performer

New Music Unlisted - 8 (Kitaptan Sonra)

Spinning Four

A little sketch and my first time with Max for live instrumentOperator.

SnR 2

yet the dew remains in pale (2011-12) Orchestra

Album was released on January 1, 2021 

Vocals,electronics,production : Eda Er 
Tuba, Trombone: Simon Sieger 
Mastering: Laçin Şahin 
Illustration: Eda Er

Listen from other platforms : https://wiseband.lnk.to/Eda-Er-Simon-Sieger-ESSE-Debut

Toi D'un Autre Rivage

C'est Le Son Que Vous Obtenez En Caressant Une Orchidée

I'm So Lost In Blue

Mistral

When The Rivers Meet The Seas

2022.10
Commissioned by Huikuan Lin and Taipei C-Camerata
Composer: Chen-Hui Jen
Pipa: Huikuan Lin
Violin: Chia-Lun Chang
Recording: Chia-Lung Huang
Mastering: Jacob David Sudol

Still mountains, still... (2022)for pipa and violin

the start of a 2 hours segment of weird techno for und transit in progress thx to EMS and Sporobole.

weird_modular_techno_inprogress

Track 5 on Qualia: frktl.bandcamp.com/album/qualia, the second LP from FRKTL.

Qualia

FRKTL — 10279-60-4 Blue

into silence, and keep falling (2016) cello and piano

Double for two guitars tuned in 1/12th of a tone.
Estelle Lallement and Filipe Marques, guitars

Recording live see:
https://www.youtube.com/watch?v=Ca5pGlpHKX0

I Double (2015)

Ensemble: 20° dans le noir （www.ensemble20degres.com）
Mastering: Jacob Sudol

until after the twilight (2017) for flute, accordion, cello, contrabass, and electronics

Chen-Hui Jen's "d'un songe" for piano and live electronics performed live by the Jen + Sudol Duo at the Chai Found 101 in Taipei, Taiwan on June 18, 2016.

Chen-Hui Jen: "d'un songe" for piano and live electronics

Klank.ist Ensemble
Violin: Secil Isiksoy
Violoncello:Zeynep Ayse Hatipoglu
Keyboard: Sabina Kjuhaeva
Voice,Electronics: Eda Er 
Live recording : @mertcanicuz

01.01.2018 Bomontiadaalt (Miam Music Dunya Concert)

Hyperboreans for Violin,violoncello,keyboard,voice,electronics

DAPHNE ORAM - Snow (excerpt)

tania candiani

This track was composed for a four-channel sound installation meant to be experienced in complete darkness. 

Spindle

Timescale modified composition on an Epiphone LP, with melody and filters added in Live.

Track 2 on Atom: frktl.bandcamp.com/album/atom, the first LP from FRKTL.

Atom

FRKTL — Tidal

Daphne Oram is best known for her design of her Oramics system, and also for co-founding the BBC Radiophonic Workshop in 1958. At the time of writing, the only easily available piece of music by her on CD has been the 8 minute long ‘Four Aspects’. There was also a 7” EP from 1962 on HMV, released as part of the ‘Listen, Move and Dance’ series that was specifically designed to help children dance. Although the short pieces on this record are very basic it could be argued that this was the first ever electronic dance record! 
Now for the first time is a survey of nearly all the major pieces that she produced since her departure from the BBC in January 1959 until her final tape piece in 1977. During this time she worked independently in her home studio, and thanks to a grant from the Gulbenkian Foundation in 1962 she was able to persue her interest in developing her own electronic music. In Britain there were no state funded studios other than the Radiophonic Workshop which in its earliest times mainly existed at the behest of the drama studio and was not generally seen as a place to develop personal artistic ideas. There were also no university studios at this time, so it was necessary for British electronic composers to be self funded. Throughout this period she devoted her attention to developing her Oramics ‘drawn sound’ system, which consisted of a large machine that enabled patterns drawn on transparent 35mm film to be converted into sound. This system was eventually fully realised in the late 60’s and several pieces here incorporate its use.
The 2 and a half hours of music on this 2CD set covers the whole range of Oram’s post BBC output. All of the music is electronic with some occassional use of instruments, especially small percussion and piano frame. There is also some use of musique concrète techniques. The works fall roughly into the following catagories: works for TV and cinema advertising, film soundtracks, music for theatre productions, installations and exhibitions as well as concert pieces and several studio experiments. Also included are 4 mini compositions that resulted from an experimental music course given by Oram at a high school in Yorkshire in 1967.

Daphne Oram - Pulse Persephone (1965) from the 2CD Oramics, (Paradigm Discs, PD 21)

Eda Er is a composer, multimedia artist, and vocalist exploring storytelling, technology, and interdisciplinary art. Her work integrates electronic music, visuals, and performance, drawing from identity, belonging, trauma, and cultural heritage.

📧 Contact: info@edaer.me
🌐 Website: www.edaer.me