Born and raised in the city that birthed the very first sounds of Electronic Dance Music, Detroit, B Stew has been entrenched in the scene for close to 20 years. First getting his start as one of the largest party promoters and investors in the now infamous Detroit Rave Scene of the late 1990's and early 2000's

Displaying an astonishing array of DJ wizardry learned over the years, B Stew has been known to play sets that go on for over 4 hours. Known for bending the norms of playing within a genre, B Stew brings a refreshing slap to the face of the music scene by daring to ignore typical audio archetypes and combining different sounds, melodies, and most famously, LOTS of BASS.

You know Dirtybird for dropping basslines and creating smiles on the dance floor since January 2005.

The fun family vibe of the Dirtybird label can be traced back to a free event started in Golden Gate Park, San Francisco. This new kind of house music went against the smooth vocal house that was popular at the time and derived its influences mostly from hip-hop, drum n bass, and American funk. The free outdoor BBQ party was very rough around the edges but eventually became legendary amongst the people of San Francisco. This event was also a very influential factor in the decision by Claude VonStroke to start the record label in 2005.

Today, Dirtybird has offices in San Francisco and Los Angeles and has expanded into events and tour production. As it grows, the brand continues to expand beyond music into merchandise, licensing and artist management. In 2015, Dirtybird launched the inaugural Dirtybird Campout festival, which has been dubbed “Summer Camp For Adults”, and Dirtybird has been recognized from their achievements by being awarded "Underground Label of the Year" at the International Dance Music Awards, “Label of the Decade” by Mixmag, “Best North American Label” by DJ Mag, and Billboard’s "Top 5 Independent Dance Labels".

Nicholas “Pumpkin” Alvarado is your new favorite music producer/DJ. His spot-on song selections, special remixes and original productions have made for unforgettable live sets that seamlessly span every genre and eschew the latest trends in favor of timeless melodies that will leave a ginormous smile plastered across your face.

Whether starting the party or closing it down, Pumpkin’s inspired mixes are always lovingly sequenced and aim to set the perfect mood. He’s played alongside fellow acclaimed house music mainstays like Lee Burridge, Justin Martin, Nick Warren and KCRW’s Jeremy Sole as well as progressive electronic music pioneers like Bluetech, Blockhead, EOTO and The Glitch Mob. Pumpkin has become an in-demand, fan-favorite at major music festivals like Coachella, Lightning in a Bottle and Sea of Dreams, where he closed the event after his musical hero, Trentemoller. Pumpkin’s acclaimed debut EP, “Love Letters,” featured collaborations with singer Katie Mowgli of the breakout band, The Mowglis and lyricist, EVeryman along with his sought after remixes from the likes of Florence + The Machine and Lila Rose.

He’s been part of the esteemed Pocket Underground family since 2006, when after playing in rock bands all his life, he found a new passion in the hypnotic rhythms of deep house music. Pumpkin honed his now signature sound by daring to incorporate the singer-songwriter, punk rock ethos and childhood nostalgia of his past, with the futuristic sounds of the present.

In everything he touches, Pumpkin’s colorful personality shines through and he loves nothing more than to have fun with his audience as his remixes for the likes Peter Gabriel, David Bowie and The Muppets will attest to. But whether you catch Pumpkin playing at a massive festival, packed club, underground warehouse party or a special sunrise set, you’ll never have more fun on a danceloor. Simply put, this is music to fall in love to.

«True Electric» returning to our roots within electronic music

Mgmt: andres@paperclip.no
Booking: thomas.reade@allofloride.eu (World except), brent@good-direction.agency (US+CAN), watty@movidamusica.com (MX)

For over a decade now the name Satin Jackets has been synonymous with sublimely laidback Balearic house and sun kissed disco. The brainchild of German producer Tim Bernhardt who, following a successful career producing house music under a variety of different aliases, launched Satin Jackets as a vehicle to explore his lifelong love of disco and the clean, polished productions of artists like Chic and Trevor Horn.

“I had always been fascinated by just how glossy people like Nile Rodgers made their music,” Bernhardt explains. “It always sounded like the musical equivalent of a fashion magazine’s cover. I’d been making somewhat more underground music for a while but really wanted to go in totally the other direction and create this really smooth, polished sound.”

That first Satin Jackets release, the dreamlike You Make Me Feel Good, would set the tone for what was to come. Released on the iconic Belgian label Eskimo Recordings, which had previously helped launch the careers of artists like Aeroplane and Lindstrøm & Prins Thomas, it was an instant hit. Its graceful melodies, airy textures and yearning chorus became the soundtrack to the setting sun at parties worldwide.

With almost metronomic precision You Make Me Feel Good was followed by a string of acclaimed singles and remixes for some of the genre’s biggest names, including Goldroom and Blank & Jones, establishing Bernhardt as one of the most exciting new names in the nu-disco scene. While the face behind the mask may have remained a mystery, Satin Jackets’ warm, polished take on disco soon made the name familiar to music lovers around the world.

Taking things to the next level, 2016’s debut Satin Jackets album, Panorama Pacifico, firmly cemented Bernhardt’s position as both Eskimo’s flagship artist and as one of the biggest nu-disco producers around. Winning praise from the likes of Mixmag, DJ Mag and Groove, the album has gone on to click up over 75 million streams on Spotify alone, and Satin Jackets’ golden mask has become a regular fixture behind the decks at clubs and festivals from Mexico City to Seoul.

2019’s follow up, Solar Nights, would see Bernhardt further develop and refine the Satin Jackets sound. Rapturously received by fans, DJs and press alike, the album, propelled by singles like the global hit ‘Northern Lights’, proved that, much like the original disco artists that first inspired the project, Bernhardt was just as capable of crafting radio friendly pop hits as tracks for the dance floor.

While the pandemic may have put plans for global tours and festival appearances on hold, Bernhardt kept himself busy as clubland went into hibernation. Having relocated to Munich just before lockdown, a succession of singles that ranged from out-and-out pop collaborations to instrumental, chilled-out tracks as well as a series of live Lockdown Streams kept Bernhardt in touch with his ever growing legion of fans. Indeed, it was those Lockdown Streams and the response from his fans that allowed Bernhardt to rediscover, in his own words, “the connection between what I do and what people feel” and sow the seeds for what was to come.

Now as we emerge blinking into the new world, Bernhardt returns with Satin Jackets’ third album, the aptly titled Reunion. Where the first two Satin Jackets albums saw Bernhardt work to first develop his own sound and then elevate his productions to another level, Reunion reveals a musician and producer wholly at ease with both his abilities in the studio and artistic vision. 

From blissful instrumental tracks that seem to effortlessly float above the clouds, through to bittersweet wistful pop songs featuring the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up-and-coming British singer Tailor, Reunion is a strikingly confident album that layers new depths and dimensions to the Satin Jackets sound and sets the stage for the next exciting chapter of the Satin Jackets story.

i think music is pretty neato...
bookings: 
US/Worldwide: andrew@liaisonartists.com


Skrillex-owned media platform and free-release imprint. More info here -- http://nesthq.com/about/

Chloé, french music producer

MGMT: 
brandon.ginsberg@redlightmanagement.com

BOOKING:
Mary Allen - mary.allen@unitedtalent.com

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