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It's Why We Get High

After lot of years experimenting with a lot of music acoustic and electronic uri discovered a way to combine all of those worlds. With IDMish and soumi sound he is sampling, remixing, mashing, scratching and licking alll kinds of elements like glitch, amen breaks, reggae, rap, punk, rave, big beat psychedelic, 8 bit, wobble, tech, soumi, idm and breaks. This combines to a music matching this age that we are living in, a sonic cyber symphony (d.i.y. Of course) enjoy.

https://www.facebook.com/ubenari

All Inquiries: James Hadid - james@jet-mgmt.com

Contact: booking@dancemyth.net

1/2 @clench-music

Releases on:
@wormhole-music-group
@aspirehighermusic
@shadowtrixmusic
@theuntz
@pickledyeetz
@therust
@digitalwhomp
@theundergrowthcollective
@toortous
@facelessfuturecollective
@surrealistrecords
@transcendent-tunes
@funkadelphia-net

Dancemyth is the moniker of Michigan producer Daniel Smith. Presenting sets of all original music spanning between dubstep, glitch hop, and even downtempo, Dancemyth strives to bring a unique performance that takes you through a journey of his productions; all alongside live guitar improvisation. With releases on several different labels and collaborations with many different producers, Dancemyth is making a name for himself as an independent artist in the scene.

@jt_rummi
1/2 of @BarakosSound
DJ/Producer  - New Mixes/Originals  coming soon!

- Afro - Tech - Melodic - Bass - Bass House - Future - Funk

The game involved throwing a die, and if the caster got a bad score, they had to choose between drinking more alcohol or performing an undignified task. Other fun stuff as well.

It's Why We Get High

Electric Mantis