Kazuki Koga has dedicated his new EP to a tradition of GORGE. "Instinctive Plagiarism" was created with the theme of plagiarism, appropriation, and falsification, with the aim of arbitrarily reconstructing music that seems to have approached or came into contact with GORGE before it was proposed as a subgenre of electronic music (Roots GORGE).

It is not a sampling, a remix, a tribute, either a homage, and a parody. GORGE is just an imitation.

It is a free-solo take on a route that was climbed in the past.

Instinctive Plagiarism

Kazuki Koga - Instinctive Plagiarism EP

After

あやかし(AYAKASI)

こま(KOMA)

Bring Your USD

toiret status - wolmhore

Released via Blorpus Editions
blorpuseditions.bandcamp.com
catalog#: BLORP23

Music by Isamu Yorichika

Artwork by Naka Renya
www.instagram.com/naka_renya
credits
released July 11, 2023

#0.281

An audiovisual ritual that communes with the apparent imminent symbolic collapse & content crises prophesied by AI risk forecasters in a realm of the more-than-human; of emptiness without despair; of faith in Bion’s ‘O’. Livestreamed from Manchester to Shanghai with c0bweaver for XIE3LLA SELECTS @ SYSTEM, June 2023

beaxu.xyz/O

O | Bea Xu & c0bweaver

A reality that shrink life deserves a renounce.
Learn value from absence.
Coordinates [72.5571, 126.4715]

Credits:
=================================================
Acoustic Guitar and Single-cycle sample based synthesis. No libraries, No plugins or other's presets used. All up from the "painful" beginning.

Music, photography and Artwork by Memero

https://www.autistici.org/memero/
https://memero.bandcamp.com/
https://www.mixcloud.com/memero/

Memero - Volume Multiplied By Cowardy

NOTE:
This piece represents two things for me: 
1. A metaphorical and literal depiction of friction as both a sonic and mental concept.
2. An aesthetic and technical experiment aiming to seamlessly blend hyper-gestural acoustic sounds with electronic ones using an amplified chamber ensemble and laptop.

The piece gets its title from the idea that despite having a gut feeling or the education to know that something might be right or wrong, internal and external forces might cause one to ruminate tirelessly and doubt their own judgment. A cycle that might result in the warping or erosion of confidence in one’s self.

The piece attempts to depict intense shifts between confusion and confidence, clarity and uncertainty, and chaotic tension and release. In an attempt to convey this both poetically and sonically, much of the individual parts of ensemble’s material comes from a smattering of transcriptions generated from improvising with, and digitally processing a number of differently inflated balloons. An object that can be blown up, stretched, and squeezed, but when too much friction is applied can also burst when its structural integrity reaches a breaking point. The pacing, orchestration, electronic sounds, and sudden bursts of sound throughout are reflections, abstractions, and distortions of these “transcriptions”. 

Finally, the piece also uses a number of digitally manipulated orchestral recordings (most of which bring me a calming sense of nostalgia and comfort in their original forms) to represent the shift between self clarity and uncertainty, give directionality to the work, and to provide the listener with some semblance of “stability”/familiarity between moments of chaos. Although, like the balloons and the rest of the ensemble, they too can be stretched and manipulated past the point of recognizability.

Performed and recorded on 10/20/23 at Galvin Recital Hall at Binen School of Music

Conductor - Jason Gluck 
Cinematography - Dan Nichols and Aphorism Studios 

Ensemble - Northwestern Contemporary Music Ensemble - Fall 2023
Violin - Shijie Li
Cello - Noam Ginsparg
Double Bass - Lance Gaupp
Alto Flute - Mara Goree
Oboe - Ezekiel-Alain Navarro
Bass Clarinet - Elynn Chang
Horn - Isaac Sepulveda
Trombone - Tim George
Percussion - Cameron Marquez and Christian Santos 

