Various authors with some real-time processing captured from Radio Aporee.
It is interesting to discover how inspiring the single nuances of concrete sounds can be, with rhythms, melodic/harmonic cells, textures and more.
This material certainly lends itself very well to further processing for the creation of something else.
Radio Aporee is an excellent source of inspiration.

work in progress

The hidden beauty of concrete sounds v.1

Personal dark ambient approach to "Wonderful World", original L. Armstrong 1967 (remixed and extended version of an older VSS track). Electric guitar, percussion, effect pedals, voice, unsynchronized loops, two tube amps and a lot of time manipulation. Field recording: electromagnetic waves made audible with Soma Ether. All sounds, voice, mixing and production: Velvet Something Superdark. Image: inside a shop-window in Berlin Neukölln (photo VSS).
Please listen to part 2 as well: https://soundcloud.com/velvetsomethingsuperdark/wonderful-wasted-world-part-2

Wonderful Wasted World, Part 1

Slow slider moves on the Buchla Music Easel with looper.

SlowScape

Marco Lucchi : piano and found sounds

freesound.org/people/felix.blume/sounds/779962/

Farewell

After a long hiatus, a new track for @disquiet. Glad to be back!
Stitched together from a couple of unfinished pieces of the recent and not-so-recent past, amongst them bits of an Ae-ish pad/beat, a clicks-and-cuts w.i.p. with a rejected Fender Jazz Bass B-line, various bits and bobs that I abandoned fairly soon after starting them. Basically, improvising with leftover bits, which is how most encym tracks tend to happen anyway. 
So big thanks to Mark for this just-my-cup-of-tea assignment.
Enjoy!

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Clang [disquiet0720]

Púca

A reworking for this track in my archive originally created in autumn 2024, after a few versions in the last year i  find it fits well with the context of Haiku Music Challenge Naviarhaiku 617



an autumn nightfall
the skeleton of a huge fish
drawn back by the sea.

by: Saitō Sanki



Saitō Sanki (1900 – 1962) was a dentist who discovered his passion for haiku poetry in his mid-thirties, when his colleagues at the hospital in Soto Kanda convinced him to write a haiku for a collection. Later, he became one of the most important exponents of wartime haiku: he was imprisoned in 1940 during the government’s World War II persecution of controversial artists, and was officially forbidden to write until the end of the war.

haiku by Saitō Sanki

Picture by John Jason

more info here: https://www.naviarrecords.com/

an autumn nightfall (Naviarhaiku#617)

Collab with @https://soundcloud.com/tonfabrik4free

Kornblume

Original Music::::
https://soundcloud.com/egidija_medeksaite/prakanda

Egidija Medeksaite - Prakanda (Senglar Alarm Version)

unit

accompanying video clip @
https://vimeo.com/356249779

Spring SilverFog(NaviarHaiku294)

Explorations and experiments,  in sound, image, and animations . influenced by  interests from Organic Gardening to Neuroscience, Basic Electronics  and Mechanical Invention, Re-purposing Transforming and Recycling of Domestic Devices, Permaculture, Ecology,  Ambient and Noise music. Animated Sound and Image- Experimental,Animated and Visual Music Short films,installations and live audio visual performances with custom built interfaces such as the disco-microwave,midi-vacuum cleaner, and prepared ironing board.see more at 
www.paulfletcherartwork.com
and at vimeo
vimeo.com/album/188779sound music noise ambience

Spring SilverFog(NaviarHaiku294)

Ed Mundio