i wake up every morning and play this song during my prayers. afterwards, i murder approximately 4 kittens for breakfast. followed by my daily exercise which consists of once again listening to this song during a rigorous double-dutch jump roping course. then i take enough cocaine to kill a small horse and beat my dick until it bruises and i pass out to start up again tomorrow on the same routine :D

HATE (ft. Milos Graveyard)

NEW TATTOO( lyrics)

Gonna get a rush
Not until u notice 
Oh your keeping me alive
Need a little push
I dont wanna close this
Like u did when u left me behind

And at all your shows you'll see me planted in the front row it's not over till the lady in the Opera sings her last note

Who is the name on your new tattoo
I'm so into
Bailed on me to find someone new
I'm still into
Caught u all the time
Texting u know  who
I'm all in for you
I cant help it
I'm addicted

I smell you all over my pillow
Helps me sleep
She just so happened to show up here conveniently 

And it all your shows you'll see me planted in the front row. It's not over till the lady in the Opera sings her last note

(Chorus)

I know everything about you
Does she
I'd give anything to see you
Would she
I'd change anything to keep you
Could she
No I dont think so

Chorus

New Tattoo (beat by Mantra)

This track starts out with a nice mellow C/Cmaj7 arpeggio.  I alternate between landing on the C or the B to give it that sound.  My keyboard quickly comes in with some heavy effects that I really love and were composed with an emphasis on C Major as well.  So we start briefly in C Major, but the majority of the track is written in F Major, with some parts sounding F Lydian because there is a continuous emphasis on the F whilst switching between B and Bb in the melody.  When the first keyboard melody starts at 0:14, I switch to a plain old F arpeggio on guitar (though it sounds kind of funky because the first keyboard melody starts on E, but skips over the F key, but still uses Bb.)  Plus, at the same time the effects that were written more in C Major are still going on (why the effects sound a little off, but in a good way.) The entire song is ambiguous between the keys of C Major/C Mixolydian and F Major/F Lydian actually.  Both notes actually sound ok as tonal centers due to the switching back and forth of B/Bb in the melody and the emphasis of the chords Fmaj at some points or Cmaj at others in the progressions. 

The lead guitar comes in at 0:32 playing the F Pentatonic scale while the keyboard melody switches to an ambiguous F Major/F Lydian mode. The melody now starts on F, but avoids playing a B or Bb during the first time up the scale, but it does play a Bb during the second to cement the F Major; this also contributes to the C Mixolydian sound of the song here, I think.  The only real switch up that sounds kind of like a modulation, but I don't think really is, comes at 1:27.  I believe we are in solid F Major, the guitar progression goes like this:  F - C - Dm - C.  The chords are both plucked like an arpeggio and strummed, in a kind of mixture.  We see the emphasis on F and it’s dominant C in the guitar progression and the keyboard is playing the F Major scale, with a trill that uses Bb and so really emphasizes F Major in the melody as well.  The same weird MIDI effects that are used during the first part of the song are now used for playing the corresponding major chords on the keyboard:  F - C - Dm - C.

After this section we break back into a more loose F Lydian mode.  It starts with the F Pentatonic scale on the guitar at 2:30 and then the change comes with the keyboard melody that starts on F and first avoids the Bb (F Lydian) coming back in at 2:40.  I can't get over how it sounds like a return to home at 2:40 so the new tonal center may be more C Mixolydian.  There's a lot of ambiguity in this track, but this part sounds really definitively like a change in key (maybe the tonal center goes F to C.)  Is it really that the middle section is in a more solid F Major whilst the rest of the song is more a C Mixolydian/F Lydian mash-up?  Anyhow, the C note really competes with F for "home" during the whole song.

Well, I've confused myself, can someone who really understands modes help me out here?  I think the ethereal sound is definitely at least partly caused by an overall lack of a real tonal center.  Does the middle section sound a more solid F Major than the rest to you?  The whole song kind of blends two Major keys that are a fifth apart, which in a way is what a Lydian/Mixolydian mash-up is (using the same tonal center.)  If you get a chance, play an F or a C note over that section and let me know if you think it’s in F Lydian or C Mixolydian.  As always, thanks for reading and for listening!

(I Feel Like) A Martian

Song written by Billie Eilish & Finneas O'Connell.  Arrangement by Eddie Sharp.

