Name: Klara Lewis & Simon Fisher Turner '8' excerpt (EMEGO 253) by Editions Mego
Duration: 3 min 51 s
Description: Taken from the album 'Care' released as LP and Download

so awesome and specially! great insides and atmo!loveit!😍😱🙏🖖thanks

A2 from "On The Lands Of Mercy" CS. 
Pre-order at https://male-activity.bandcamp.com/album/on-the-lands-of-mercy
Release : March 22, 2018 on Male Activity

Appropriate Savagery -  Poisoned By Disgust And Boredom [Male Activity]

New Love Music is a piece for electronics and LED-lights. Its based on sounds from the cither, sinus waves and a choir of friends. 

This is just a short extract of the piece. Whole duration is about 40 minutes.

Photo taken at the premiere performance at 3hd Festival in Berlin, November 2017.

New Love Music [Extract]

Taken from the album 'Care' released as LP and Download

Klara Lewis & Simon Fisher Turner '8' excerpt (EMEGO 253)

Taken from the album 'Hence' released on LP and Download.

Hence

Oren Ambarchi & Jim O’Rourke with special guest U-zhaan 'Hence One' (excerpt) (EMEGO 249)

purchase lp: www.secondeditions.org
release date March 01 2019

005 - Karl Fousek - Chapter 3 (from In The Forest)

From the upcoming Album "Vegetal Negatives"
Release Date 29 March 2019
Hallowground.com
HG1901
Vinyl / Digital

”Let us unfold the animal outward: the bronchia will become a thick foliage, keeping its respiratory function, but in reverse, naturally (CO2 absorption), reversed also concerning color, from the tint of calves’ lungs to its complementary cabbage green. The digestive system will become roots, maintaining its role of drawing in nourishment from the outside environment. […] for each animal form there exists a corresponding vegetal form. The man who would find his vegetal negative and unite with it would restore the integrity of the cosmos.”

Vegetal Negatives is a game of sonic mutations, mimicry, inversions, and association inspired by a text called "On pataphotograms", by the French writer René Daumal – a quasi-metaphysical essay that toys with breaking the conceived separateness of natural forms through poetic imagination.

Marja Ahti (b. 1981) is a Swedish-born artist living and working in Turku, Finland. She has been an active part of the Finnish experimental music scene for more than ten years. Now arriving at her debut LP under her own name, Ahti explores a new formal language and sonic palette that ventures far from the path of her earlier work.

The four electroacoustic compositions on the album combine and arrange field recordings, electronic feedback, Buchla and ARP synthesizers, bowl gong and harmonium, textures of detailed acoustic sound, and sustained tones with gentle microtonal beating into a precise musical narrative. She juxtaposes recordings of rooms and empty vessels, natural and artificial climates, spontaneous and staged events. Ahti draws upon Annea Lockwood's ideas about associative movements between sounds based on shared characteristics and sonic energy. Her approach to field recordings is neither diaristic, documentaristic, nor purely acousmatic, but rather it starts out from somewhere in between these notions: the sounds hover between abstraction and the deeply familiar, moving into a realm of poetic metaphor where they are set in relation to each other, fleetingly mirroring or shadow-dancing. Acoustic environments mutate into synthetically derived shadow forms.

The opening track, "Coastal Inversion”, moves from a seemingly familiar seascape into an ocean of wavelike synthetic staccato patterns, turning itself inside-out on the shore, before diving back into a sea of resonance. ”Rooftop gardens” arranges a series of largely unprocessed field recordings into a dream-logic sequence of upward movement towards the clouds. On the other side, ”Symbiogenesis” brews a slow evolution of wet, airy and earthy sounds and resonant friction. The closing track, ”Chora”, imagines a meditative space of breath: filter resonance posing as organ pipes against a backdrop of breezy industrial hoovers merges halfway with a harmonium improvisation that foregrounds the frictions of the wooden instrument itself, just before filtering out into resonant harmony.

Tracklist:
A1) Coastal Inversion (12:14)		B1) Symbiogenesis (07:22)
A2) Rooftop Gardens (05:44)		B2) Chora (10:47)

Credits:
Marja Ahti: composition, production, field recording, Buchla 200 and ARP 2600
Recorded at EMS, Stockholm, WORM, Rotterdam, and on locations in Greece, Alaska, Finland and Sweden.
Mastered by Giuseppe Ielasi
Designed by Ruth Stofer

Vegetal Negatives

BUY VINYL/DL

MARJA AHTI - Symbiogenesis (HG1901)

Forthcoming on Akuphone (AKU1016)

feat: 
FUJI-YUKI - KIKI HITOMI - MIKADO KOKO - MIKI YUI 
KAKUSHIN NISHIHARA - KUUNATIC and KEIKO HIGUCHI.

DIGITAL  => JUNE, 14. 2019 
VINYL-CD  => JULY, 13. 2019

Seitō gathers Japanese female artists from various electronic and experimental music fields. Like the « Tokyo Flashback » series issued by P.S.F. in the early 1990s, this collection recorded between 2017 and 2019 exposes the richness of the contemporary Japanese underground music scene. The title refers to a cult feminist magazine printed in Japan in the 1910s. All tracks issued for the first time.

www.akuphone.com

AKU1016 // VA - Seitō: In the Beginning, Woman Was the Sun (Album preview)

Taken from the album 'Cylene' released as 2LP and Download.

Cylene

François J. Bonnet & Stephen O'Malley 'Première noire' (EMEGO 262)

Mark Vernon "The Consensus Is To Delete"

MAR051 Mark Vernon "An Annotated Phonography of Chance" LP

order:
https://misanthropicagenda.bigcartel.com/product/mark-vernon-an-annotated-phonography-of-chance

www.misanthropicagenda.com

https://youtu.be/cT23W3UFPHk

An Annotated Phonography of Chance

Mark Vernon "The Consensus Is To Delete"

Full Set Download * Support me * name your price–  http://aloisyang.bandcamp.com/track/x-ola-yin-plays-panning-time-space-live-at-torhaus-wehlen
 
Xïola Yin is the opposite yet not contradict side of Aloïs Yang.
This project focuses on deconstruction of existing works and recordings, random access and blending memories. Exploring the unstable and unpredictable outcomes of digital environment, through bespoke software instrument and live improvisation.
Performance video: youtu.be/2IPBNBOXwkY

Xïola Yin– Two Birds, One Man, In Between Spaces (Live at Torhaus Wehlen Excerpt)

Independent record company based in Vienna.
For Spectrum Spools go here: https://soundcloud.com/spectrumspools

Klara Lewis & Simon Fisher Turner '8' excerpt (EMEGO 253)

Editions Mego

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