that guitar is sweet, boy. this could be cool in a soundtrack.

Love it...and agree with Danny Glucose.  Was thinking it would be cool in a soundtrack right when his comment popped up.  Love that little guitar bit that happens around 2:00.  Almost sounds like a human voice.

wonderful, or wonderfulness on the ears. More, please!

🙌🔥👏🤩✌️❤️🤟Freakin amazing!

Lovely Elliott. Got any more hidden away?

Really nice.  I would have liked the guitar mixed more to the front.

Like the groove on this, space in the guitars

Kit: Korg iMS20, Synthmaster KV331, Loopoperator, Hammerhead, uKORG, Logic Pro X.

Samples: Modulated waveforms: Found TV audio snippets and themes, band rehearsal in the Royal Military Chapel -
 London, Illinois school band.

Cover Art: Detail from "Black Chapel" (2022) by Theater Gates. Constructed at the Serpentine Gallery.


Watch this Space

Night Visions - Benny C X Jase Money X Oxy-Gin

I wrote this last year after some tragic news events. While the gun control discussion goes on, I’m still hoping…

A real pleasure to have Pravinand joining in…thanks mate, your harmonica really gives this a lift. @johnny-minstrel

Last Bullet To Fall (Brian Peters)

He had his workout, got into shape
With a pre-dawn run
Bought some takeout, briskly escaped
Into the morning sun

A rodded wood beam, trigger and tape
That he found on the ‘net
Some target shooting, sling bag and cape
And he was finally set

He moved behind the crowded scene
Like a snake on the ground
Raised his head, uncoiled to spring
As he fired his rounds

Now I’m holding my breath
Like I’m under water
For the death of death
In the ever after
Where the reels of regret
Will be turned into laughter
But till that trumpet calls
I’ll be shouting from the top of the city walls
Waiting for the last bullet to fall

Some weeks before I was glued to my phone
Just scrolling through
Caught my eye some kids had died
In a Texas school

Slip of a lad just went mad
With an AR-15
Shot his gran, got into her van
Headed down the street

Powder and lead were burning red
In the midday heat
Twenty-One Dead, the headline read
It was the bloodiest scene

So I’m holding my breath
Like I’m under water
For the death of death
In the ever after
Where the peals of lament
Will be spun into laughter
But till that trumpet calls
I’ll be shouting from the top of the city walls

Yes I’m holding my breath
Like I’m under water
For the death of death
In the sweet hereafter
Where the steel of dissent
Will be bent to a ploughshare
But till that trumpet calls
I’ll be shouting from the top of the city walls
Waiting for the last bullet to fall

Last Bullet To Fall (ft Johnny Minstrel)

On 11.11.2023 my new EP "Industry Icon" will be released.
Here is the snippet for you in advance.
The EP was created in collaboration with Anno Domini Beats
and Legion Beats.
There are 6 tracks and every song is a feature song.
Included are :
Chinoxl
Tash of Tha Alkaholiks
Fredro Starr
Eto
Bishop Lamont
Mc Eiht

Recording,Mix &Master by Thore Jacob
Artwork by Patarzy Art
Distribution by 3.StockRecord
Snippet Mix by Mr.Miet

Industry Icon

Industry Icon Snippet

Finest Skillz & Anno Domini Beats - Industry Icon  EP Snippet

Even in a controlled environment, love can be nurtured gracefully. Inspired by Haruki Murakami's book "The City and Its Uncertain Walls."

"Affection in the Walls" is a song about lovers living in a closed-off town surrounded by towering walls."

----------

【Lyrics】

Under the moonlight
We walk by the river
Sneakers in my hand and it’s wet 
We're on our way

We climb out of the water,
Lie in the grass so green and oughta
We're just holding each other's hands as one
In this moment, you and me  

It’s my everyday's mundane life scene
No fears, no tears
We won't ever leave this place 

There is a quaint town within sturdy walls
Where everything's rewritten, people's lives unfold
You read the dreams, while I tend to the hearth, warming our souls
Our love will be eternal affection in the walls it holds

We've got no shadows, even when the sun is bright
If your eyes are hurt, I'll heal through the dark night
No need to leave this place, in our love's warm air

There is a quaint town within sturdy walls
Where everything's rewritten, people's lives unfold
You read the dreams, while I tend to the hearth, warming our souls
Our love will be eternal affection in the walls it holds

No clock's hands, no time's go
No memories, just plain land
No past 'bout a this town  so bland
Then no sadness, no weakness
No one feels deep despair
Just small, chirping birds in the clear

Outside's a mystery, we'll never see
Even don't need to know, here we'll be

You read the dreams, while I tend to the hearth, warming our souls
Our love will be eternal affection in the walls it holds

Color of My Story -Songs of Girl's Love Ties-

Affection in the Walls

A-laise - Affection In The Walls

2024-02-07

FRsR Nº1

Old demo of 'Node', had to release it anyways 

Terrarium

Made exclusively on iPad using Koala Sampler.

