sorry things are tough man. it's a crazy world and getting more rushed and more crazy. I really love your music tho and want to hang out with you :)

Energetic and well built! Very very nice!! Superb! ❤️Love, 🕊️Peace, 🙏Respect

awesome track i hope you keep making stuff

Don't worry mcqueeny you'll qlways be sex god numero uno in my book :D

was this always called Glasgow Girls? felt like it was Archie street something before

focuseddd

dhhylt

https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-2

I made this track a couple of years ago. I remember seeing a couple of girls on Sauchiehall street and being really attracted to them. I had the sensation that due to my low self esteem I would be literally incapable of approaching anyone I was that attracted to. It was a strange moment. I went home and made this track. I was spending a lot of time in bed and rushing essays at the time; Sleeping through all my classes.

I'm not in a very good place in my life at the moment. I've recently started working for a gardening company in Edinburgh after coming home from getting cheated on in North Carolina in Febuary. I'm stressed and keep fucking up at work. I'm in a band also, which doesn't give me enough time to work on my own music the way I'd like. Everything in my life feels rushed and fleeting, some mad scramble. I get depressed often and wish I could cry but I never can. 

All I want to do is create great music and share it with the world the way my idols have in the past, that's all i've ever wanted. But sometimes I doubt my ability to follow in their footsteps, even though I know I'm capable. It often feels there's just an endless sea of musicians these days; infinite competition. Everyone is trying to get their head above the surface to breathe in the air of success and recognition, even if only for a moment before someone else pulls them back down and replaces them. 

I don't want to work some pointless job I don't care about for the rest of my life. I'm already drained. I'm not very smart, or confident. My ultimate nightmare is giving up. If I stopped making music I'd be nothing. Sometimes I think it would be better just to make music alone and not share it, but the act of sharing art and making a connection with the wider world is really the point of the act. I want to belong, but I don't want to be something unnatural.

I want to release ID#2 soon. I think I'm going to put a few hundred pounds behind getting it promoted. I don't really know how to do any of that stuff though. I'm tired.

Glasgow Girls

From 'Herva - Seez' (out on Planet Mu - 16th September)
https://planetmu.bleepstores.com/release/287325-herva-seez

Herva started to work on 'Seez' right after the release of his last Planet Mu album 'Hyper Flux' back in 2017. He was experimenting with home-made hardware and after the album release wanted to raise the bar, challenging himself to build a point-to-point mixer from scratch. This task took almost a year of intense soldering and forced him to scrap music production. Eventually all this hard work grew into making studio hardware properly and he co-founded a new company making mixers and compressors that work with Eurorack, called Audio Gear Obsession.

On 'Seez' Herva moves away completely from the sample-based music he's most known for and into programming and computational production, which he mixes and compresses with his newly-built hardware tools to give them the life and feeling he requires. There's also an element of randomness in 'Seez' as the music is generative, defined with numbers and ratios from his own software, tuned by ear rather than to set scales, with unexpected outcomes.

To make the record, he spent more time digging between the different iterations of each track than coding the programs that generated them. He says "How I make music is kind of weird for most producers, but I like it, and I plan to dig further. You can think of 'Seez' as the alpha version of what I and my system are able to do."

The new music still retains Herva's laid back airy feel. Each track is like a small ecosystem of chiming tones, wafting drones and skittering rhythms, hinting at formal patterns and melodies but developing on its own abstract terms. It feels as if it's the audio equivalent of watching sped-up recordings of a camera capturing different combinations of plants growing, a pleasant and curious experience to let yourself enjoy.

Seez

Herva - Xid

Mix from @s0ftw0rld & original sound from @sap-as-tears

originally aired on November 3rd, 2022 @internetpublicradio
https://radionopal.com/programas/inner-most/

𝓈𝑜𝒻𝓉𝓌𝑜𝓇𝓁𝒹
soria - life balm (excerpt)
aestum - salomé
star - salt water
panasiagirl - sorry gotta be that way refix
sds - l'omniscient
fred again.. & romy - be so strong (boiler room ID)
gohda - waiting4u 
snow - mute warmth
softworld - unreleased
imogen heap - just for now

𝒮𝒶𝓅 𝒜𝓈 𝒯𝑒𝒶𝓇𝓈
Unreleased Original

Tag Voice: Hellène Héctor

Speckled Egg 🍂 with softworld & Sap As Tears

Tracks

J-Shadow – Vital Essence
Simo Cell & Abdullah Miniawy – Caged in Aly's Body
sun in capricorn – coded voice
Christian Coiffure – Archives compromettantes
Polido – Trait
aircode – Spores
Zero Crossing Point – Sub Process
Emma DJ – planet rap