Billie and Finneas have a good thing going, they're writing good music and have an original style.  Just about all of Billie's vocals are a whisper though.  As if the screaming girls at a show aren't enough, Billie is whispering and you can't friggin' hear her.  That's right folks, I went to a Billie Eilish show!  I saw her last show of the 2020 tour just before the pandemic shut down the world.  I respect all music and I have two daughters.  So back to my point, I wanted to do one of her songs where the vocals weren't whispered and there was  no doubt they could be heard.  I took one of her quietest songs and "sharpened" it.  I hope you enjoy it.
. . . and one more thing, that's Dee Dee Ramone counting it off.  He's really really good at counting to four.

Rock On

Come out and play - Billie Eilish cover

Sous les nuages
J'entends le vent qui vient du nord
Joli présage
Je me suis dit, je me rendors 
Beaucoup trop sage
Pour espérer te voir encore
Je rentre en cage
Mais j'attendrai ce soir dehors 

Au matin 
Je sais lorsque tu passes 
Et tu es fou que je ne sache rien 
Au matin 
Tu sais que rien ne passe
Ca te rend fou et ça n'est rien de bien
Oh, chagrin 
Je sens que tu dérailles
Et tu es fou car ça ne va pas loin
Oh, chagrin
Que tu coures, que tu nages
Ca te rend fou, elle ne sait toujours rien

Oh, chagrin, oh

Quand vient l'orage
Quand vient le vent au bout des ailes
Je sens la rage 
Tu ne peux plus te passer d'elle
A s'enfuir, à ne pas vouloir mieux
Est-ce vraiment ce qu'il faut faire ? 
Mais choisir, ça veut dire l'une des deux
Et d'ici là je vais te plaire

Au matin
Je sais lorsque tu passes 
Et tu es fou que je ne sache rien
Au matin 
Tu sais que rien ne passe
Ca te rend fou et ça n'est rien de bien 
Oh, chagrin
Je sens que tu dérailles
Et tu es fou car ça ne va pas loin
Oh, chagrin 
Que tu coures, que tu nages 
Ca te rend fou, elle ne sait toujours rien

Au matin, oui encore
Au matin, oui encore
Oh, chagrin, oui encore
Oh, chagrin, oui encore

On tourne en cercle 
On ne sait plus comment se perdre
On ne sait plus comment se taire
Et allez-vous-en, et allez-vous-en
L'histoire est faite
On ne sait plus tourner la tête
Et l'on chérit ces longs moments
Mais allez-vous-en, et allez-vous-en

Credits: lejardinmusic.com

AU MATIN

(Beat For Sale) Lil Pump Type Beat 

Buy
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(Beat For Sale) Lil Pump Type Beat

Stars feat. Chris K

motion

DFS - Different From Society @eloomenaughty
Panic Attack (First Half) EP
Lyrics by @lil_stucc 
Lyrics by @@tilla
Mix and Mastered by @frankbrooney and @tilla
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Panic Attack (First Half)

Till A'm Stucc

Amazon Music

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DARK3R INSTRUM3NTALS

Rhythm - 8P3X Official*(Instrumental)

Which version do you like better, original or the cool ranch?

Nowhere To Run (Original Version)

Pre-Save my upcoming release!
https://www.gate.fm/IwOpRPz

Independent artist making songs that rock.

I don’t know about you but I miss hearing songs that just rock.  A couple of guitars, bass, drums, vocals, and harmonies make such a powerful combination.  It’s this power and energy that I’m after in the songs I record.
I perform all parts on these recordings unless otherwise specified. I’m primarily a guitar player and never considered myself a singer but I started doing it to complete my songs and I may be finding a voice for myself.
I’m open to collaboration so reach out if you’d like to work on some tracks.  I don’t have any rap on my tracks, don’t listen to much rap, but I have a couple of incomplete songs I’m interested in brining some rap into.  So let me know if any of you rappers want to collaborate with a rocker.
Recording, mixing, mastering is just as much of a hobby as playing the music is.  If you’d like another ear on your mix or some mastering done, drop me a message.  I’m not looking for money for it, just the opportunity to practice my skills on other artists work, see what I can do, and help a fellow musician.
Finally, I’m looking to put together a band to see how my songs work live.  Reach out if you’re interested and in the RDU area.  Follow me on my social media links to get the latest updates on the journey and share some music and laughs.
Cheers!