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Hailing from provincial Italy, world class DJ & producer Benny Benassi is a name needing little introduction but always deserving of wide admiration and acclaim.  Indulging in a career spanning fifteen plus years, Benassi is renown as a humble, authentic and charming character who has grown from club DJ to festival king to multi-million selling record producer taking success in his stride. Trademarking his unique infusion of house and electro with his global smash “Satisfaction” Benny has continued to create music which is a clear evolution of this signature sound but never deviating too far. 

There is no better place to start delving into the rich history of the Benassi career than with his international blockbuster, “Satisfaction” and its game-changing music video became his launch pad into stardom. Created with his cousin and producer, Alle Benassi, and inspired by the car horns outside an open street facing window, this single catapulted into the charts with a #1 in France, #2 in the UK and Germany. Followed by his debut album Hypnotica, which reached top 20 across nearly all parts of Europe within the first month of release. 

The next few years for Benny were a culmination of successes, whether it be the major festivals he went on the play (Coachella, EDC, Ultra Music Festival, Tomorrowland to name a few) or his next artist album, Rock N Rave in 2008. The same year he won a Grammy Award for his ground breaking remix of Public Enemy “Bring The Noise” further catapulting the Benassi name into stardom. 

In 2011, Benny teamed up with a star-studded album cast for his album Electroman which featured T-Pain, Kelis, Jean-Baptsiste and Apl.de.ap amongst others and most famously Gary Go with his chart-topping single “Cinema”.  The Skrillex remix of “Cinema” not only went Gold in the US and platinum in Australia and Canada but won the Benassi’s another Grammy whilst holding firm in the iTunes top 10 dance chart for over 6 months. 

Still on this exceptional career high, Benny Benassi combined talents with Chris Brown to create one of the biggest cross-over dance records of its time with “Beautiful People”. The following years have been a measure of incredible world tours and releases, most notably his record “Dance The Pain Away” with John Legend, which premiered live on stage at Coachella with John himself. 

2016 saw Benny released his first album in five years Danceaholic, an unexpected, stunning cocktail of already released tracks, two unreleased reworks of older singles and brand new songs, led by the hit summer anthem “Paradise”, once again with Chris Brown. “Paradise” stayed in the Top 50 UK charts for 10 weeks and boasts more than 65 million video views and close to 47 million Spotify streams. 

In recent years, Benny's main releases include “Everybody Needs A Kiss” featured US duo Sofi Tukker racking up over 10 millions streams online and was featured as the sound of gay pride for Musica.ly, "Lonely Nights" featuring Lil Yachty, interspersed with two great house-oriented tracks, "Inside" with Chris Nasty, performing well in clubs and on streaming platforms and "Everybody Hates Monday Mornings" with his own production outfit, BB Team, and featuring the eccentric and charismatic YouTuber, Canguro English.

Beyond his own productions he brought his sound to a wider musical audience with a flurry of high-profile remixes with the likes of Bob Marley & The Wailers, Giorgio Moroder, Madonna, Sean Paul and the Rolling Stones, to name but a few; whilst maintaining a weekly radio show on the US heavy-weight iHeart Radio broadcasting to a staggering quarter of a billion listeners monthly.

High-Tech Minimal
be serious!

In 2024, the single "Gravity" went gold in Mexico.

KM074 is out now
https://ffm.to/km074

Keinemusik is a network with the label as the pulse pumping centre. Driven particularly by the spirit that moves the collective behind the imprint. The spirit to find your own agenda and let nobody get in the way. The spirit of refining House and Techno off the beaten path. Be it within their own tracks, within productions of other sorts or DJ-sets. The spirit of recall value within record- and flyer-artworks and everything intermediate in word and image surrounding releases and parties. And the spirit of diversification – Rampa’s effect-gadget-venture TEILE being one example. Keinemusik’s own booking department ‘Worldwide Dancing Club’, established in 2018, being another.

Keinemusik has been around since 2009. It has been naming an existing friendship and linked interests of the four members – &ME, Adam Port, Rampa and Reznik. A more or less constant count of five releases per year have been released ever since, solely laid down by members of the crew. And a considerable count of label-parties went down, not only in Berlin, but around all international focal points for electronic music. And surely, there’s plenty more where those came from. So see you soon in a record store or on a dancefloor in your area!

At midnight, on March 13th 1991, a basement door opened at Leipziger Strasse 126, Berlin. Through this door, many passed, on their way to defining new terrains in electronic music. There they found a dance floor in the vaults of a closed-down department store, with a unique sound bound to dense fog, building night after night a history that was also a vision of the future. 

This history has seen in Jeff Mills’ first sets on three turntables, Underground Resistance's first live appearances in Europe, grandiose Tresor Park parties, to various chapters of the Loveparade with Sven Väth in the 90s and since then countless generation-spanning parties. These moments represent the highlights of infinite personal clubbing experiences. It is the manifestation of the Berlin spirit, emerging from its considerable strife. This history is not without its complications - from temporary closure by the authorities and several raids in the early years to closure and demolition of the old location in 2005. What followed was years of wandering in exile and, finally, resurrection in the new home in Kraftwerk Berlin.

These stories, conversations and shared experiences within our walls forge a resilience that drives towards a shared ideal, the Tresor sound: community, resistance, and the world to come. This was observed in the newly re-unified German youth, who danced and celebrated together from the club’s inception, and into the present day through ongoing community work in Detroit. 

Tresor Records was founded in the same year and began to serve as a platform for exporting the new sounds associated with Tresor all around the world. Emergent musicians from Michigan, such as Juan Atkins, Underground Resistance and Drexciya, were pivotal in shaping these early years. Their visits to Berlin would kick-start dialogue between the youth movement in Europe and these musicians. This story is one of friendship and community-building, inextricably linked with cities like Detroit, Birmingham or Edinburgh, where like-minded friends built something truly special, where revelatory rhythms soundtrack decaying industry in corrupted metropoles. 

Tresor Records has been the fertile soil for dozens upon dozens of creative minds, from the very luminaries of the scene who developed electronic music over the last three decades through to contemporary protagonists who are currently defining the sound of the future -  A more than 300 strong catalogue displays an unmistakable identity - the Tresor spirit.

To those that have danced before, and to those that will dance in the future: the light at the end of the long Tresor tunnel is a signal. A flicker amidst the fog. This is our future. This is our place.

Sandro Schäufler, known as Kollektiv Ost, has built a solid reputation in the
electronic music scene over the past two decades. His career started early. At just 14, he spun his first records and quickly developed a feel for the right
groove. He found the musical foundation for this in his homeland of
Mecklenburg-Vorpommern and the 3000 Grad collective, where he still lives
today.

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

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