Dj, Producer, Label owner. Andy Riley has been busy over the last 30 odd years. His productions as one half of Inland Knights, as well as various solo outings under his Toka Project guise, have ensured that he has remained a prominent fixture both from behind the decks and on wax.
After a few years serving his apprenticeship as an in-demand local Dj in and around Nottinghamshire UK, Andy’s inevitable step into production started in earnest with fellow Dj Steve Walker. 
Toka Project was born with the release of Swungbeats ‘King Sized Blue’Ep in early 1995. Originally a collaboration with Walker, all early output was released on Nottingham’s ‘Strictly 4 Groovers’ label, now better known as DiY Discs. Andy and Steve went on to remix a number of artists on the labels roster at the time, notably Gibby Music of Crash Records fame and Fred Everything amongst others. By 1998 Toka Project productions were in full flow and in the same year they released the much acclaimed ‘Be Free’ Ep for Chicago’s legendary Guidance Records, the title track also appeared on Guidance’s’ High Fidelity House Imprint Vol 2’. These two releases helped to push the Toka Project brand abroad and in 1999 Andy embarked on a three-month tour of the U.S and Canada with Andy Macari and Jay Cowley, stopping off in New York, LA, San Francisco, Phoenix, Philly, Tampa, Seattle, and Washington D.C amongst other places, and Montreal, Vancouver ,Whistler and Victoria in Canada. Ep’s and remixes on top labels such as Transport, Silver Network, So Sound, Amenti, Robsoul and Tango were to follow, all released to critical acclaim globally.
Over the course of the 90’s, Riley had been DJ’ing with Smokescreen,the legendary UK Sound System reponsible for throwing notorious free parties acroos the UK counties and beyond,by 1998 he had started writing tracks with fellow Smokescreen DJ Laurence Ritchie. As Inland Knights Laurence and Andy undertook a hectic production schedule to write tracks for Drop Music, Laurence’s fledgling House label. Drop Music has gone on to become one of the most highly regarded House labels in recent times. Inland Knights have become one of the most prolific and respected production outfits in the House community, carving a distinctive and unique House sound, and regularly taking on remix and Ep duties for fellow labels and producers, not to mention a Dj schedule which takes them further and further afield as their reputation grows. Bookings have included slots at UK clubbing institutions such as Fabric, The End, The Egg, Turnmills, Shindig, Back 2 Basics,Chibuku Shake Shake, Ministry Of Sound, Cargo, déjà vu,The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Release highlights include the ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations, Ep's and remixes for NRK, Om Records, 2020 Vision, Amenti Etc and Inland Knights first full length album entitled ‘Creative Spaces’.  More recently Inland Knights have released an album celebrating 10 years of Drop Music entitled ‘Dust till Dawn’ as well as the Retrospective ‘Inland Bytes’, a look back at Inland Knights career so far.
Currently, as well as remix and production commitments, Riley maintains a busy international Dj ‘ing schedule, and can be found most weekends playing up and down the UK and Europe, as well as regular visits to the U.S, Australia, New Zealand and South Africa playing both as one half of Inland Knights, and solo under his own name.
Andy has recently released several solo Ep’s for the first time under his own name: ‘Cant Contain This Ep’ on Frosted Recordings, ‘Slipmode Ep’ on Soul Fuel, ‘Somthin4theweekend Ep’ on Odour Recordings and two Ep’s on his own imprint, Borrowed. As of 2019 Riley is poised to release under the alias ‘7000 Possibilities Of Existence’ with DiY’s Peaceful Ones(DJ Pete Woosh) as part of the ’52 Card Trick Project’ on Pete’s Spirit Wrestlers Label.

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Launched in 1992 Madhouse Records Inc was a joint venture between US DJ and producer Kerri Chandler and Mel Medalie’s Champion Records.  Mel met Kerri on a trip to the US whilst visiting Todd Terry at Idler’s Studio in Brooklyn (whose Royal House project was later released on Champion).

Madhouse became predominantly an outlet for Kerri’s music, as well as tracks from his producer friends and tracks he came across through his extensive DJ experience.  The sound of the label was rooted in Deep and Soulful House, some instrumentals but on the whole full vocal tracks.

The first release on the label was a 6-track sampler entitled “A Basement, A Red Light & A Feelin’” which showcased some of the artists and releases to come, and sold in excess of 100,000 copies on vinyl alone.

Singles and EP’s followed from Matrix (one of Kerri’s own aliases), Dreamer G, Christopher McCray, mostly produced, co-produced or remixed by Kerri himself.  The catalogue also features collaborations with Jerome Sydenham, Dennis Ferrer (whose recent release “Hey Hey” is one of the biggest club smashes in recent history), and even Jazz legend Roy Ayers on the huge “Good Vibrations”.

Into the 2000’s Kerri put together two albums, the first being “10 Years Of Madhouse”, a retrospective mixed CD looking back at some of the major successes and favourite releases over the life of the label, as well as some hand-picked new tracks from Christopher McCray and Dee Dee Brave.  In 2002 a second volume of “A Basement, A Red Light & A Feelin’” featuring some brand new tracks, and some classics, plus a bonus CD of the album mixed live at Centro Fly, New York was released, and gained huge sales and critical success.

In 2010 the entire catalogue of singles, EP’s and albums has been completely remastered and made available for digital download for the first time, including some previously unreleased rarities.

Edozie is following