Architectural - La Linea Del Rubicón (TIKITA014)

A. Architectural - sección #1
B. Architectural - sección #2

All tracks written and produced by Juan Rico
Mastered by Neel at Enisslab studio
All rights reserved © Tikita 2025

Release date 12/09/2025

Architectural - La Linea Del Rubicón (TIKITA014)

The twenty fourth transmission from RYC comes courtesy of not one, but two artists we greatly admire. Joining forces on a split truly like no other, Japanese maestro Wata Igarashi and Munich’s own multi-faceted genius Polygonia step up with the magnetic ‘Cross Passage’ - a four-track journey at the junction of their respective universes, teleporting us straight to a propulsive, mind-expanding headspace as we’re invited to explore sonic territories still uncharted and harmonics yet unravelled.

The collaborative A-side begins with the dynamic title-track, ‘Cross Passage’, a proactively future-facing number packing the kind of utopian drive that used to define the original techno sound. A highly cinematic narrative boasting Detroit-style vision and epic breath, ‘Cross Passage’ builds bridges between hi-tech elation and organic integration, transcending mere functionality to push back and expand the limits of techno as a deep communication vessel between the individual and the mass. Firing off like a binary script gone astray, ‘Fibre Axis’ takes us on a further bumpy ride across shape-shifting interfaces and blurred-out digital scapes, via abrupt pixel landslides and fractured 3D renderings.

Side-B finds each producer dishing out a slice of his/her own musical idiom. Polygonia strikes first with the pulsating ‘Voltage Blues’ - a mesmeric roller cut from pure eerie synth algebra, boundary-pushing abstraction and surgical but experimental-leaning rhythmic assault. The result is a piece of cutting-edge techno hoodoo, ready to take on clubs with utmost abrasive swagger. Sniping a hail of rainbow-like analogue synth outpour, Wata Igarashi’s solo contribution ’The Tunnel Dreams’ rounds off the journey on a fiercely nonconformist note. Merging a hard-hitting main swing with 8-bit-esque audio pointillism and brooding bass undertones, the Japanese producer cuts a path of antigravitational abandon and relentless rush towards absolving euphoria, which shall leave all in the room levitating somewhere between sheer daze and love-thirsty XTC.

*Clad in the sleekest cover art courtesy of designer Atact, RYCL024 is pressed to red & white marbled vinyl for you, fancy platter collectors and picky audio-visual aesthetes alike.

Written & Produced by Wata Igarashi & Polygonia
Distributed by Clone Distribution Rotterdam
Mastering by Artefacts Mastering Berlin
Artwork & Design by Atact.uk
Cat. no. RYCL024 – All Rights Reserved
℗ & © Reclaim Your City 2025
www.reclaimyourcity.bandcamp.com


Cross Passage

Order

RYCL024 - Wata Igarashi & Polygonia - Cross Passage

@veralogdanidi

To All That We Lose And All We Fight For is the debut album by Vera Logdanidi — the culmination of nearly two decades of musical evolution. Her journey began in the world of drum & bass and jungle, gradually expanding into deep explorations of house, dub techno, and techno. Over the years, Vera has performed on leading stages across Ukraine and internationally, while also mentoring a new generation of DJs and producers, hosting radio shows, and supporting the scene through her label and community work.
This album was written during a time of deep upheaval. The outbreak of full-scale war forced Vera to leave behind a well-established life and begin again on the international stage. While the music often feels dreamy and introspective, To All That We Lose And All We Fight For is a profoundly personal record — a sonic refuge shaped by grief, uncertainty, and resilience.
The album doesn't follow formulas; it’s driven by intuition, texture, and a genuine connection to sound. It's rich, emotional, and occasionally unexpected. The tracks form the core of Vera’s current live set, which has resonated at major festivals such as Draaimolen or Strichka — captivating audiences with its depth and subtle, immersive energy.
The cover art, created in close collaboration with Vera’s longtime visual team, is a real photograph — not a digital effect. It captures the tension between anxiety and hope: a glance back, and a step forward into the unknown. This visual metaphor reflects the emotional landscape of the album — the fragility of what’s been lost, and the courage to embrace what lies ahead.
This release also marks a new chapter for Rhythm Büro Records — one that moves towards music that is more personal, intimate, and unconstrained by expectations.
To All That We Lose And All We Fight For is released alongside another important Rhythm Büro release: RB011 — Your Curves EP by Na Nich. Ukrainian producer Oleksandr Pavlenko, formerly known as Sunchase, returns to his roots in broken beats and bass music, blending them with house and techno sensibilities. The four-track EP ranges from deep grooves to melancholic late-night moods — a compelling counterpoint to Vera’s album and a testament to the label’s evolving identity.