DKODA - City Lights (Demo)

Here's one that began in 1980 with drums and synthesisers. Years later, after adding guitar and bass - I think it's almost ready. What are your thoughts?


Musicians:
Elliott Randall, guitar, synths
Neil Harland, bass, synth
Allan Schwartzberg, drums

Mixed by Wes Maebe

DESERT PRETZEL

**a song about dealing with a rush of emotions**

PRODUCER - https://on.soundcloud.com/9GEH8Teq8pWaAeP8A

here come the waterworks 
here come the waterworks
too many nights 
my feelings always 
keep me inna chokehold 
glidin waves
as they come and go in boatloads 
feel like i’m swimmin 
just to stay afloat 
oh no
feel like a storm might be brewin
waters so cold
here come the waterworks 
clockin me with all the hurt
can’t retire if i want
from castin out the nerves
they come back with more weight
guess i haven’t learned 
how to swim these deep oceans 
where my spirit churns
tryna figure how this nourish
when i feel the surge
oceans are swellin up
the storm inside ain’t lettin up
i can’t propel enough
the weight i hold is too much
to try and shed the rush 
i gotta sail this tidal 
judgin how they read the front
i always book it
it’s the only way i know to run
its like my anchor
but its two fold with the way it plunge
hold me down a lot
but draggin me to stop
see i need motion
if wanna reach the top
God lemme see a crest 
i just wanna crack a smile
i rode this wave to great lengths
ain’t no easy miles
navigatin murky waters 
i can’t see around 
dealt with turbulence so sickenin 
i need a bow
hopin my humble heart
gon cut through trials
life is too stern
its leavin me behind 
i’m inna rush for what
to speed away the downs
i like to touch em up 
travel through the sea in style 
steamin shit like its ss
in my room buildin engines
power comin excess 
chevy how i’m boxed in 
floatin with no life vest
i just find a stream of thought 
im throwin lines the finest
throwin lines to find catch 
im to real for spineless
pen is like a fishin rod
wonder who gon bite next 
they can take the bait 
but i swear they never find depth 
flowin is my waterway 
pockets where i find breath

here come the waterworks
here come the waterworks
here come the waterworks

here come the waterworks (aqua.d)

BIO

Elliott Randall's illustrious career has encompassed a wide and varied cross-section of World Musical forms. These include: record production, composition, electronic research and development, lectures and teaching, and of course, a legendary contribution to popular guitar performance and recording.

His guitar solos on Steely Dan's "Reelin' In The Years" and "Fame" (the motion picture) have entered Rock history annals.

Elliott has recorded and performed with artists as diverse as The Doobie Brothers, Carly Simon, Seatrain, The Blues Brothers, Carl Wilson, Peter Wolf, Peter Frampton, James Galway, Richie Havens, The Rochester Philharmonic and The American Symphony Orchestra, among many others. In addition, he is a favorite of esteemed songwriters Jimmy Webb, George David Weiss, Don Covay and Laura Nyro. Other credits include: music consultant for NBC Saturday Night Live and Oliver Stone, and projects with producers Gary Katz, David Kershenbaum, Steve Lillywhite, Eddie Kramer and Jerry Wexler.

In addition to artistic projects, Elliott has also played, produced and composed myriad advertisements (jingles) for television, radio and cinema, for clients including Coca-Cola, PepsiCo, Miller Beer, Budweiser, Cadillac, Ford, McDonalds, Burger King, Wendy's, CitiBank, General Mills, Nabisco, Proctor &amp; Gamble, MTV, ESPN, CBS, ABC, BBC-TV and countless others.

Cutting edge technologies: Since the advent of midi in the early 80s, Elliott has worked as independent consultant for a wide range of companies, including Akai, Roland, Korg and Yamaha, in the areas of musical instrument and amplifier development, recording &amp; sampling technology, software design, and education.

Current projects include recording &amp; production, lectures, and consultancy on multimedia content. 


DESERT PRETZEL

Elliott Randall

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