Special Thanks to: Ben Bolter, Bill Milgram, Austin Williams, Rachel Frazier, and Henry Stewart 
Mastering and Additional Mixing: Douglas McCausland

I think my legs might be broken (2023, amplified chamber ensemble and electronics)

escape

Tracklist
・森七菜 - 森七菜のオールナイトニッポン0
・雨 - プレゼンス
・HARD OFF_07
・Prius Missile - Chopstick Pop
・shawnathan - Hit by the Budweiser truck goin 80 miles an hour
・Shitwiz - Ririka Breakcore Hell
・松浦亜弥 - 奇跡の香りダンス。
・Abnormal Carnival - Craving for Belle Delphine's Bath Water
・Facialmess - Battered Each Other
・香奈 - 蛇苺
・ASTRO TV SYSTEM - Jokker played by Robret De Niro
・Mong Tong - Ancient Mars 
・MULK - Manifest Biomecanique feat URIEL'S
・MULK - Vis De Merde feat JEAN LOUIS COSTES
・cyberbitch26 - Ayesha Erotica Terrorcore
・Facialmess - Original Solider
・MINX.190 - This Is Kitty	
・Gul Pc - Heu!Heu!	
・DJ Ad - Ma Casio	
・DJ Sharpnel - South Paw (Koshien Ver.)	
・MULK - Moosh
・Govlink - Let's Cook Some Hypno!
・MAKI - それぞれの夢	
・CDR×DF0:BAD - pineapple222
・NANORAY - 桑青
・BAD香港 -  12345kids are Destroyed	
・Hellfish - Fishika (Dedicated To Ramirez)	
・Golden Boy - LOVE (｡♥‿♥｡) (Scrap Brain Zone)	
・Cheetah - King Of The Swingers	
・chkdsk - THE_C0ST	
・DJ CALIFORNIA CRISIS - STUPID GABBER SHIT FUCK YA	
・A. G. Cook - Track 10 (Extended Mix feat. L	
・Shitmat - More Fire ('93 Ting Mix)	
・モーニング娘。- ドッカ〜ン カプリッチオ
・Noise/Girl - Discopathology	
・DJ Ad - Ma Casio	
・宮村優子 - mother(Hecate mix)
・vertigoaway - androids on acid	
・Skrillex - Kill EVERYBODY	
・MO"R"TALITY  - 死に際(義体化.mix)
・dqn - PARTY NIGHT

Lil 涙×HAIZAI AUDIO B2B DJ mix＠ powwwerrr 12/30

-  Elliott Lupp is a composer, improvisor, visual artist, and sound designer whose work often invokes images of the distorted, chaotic, visceral, and absurd. This aesthetic approach as it relates to both acoustic and electroacoustic composition has led to a body of work that, at the root of its construction, focuses on the manipulation of noise, extreme gesture, shifting timbre, and performer/computer improvisation as core elements. 

- Elliott has received a number of awards and honors for his work, including a 2019 SEAMUS/ASCAP Commission, the 2019 Franklin G. Fisk Composition Award for Chamber Music, and Departmental and All-University awards in Graduate Research and Creative Scholarship. His music has been performed at a variety of electroacoustic festivals including N_SEME, CHIMEfest, Electronic Music Midwest, MOXsonic, Fulcrumpoint New Music Project, SEAMUS, and Electroacoustic Barn Dance, and by such ensembles as the Dutch/American trio Sonic Hedgehog (flute, clarinet, and electric guitar), the Atar Piano Trio, Found Sound New Music Ensemble, various members of MOCREP, The Chicago Composer's Orchestra, Fonema Consort, and Ensemble Dal Niente. 

PhD - Northwestern University (currently pursuing) - Alex Mincek, Jay Alan Yim

MM - Western Michigan University - Christopher Biggs, Lisa R. Coons

BM - Columbia College Chicago - Eliza Brown, Kenn Kumpf

I think my legs might be broken (2023, amplified chamber ensemble and electronics)

Elliott Lupp

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