Cat number: RB012
Label: Rhythm Büro
Artist: Vera Logdanidi
Title: To All That We Lose And All We Fight For LP
Release date (bandcamp, all formats): 19 Sep 2025
Release date (other platforms, vinyl): 19 Sep 2025
Release date (other platforms, digital): 26 Sep 2025


Tracklist:

A1 Keep Breathing
A2 Keep Living
B1 Keep Searching
B2 Keep Pushing On

C1 Keep Bleeding
C2 Keep Healing
D1 Keep Fading
D2 Keep Shining On


Vera Logdanidi - To All That We Lose And All We Fight For LP [ Rhythm Büro 012 ]

5 Hours Closing Set from Berlin Atonal Klubnacht at Tresor Berlin

Ana Rs @ Berlin Atonal, Tresor Berlin 29.08.2025 I 5 Hours Closing Set

47 marks TEN YEARS with its 47th and final release, closing the catalogue at 47047. 

Launched as an event series by Tommy Four Seven in Berlin’s intimate Arena Club in 2014, the 47 parties paved the way to the label we’ve come to know today, inspiring and encouraging a host of interdisciplinary artists along the way. The imprint opened in 2015 with a V/A, and now, ten years later, 47 comes full circle with the release of its last-ever record and compilation. 

As always, the various artist collection reflects the imprint’s long-running ethos of championing underground and upcoming talent. Titled ‘Ten Years’, the record features label debuts from Jin Synth, Casual Treatment, SAMA, Yrsen, and contributions from familiar faces like Pause, Rommek and AgainstMe, to name a few. 

Across the 20-track V/A, each artist delivers precise and sonically rich productions, spanning several palettes. You’ll find a dreamy soundscape punctuated by blips and bleeps from Amotik. Claustrophobic atmospheres and winding rhythms by Innersha. Liquid melodies and maximalist basslines from Ana Rs. Moonlit synths and icy motifs by VSK. Club-driven 4/4 techno with a metallic sheen from ASEC. An emotive take on ambient and techno from Linn Elisabet. A spiralling trip with IDM touches from Nørbak, and more.

‘Ten Years’ mirrors the adventurous attitude of 47, celebrating the artists and sounds who’ve helped to build the label’s solid reputation, leaving an indelible signature on electronic music for years to come. 

The record will be available as a 5 x 12" release, limited to 200 copies. Orders can be made on October 10th via Bandcamp at 10:00 CET.

Various Artists / Ten Years [47047]

A1 / Amotik / Setalis
A2 / Jin Synth / Manifestation
B1 / Innersha / Oscen
B2 / Sr² / Hex

C1 / Ana Rs  / Non Est
C2  / SAMA / Required
D1 / VSK / Lost In S
D2 / Heckerman / Vacuum

E1 / Casual Treatment / Théia
E2 / AgainstMe / Below The Surface
F1 / Ādam / Aurora Dawn
F2 / ASEC / Terra Nostra

G1 / Tommy Four Seven / Terminal
G2 / Yrsen / Z04
H1 / Pause / Day Zero
H2 / Linn Elisabet / Braid My Fingers

I1 / Trismus / Back and Forth
I2 / Mesh Convergence / HT104
J1 / Nørbak / Triste
J2 / Rommek / Crack Of Dawn

--

Ten Years

VARIOUS ARTISTS / TEN YEARS [47047] - PREVIEW

Recording of AMORAL's set at the UFO I stage during Dekmantel Festival 2025.

AMORAL at UFO I - Dekmantel Festival 2025

Up next on Brooklyn’s Scissor & Thread is the latest EP from @Snad, aka Shyam Anand (also known as Spandrel), the Berlin-based artist whose discography already spans labels like Smallville, Minibar, 20:20 Vision, Phonica AM, TerraFirm, Running Back, Cabinet, Kimochi and Dungeon Meat with remixes for names including Seafoam and Chez Damier. 

