that. Beat. And. Those. Riffs. Are. Insanely. Cool. (!)

Epic. Very cool track, with that 8bit sounding synth in the background. 

Ha, I used a Reagan sample myself on my track "Turn the Key" - what could be more alien?

Did not know Reagan actually uttered some interesting stuff

Nhhh... Deep Deep Galaxy... Ride the Cosmic Train ‼︎

Bandcamp: https://spaindisco.bandcamp.com
Junodownload: www.junodownload.com/labels/Boite+Music/
Traxsource: www.traxsource.com/label/53933/boite-music
Beatport: www.beatport.com/label/boite-music/89982
Facebook: www.facebook.com/boitemusicrecords/
Instagram: www.instagram.com/boite_music_records/
Youtube: www.youtube.com/c/spaindiscorecordsfrandeeper
Mastering Label: www.keffectmusik.com

Jason PetersBoite MusicElectrónicaSynthNudiscoDarkIndie DanceJuan SotoG.ZamoraRemixes

[BM011] FAUSTO - Some Flies Are Too Cool For The Wall (Original Mix)

Taken from the album 'The 8 Of Space' released as LP, CD and Digital

SchneiderTM 'Oh Life' (EMEGO 297)

All the poisons, substances, drugs, tonics and potions would not be able to cure this thirst now. She had found a taste for something that could never be quenched again. What was she gonna do for fun now? This might as well be it. The apartment walls rose all around her amidst an empty room, the floorboards creaked beneath her feet as she paced to and fro. There was an itch, a craving, a desire which would never be fulfilled, it made her sad, oh so sad. 

Pitch originally released "What Am I Gonna Do For Fun" back in the early eighties. Now the newly founded label Idle Press are set to reissue it with a remix from Salon Des Amateurs founder Tolouse Low Trax. 

PREMIERE: Pitch - What Am I Gonna Do For Fun (Tolouse Low Trax Remix) [Idle Press]

Written, produced & recorded by Free Arts Band.
Mastered by Carsten Daembkes.

In stores summer 2016. 

A-SIDE
1. Cool Grey*
2. KADK

B-SIDE
4. Inhouse
5. Cool Grey ll

* Tribute to Dr C. Stein

Distribution by Rush Hour

Free Arts Band – Inhouse

Unfinished track from 2014
Featured on AEMPIRE's Witchtape №{UNO}

Séance De Contre-Initiation À La Société Du Saint-Esprit

Joel & Ivar - Svalöv 8 Juli

READ > https://inverted-audio.com/premiere-mic-mills-h-a-a-r-p-francis-inferno-orchestra-remix

Longtime comrades in arms, the Adelaide via Melbourne-based duo formed by @mic-mills and @furiousfrank returns fresher than ever, inaugurating their new label @globalskywatch with a lushly flavoured debut iteration featuring material from their own hand, as well as beats from close collaborators and friends Rings Around Saturn and Francis Inferno Orchestra (@fio).

GSW001

Mic Mills - H.A.A.R.P. (Francis Inferno Orchestra Remix) [Global Skywatch]

Utu 
This is my most personal album yet. It is a soundscape of my journey through darker times. Fear of loss and how those closest to you can be the ones who hurt you the most. 
To turn the corner from darkness only to find darkness ahead. 
The power of music and love, found me salvation and sanctuary. 

-@discophone 

Written & Produced by @discophone 
Mastering by Ben Preisinger 
Remixes created by: 
Deepwarmth 
Vinnie Vortex 
Submersion 

Cover design by @discophone & Jeroen Smulders
credits
released December 24, 2018 

Special thanks to my wife and also my good friend Vinny Vortex, who have supported me through this. 

Big thanks to Jeroen from Deep Electronics for his belief in my music. 

A special thank you goes to DeepWarmth, Vinnie Vortex for there contribution to remix Tyhjyys. 

A very special thank you for Submersion for creating the suprise remix for Marko!!