MIX #5 (⌒‿⌒) | eleftheria

[surf036]

@beatricemasters
@amlia

artwork + master @usofusofusofusof

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

Beatrice M. ~ Spare (Laima Adelaide remix)

You May As Well Die Right Now If You're Never Going To Live For Anything

The information might be presented in a hipper than ideal manner. due to 2016, alone. like a Stone ally, vowing against discrimination. released a lot of affairs, seeing as how you're complaining. ecstatic cops that In is you. It works by preventing the impacts of future BABY, as seen by its idols' and performers' costs. focused ego maintains a masterpiece. Nothing changes in 2010. short depressing song from the album. Only this fluttering flesh attempt gets launched in the end. Father, wait—a star. and American politics. We raised the gun. Justice is massive.

pure

Tr 10 composition is a part of 'Sonotracing' release
video: https://www.youtube.com/watch?v=JhoKeuLNJjY
full album: olegbuyanov.bandcamp.com/album/sonotracing
This work is a reflection on personal experience gained in the process of trips to various regions of Turkey on the verge of 2022 and 2023. These recordings contain audio diaries, observations, drafts that were made on a daily basis. It was built out of elements of field recordings, combined with synthesis, sampling and digital post-processing techniques and reflect my attempts to interact with the local context through sound by exploring the features of culture, everyday life, the atmosphere of urban public spaces and distant natural locations of the western and southern parts of Turkey.

Due to the tragic consequences of a series of strong earthquakes that struck southern and central Turkey, northern and western Syria on February 6, 2023 all funds raised from the sales of this release will go to the humanitarian needs of people living in the regions subjected to destruction.

ahbap.org/disasters-turkey?__cf_chl_tk=hhzCqloQRcIL7S5SxBF3IxGvzdDgcU9JdxaCM0JxFqs-1675806444-0-gaNycGzNCNA&fbclid=PAAaYVyTBZt5Tl-Ma52krUSzZ7u5qsErR_hu5H1g20AGU6eP0figMI-r8K7P4

Tr 10 (Sonotracing)

@mondoriviera is the moniker of Ravenna-based musician and visual artist Lorenzo Camera. Producing music at the crossroad between late-night z-series horror movie soundtracks, 2d modular synthesis digital soundscapes and new-school plunderphonics, after his debut “Il Tempio degli Uomini Granchio” on New Weird Italian label Riforma, and the folk-vaporwave soundtrack for videogame Nott Longa on Artetetra, Mondoriviera is back with 10 new tracks jumping from the golden era of glossy horror VHS to new millennium goblin muzak and sonic delusions.

At the threshold between early 2000s music videos nostalgia, childhood memories and digital drifts, the second album by Lorenzo Camera, aka mondoriviera, explores the sentimental impacts of contemporary archetypes in our imagery with the help of post-vaporwave sounds. [The life of] “Frenton Cantolay", a parody of 'Frampton Comes Alive', the 1976 pop record, is a sonic journey into a contemporary Olympus inhabited by spiritually-corrupted zombies. In this parallel world, zombie celebrities, only apparently outside the afflictions of life, live at the mercy of Fortune, praying to the graces of the Goddess who exists above all world's logic.

Yet every success reveals the arbitrariness of their path; Fortune brutally elevates people to heaven only to eat their heads alive, while the mass keeps working, alienated, just to sustain their futile concatenation of needs. A timeless hero, the zombie Frenton Cantolay attempts to rise from mere worker to superstar, chasing unattainable dreams without accepting that we are not the same in this Olympus.

Echoing pastiches of pastiches of theories and pieces of lost media, mondoriviera's album reflects on the afterlife of 2000s musical archetypes and at the same time tries to open up alternative futures. A glitching pornography of our mediatic times, the zombie is a character that questions our deepest desires and social constructs. Is there an alternative?

The scratchy, phantasmagoric sounds of Mondoriviera create a sense of alienation and possibility. After the psychedelia and Creepshow's imagery already present in Lorenzo's debut record 'Il Tempio degli Uomini Granchio', this album represents a further hallucination, a soundscape for an unrealised deranged metaphysical videoclip, a crooked ballad for a love yet to come. 
credits
releases June 30, 2023

Composed, produced and mastered by Lorenzo Camera
Artwork by Riccardo Redeghieri - Baiu Baiu
Liner notes - Alice Minervini

Glasgow Girls

Fergus McQueenie

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