A trusted selector and producer in the underground, Snad has steadily built a reputation for deeply considered productions that balance classic inspiration with his own forward-thinking edge.

The AM Yard EP opens with its title track, a warm, hazy cut rooted in the kind of bassline architecture that recalls Chez n Trent’s Morning Factory but reshaped with Snad’s signature dreamlike touch. 

Anticip8 fanchors the release with a more direct energy, rolling, insistent and focused on the floor, balancing stripped-down drive of dusty samples wrung through his digitakt with just enough harmonic flourish to pull the listener inward. 

On the flip, The Pursuit follows in a slightly different mode, drawing on experimental vocoder techniques and filtered percussion creating a hypnotic push-and-pull that feels as intricate as it is understated.

Rounding things out, label heads Francis Harris and Anthony Collins, under their Frank & Tony alias, reimagine The Pursuit with their Housebeat Remix, extending its atmospherics into an even deeper headspace that glides effortlessly into late-night territory.

AM Yard

AM Yard [Snippet]

The second edition of Eigenstate's podcast, which covers the newest releases in techno (sometimes combined with some classics). This time, we start off nice and deep before going into rougher territory in the second part. Enjoy! 

Eigenstate - State of Techno #2 - October 2025

SK11.10YLP


SK_eleven celebrates a decade of sonic exploration with a 13-track compilation showcasing its signature tension, technical discipline, and stylistic spectrum. 

Reuniting a tight circle of artists whose contributions have helped shape the label, the release offers an unrelenting sequence of pressure, mental twists, and textural collisions; a multifaceted snapshot of techno’s enduring capacity to evolve, disturb, and seduce.


The compilation resists uniformity. Instead, it thrives on contrast: tension versus release, density against spaciousness, rhythm in all its permutations. From high-energy metallic openers and dub-inflected body rollers, to disorienting, delay-heavy experiments and stripped-back percussive tools, each contribution reveals a unique grip on groove and detail. Some tracks move like engineered machines: sharp, robotic, and syncopated to surgical precision. Others embrace sensuality and unpredictability, exploring spatial motion, layered harmonic friction, and states of controlled chaos.


Each piece acts as a structural component in a larger sonic architecture, where tension is built, collapsed, and rebuilt. Friction becomes a form of choreography. Across the record, a shifting palette of emotional mechanisms takes form; granular and magnetic, haunting and quietly forceful, restrained, then disruptive.


More than a retrospective,  SK_eleven’s first compilation becomes a collective gesture toward techno’s unresolved possibilities:  its ability to hold contradiction, remain in flux, and mutate without conclusion.


Words by Victoria Mazzone


• A1 - Yant – Bee Sting
• A2 - Rene Wise – Gut Punch
• B1 - Kr!z – Split Tongue
• B2 - BLANKA – Extravaganza
• C1 - Eman – Lerake
• C2 - Holden Federico – Hydro
• D1 - Cirkle – Delta State
• D2 - Altinbas – Epinephrine
• D3 - Kameliia – Memories
• E1 - Phil Berg – Sappho
• E2 - Border One – Warp Shift
• F1 - Kwartz – Watch Out 
• F2 - Phalcon – Into the Depth

• 3 vinyl special
• Transparent vinyl
• Release date 7th November
• Mastering by Conor Dalton
• Mastering by Gio @ Artefacts Mastering (B1)
• Mastering by Ahmet Altinbas (D2)

SK11.10Y - Various Artists

Material Without Qualities LP stands as a long-form statement from Adlas: minimal techno reduced to pure focus, where subtle detail fuels relentless precision.

Written and produced by Adam Larsen
Mastered by João Rodrigues at Tema Mastering
Artwork by João Frederico
Released by Hayes Collective, Portugal
Release Date Vinyl & Digital: 24th of October, 2025
Catalog Reference: HYSLP002
Format: Vinyl & Digital

Adlas - Material Without Qualities LP | Preview

Yoyaku Live Session with Hame

Techno and other atmospherics. Part of TANK Kollektiv (@tank-radio). 

No social media, it's just Soundcloud for me :).