Bandcamp

09. Tyhjyys (Submersion Reprocess)

Bernardino Femminielli is proud to present his first 2020 LP L’Exil. The album is composed of lost Plaisirs Américains sessions recorded in Montréal, Quebec. Lyrics were written and recorded in Paris and Berlin in 2019 and mixed again in Montréal in early 2020 by producer
Dominic Vanchesteing (Plaisirs Américains, Double Invitation). L’Exil is the “pre-conclusion” (Prequel / Part 0) to two other LP’s— Johnny 4ever (Part I) and Nobody’s Boy: Johnny (Part II)— which will be released later this year.

L’Exil (2020)

L’Exil, the album, the performance, the satire, took shape after the notorious arrest of Bernardino Femminielli by American border authorities during a US tour in 2018. Instantly, the American Pleasures, the American dream became obsolete, irrelevant, of the past. The showman and his anguished wife decide to abandon their failing restaurant, their debts and their meagre North American livelihood to wander the old continent in search of a fresh start.

L’Exil is an paradoxical anthem for the unsuccessful. An elegiac and lyrical autofiction in the form of a concept album. A satire of show business, a tribute to society’s outcasts and heroes— a story which tells of the financial, artistic and spiritual failure of the exiled American showman (Femminielli). We learn early that the showman has a desire to symbolize the contradictions of life. We learn that the showman is affected by a multitude of dissociativeidentity disorders. A visit of an angel named “Johnny” seems to make him believe in the existence of his double, who sadly does not come seeking camaraderie, but with malicious intentions. He's the employee, the boyfriend, the slave. The showman loves his wife because she looks like the showman. Johnny and the wife have become products of his tormented world. Spiritual and psychological cannibalism is rife, and all will be complicit in the showman’s atrocities.

The literary and cinematographic borrowings are here violently diverted from their proper meaning to tell the story in their own way. Pasolini’s Italy, Fassbinder’s Germany, The Years of Lead, Macronist France, police terrorism, paranoia, obsession with the double, substance addiction, money and marriage are all subjects touched upon with humor and despair. As the showman ominously cautions: You don’t argue with a sly dog, you break his teeth and his jaw.

Bernardino Femminielli, frustrated by his status as a misunderstood artist, has constructed a semi-fictional caricature of himself. A guy adrift, an anti-hero, the politeness of despair, a loser crooner who's lost his way. The album has many faces of the same distress: those of the victims of a system that marginalizes them. Repeated themes and catalysts present in the album:

One’s failure to achieve professional success can lead to unexpected volatility.

Exile is oppressive thus one must also transform into an oppressor.
Violence is a direct result of frenzied desperation.
Cannibal mechanics are often precipitated by financial devastation.
Self destruction becomes a means of self preservation.
Consumption always without moderation.
Money is earned, and then like life, it’s burned.

All music and lyrics by Bernardino Femminielli except Track 4 (D. Vanchesteing / Femminielli). Recorded in Montréal, Paris, Berlin and Copenhagen. Special thanks to Yair Elazar Glotman, John Katsav (CRAVE), Dimitri Dedonder chez Les Studios Mégaphone, Adrien Belkout and Elliot Berthault pour le hot tip. Artwork by Thea Govorchin. Insert art and layout assistance by Jesse Osborne-Lanthier.  

Produced by Dominic Vanchesteing
© 2020 Bernardino Femminielli / Éditions Appærent. All rights reserved.

La Ballade De Daddy & Johnny

"In our obsession with antagonisms of the moment, we often forget how much unites all the members of humanity. Perhaps we need some outside, universal threat to make us recognize this common bond. I occasionally think how quickly our differences worldwide would vanish if we were facing an alien threat from outside this world"

Ronald Reagan's Speech to the United Nations General Assembly, 42nd General Assembly

September 21, 1987

Space Raiders (Ronald Reagan 1987 Edition)

I PROMOTE GOOD MUSIC - PLEASE DO NOT FOLLOW IF YOU DO NOT WISH TO SEE MY DAILY REPOSTS - THANK YOU! :)

Space Raiders (Ronald Reagan 1987 Edition)

EDDO

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