that one episode of spongebob where he makes the stone duplicate of himself and the wind goes through it

現在、京芸@KCUAで開催中のウィンドウハープ試させていただきました♪とてもおもしろかったです。

Wonderful, and to say this instrument dates back from ancient times.

More on this 484th weekly Disquiet Junto project — A Movable Heart (The Assignment: Transplant the sounds of Chris Kallmyer’s wind chimes to a new location) — at: https://disquiet.com/0484/

More on Chris Kallmyer at: chriskallmyer.com.

Major thanks to Alex Hawthorn for support: alexhawthorn.com

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0484-a-movable-heart/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is by Chris Kallmyer, used with his permission.

A Movable Heart - disquiet0484

Narugashima, Hyogo, Japan, September 2014.
dpa 4060 (with wind jammer) , pcm-m10, aeolian harp

aeolian harp #2

Ghosts of Sine and Vine [disquiet0326]

Several tracks of staked warbling sine waves produced in pure data. These use mutiple sine waves with the shifting volumes to give a warbling effect. Some of the bassier tracks had a side chained beat pumping them using an expander gate- this was in time with the end-of-vinyl click sample. some other added crackle  and click samples . Compiled in pro tools. Only two of the drone tracks had delay/reverb the rest of the tracks are dry.

Samples:

https://freesound.org/people/DanielsonIII/sounds/68400/
https://freesound.org/people/ludvique/sounds/71854/

More on this 326th weekly Disquiet Junto project (Wave Turntable: In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise) at:
https://disquiet.com/0326/ 5
More on Clay and Fischer at:
http://dclaymusic.com 8
http://feather2pixels.com 1
More on the Disquiet Junto at:
https://disquiet.com/junto/ 2
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co 3:
https://llllllll.co/t/disquiet-junto-project-0326-wave-turntable/ 2

Ghost Of Sine And Vine

Commissioned by Radio Museo Reina Sofía, Madrid, in Sept. 2019, "Tiempo, Piedra, Insecto" (“Time, Stone, Insect”) is a piece for metal objects, small ceramics, stones, and vibrating strings. Taking as its point of departure a selection of simple materials and rudimentary gestures, the piece explores repetition, addition and subtraction as principles of circularity and perpetual motion.

The title of this work comes from three words jotted down in a notepad after walking through a vast park in a big city and speculating with a friend about the animate and the inanimate. Are stones trully still, or is it that we humans just can’t see them move? —This seemingly simple, even naive question, carries a deeper reflection on the relationship between time and movement. While Tiempo, Piedra, Insecto does not directly seek to address this question, its structure was shaped by these ideas.

https://radio.museoreinasofia.es/en/clara-asis

Tiempo, Piedra, Insecto

Huggle 523 [olops]

"Alpha Beta Eros" (2020) __/ A composition by Michael Pisaro-Liu (USA)
__/
Philippe Lauzier (CAN): bass clarinet
d'incise (CH) : electronic, loudspeakers
__/
Opening this serie, Michael Pisaro-Liu, emminent member of the Wandelweiser composers collective & residing and teaching in Los Angeles, delivered a score where words and (love) letters transform into notes,  revealing in their dialog a delicat conterpoint, two voices slightly appart at the begining get soflty intertwined in the last third. Philippe Lauzier, clarinetist, improvisors and sound artist, from Montreal, precisely fomulated its reading on its intruments while d'incise, obstinate sound explorer and co-founder of Insub, reincarnated the score, and its electronic interpretation, by plugging it into various non-neutral, tenderly distorting, loudspeakers.
__/
More : http://insub.org/insub-distances/
Video : https://youtu.be/JrA0oXQGxkI
HD audio : https://insub.bandcamp.com/album/michael-pisaro-liu-alpha-beta-eros-insub-distances-1-8
Interview about the piece : https://youtu.be/CnlyVrooKmA
__/
Insub.distances - a project by Insub.asso & Insub.records - 2020
__/
Supported by : Prohelvetia ("Close distance" programm) / Fondation Suisa / Fondation Nicati-De Luze

Bandcamp

Michael PISARO-LIU "Alpha Beta Eros" __/ Philippe Lauzier & d'incise (insub.distances 1/8)

Pistoche

SuperCollider patch show-casing the Mi-UGens (some UGens based on eurorack modules by Mutable Instruments): 2x MiTides + MiRipples.
This one is inspired by Lightbath's Loom 4 :) https://www.youtube.com/watch?v=uojFtozPynE
Get the UGens (compiled for macos) from vboehm.net/downloads/
Sources on github: github.com/v7b1/mi-UGens

Mi-UGens Demo:  Lightbath - -Loom 4 - -inspired

taken from the project 'mineral veins' (dissolves)  natural substances breaking down under environmental pressures, interactions and distortions. 

(recorded using JrF d-series hydrophones & adapted geophones)

mineral veins | Lugnas Dissolve (extract) - headphones / speakers needed

Looking Glass Spiral

Another sea drop

Eisuke Yanagisawa is a researcher on gong culture, field recordist, and film maker based in Kyoto, Japan.

aeolian harp #2

Eisuke Yanagisawa

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