Study

tripism

Deadline: 13th April 2022

All submissions to Haiku 431:
https://www.naviarrecords.com/2022/04/06/naviarhaiku431-going-in-circles/

To participate:
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku110)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz
Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want)compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku
Naviar Records store: www.naviarrecords.bandcamp.com
Subscribe/support the project: www.naviarrecords.com/support-us

haiku #431: going in circles / a promising journey / without end

Anders

[UNDER CONSTRUCTION]

Fantaisie track (courte) series no. 271

creation: 2022/08/01

These tracks were uploaded to SC between 05/2022 and 07/2022,
except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_271

Wir müssen alles rückwärtsgängig machen

nobody was there

Nobody Was There

An experiment using massively distorted violins

Waiting

Crazy Compass - Поклонение Духам Огня, Земли, Воды и Ветра / Worshiping to the Spirits of Fire, Earth, Water and Wind https://meticulousmidgets.bandcamp.com/album/worshiping-to-the-spirits-of-fire-earth-water-and-wind

CRAZY COMPASS: Penza-Moscow, Russia (spring 2021)

Alexander Bozhday / @Somebody-Bo - shaman tambourine, ocarina, hang, bass, electric guitar, vargan, percussion, bells, effects
Sergey Kobzev / @Assembly-of-honey - bass, acoustic guitar, flute, vocals, sound mixing, mastering
Nata Boundariver / @CrazyCompass - vocals, drawing

About it on Meticulous Midgets label: http://stopcran.ru/blog/2021-05-04-217

Exhibition of six paintings: http://stopcran.ru/news/2021-05-15-291

full CD & art book

from: Поклонение Духам / Worshiping to the Spirits (art book + CD)

Ankhtifi & Thaddeus Schramm - Stormy Seas

Virgem Sacrificada

7Apr22

My naviarhaiku431 submission;https://www.naviarrecords.com/2022/04/06/naviarhaiku431-going-in-circles/
:D

a promising journey [naviarhaiku431]

going in circles
a promising journey
without end

haiku by Charles Lawler https://twitter.com/Charliepoetry

picture by Thomas Millot https://unsplash.com/@tmillot

For more information visit http://www.naviarrecords.com/about/naviar-haiku

aphorism fling

halF promisinG [naviarhaiku431]

Music created for

NAVIAR HAIKU 431
"going in circles
a promising journey
without end"

haiku by Charles Lawler https://twitter.com/Charliepoetry

Cover by Nelson Brodon

Seven days to make music in response to the assigned haiku: to participate visit www.naviarrecords.com/about/naviar-haiku

Journey our of Frame

Naviar Records

Nelson Brodon - Journey Out of Frames (NaviarHaiku 431)

A sequence of repetitive structures, sounds created in Pure data.

In Circles (naviarhaiku431)

This track was created for the Naviar Haiku group.
431 week haiku
https://www.naviarrecords.com/2022/04/06/naviarhaiku431-going-in-circles/

2022-04-8

Going In Circles ( Naviarhaiku 431 )

Inspired by this haiku by Charles Lawler (https://twitter.com/Charliepoetry)
Going in circles
a promising journey
without end

Picture by Thomas Millot https://unsplash.com/@tmillot

https://www.naviarrecords.com/ (Experimenting with words and sounds)

My Naviar Haiku

Until the end of the circle

Until The End Of The Circle (naviarhaiku431)

no sé que estoy haciendo

Unfortunately, Schmitty and Nekbhet were busy eating a snack during the time of this recording.

Syntania: mooing, snorting, neighing, braying, vocalized boat horn
Midori Cullnough: backing vocals
Brian Ordbon: cowbell

Additional Personnel
Schmitty's dog: barking

Song For Cowbell And Voice

ARANTZAZU

inspired by Stanisław Lem's novel "Man from Mars"

Czowiek z Marsa I

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Xilinx

Bret Schneider - VaVE1

Moon in Aries (2018) by Hannah Reardon-Smith
Bass flute + electric guitar + live electronics

Performed by Richard&Linda at Spectrum East, Belgrade | 25. Jan 2018

Richard&Linda | Moon in Aries

Read the review: https://alcoholseed.com/2018/04/29/audio-visuals-atmosphere-celebrates-50-with-beneath-the-earth/

Beneath the Earth

Sequences - The Repining Inlet

Unfortunely You Are Not Here (unmastered)

Underhand, Underfoot

29.8.2018
BOOM Vacuum #11 !! first !! birthday !! party
Junk Bar, Ashgrove Q

'A series of new-music nights that explore the visionary sounds and warm sonic adventurings of Brisbane’s aural undergrowth.. Unexpect the expected.' 

Hannah Reardon-Smith | bass flute + electronics
Liam Flenady | bowed electric guitar + electronics

R&L @ BOOM Vacuum

Single tapeloop on Tascam MF-P01 Portastudio. Recorded live to Ableton Live.

Det är alldeles för sent

Excerpts from live performances by Richard&Linda in 2018.

0'00" R&L @ BOOM Vacuum (Junk Bar, Ashgrove, Brisbane), Aug 29 — bass flute, bowed electric guitar, and live electronics
3'12" R&L @ Loophole, Berlin, Jan 31 — piccolo, electric guitar, and live electronics
6'06" R&L play 'Moon In Aries' (2018) by Hannah Reardon-Smith @ Spectrum East, Belgrade (Serbia), Jan 25 — bass flute, electric guitar, and live electronics

Richard&Linda are Hannah Reardon-Smith and Liam Flenady.

R&L Excerpts 2018

RizoMix per il Seminario Musica e Filosofia Roma Tre https://www.facebook.com/SMFRoma3/

Thanks to Rizosfera https://rizosfera.net/sounds/?fbclid=IwAR2W-6tlBvQqWZryKQHwka1STruA_M-TWqHv9zvVnFXKHHycL4zxWgr8ujk

Architettura

This was a track that was supposed to be bigger, but it didn't make it.

Experimental Percussion Insert

the lost tape

Experimental ambient project realized with the use of sound overlaps, causal collisions and cosmic echoes. 
Thanks for being here, comments, opinions and collaborations are always welcome.
For a best experience, if you can, please use headphones.
Logo: https://pixabay.com/it/users/pinkpanthress-2154882/
Stones: https://www.pexels.com/it-it/foto/rocce-pietre-sabbia-bianca-equilibrio-8800327/

Until The End Of The Circle (naviarhaiku431)

El Wud