Unedited recording of my set at Savoy Theatre in Helsinki, Finland on 17 March 2023.

Setlist:
Against A White Cloud
Black Dust
Clouds 
Post-Crisis Remembrance
To Drown Out The Ocean
Bound Universe
The Purpose Of Peace
On A Shattered Shell Beach

Thanks to Magnús Logi Kristinsson for the photo.

Abul Mogard "Live at Savoy Theatre - Helsinki, 17 March 2023"

Audio by Formen (Album Version)
Artwork by Formen

Bandcamp

Formen - Ratio

Single taken from my forthcoming album 'Quiet Pieces', released on 30 May 2025
https://abulmogard.bandcamp.com/album/quiet-pieces

PRE-ORDER ALBUM

Following a dream

ANTI FOREIGN SLAVERY/AM I NOT BRITISH BROTHER 
Brand new mix of originals from time consumer.  Built out of voice memo recordings from march-april-may/25, sounds of life in georgia, canada, vietnam.  Lyrics of lord byron, oscar wilde in here. Special thanks to @nadjasky for all the recordings, couldn’t have made this without you<3 

1 The war is over
2 Pain project
3 Ready ready ready
4 Time of bible study
5 Этот кофеёк
6 Я кайфую
7 New Tolmie recordings
8 Illycaffe and Relay
9 Megalithic architecture
10 Wrapped in a veil of yellow gauze
11 This mighty empire
12 Galloping up
13 Do you need help 
14 Alley 47B
15 Ах, если бы сбылась моя мечта 1+2
16 Whatever happened to wibing
17 Vietnam call
18 Tre Islet
19 Thank you
20 Nguyễn chicks
21 Dan tranh
22 Breathing
23 Dan tranh 2
24 Coffee making

Catchup/Inmix

HOP IN

After the first inital collaboration between Foreseer & Heavenly Bodies, we present you the second outing. "Form & Method" using a similar production ethos while including a few nods to "Rerum Natura" the pairs first EP. We are gifted with a supernatural experience based upon the creation of a Philosophers Stone.

@ouraoura
@foreseeruk
@heavenly_bodies

Form & Method

Buy Digital + Cassette

StarryEarth007: Ourá - The Perfect Being

"Still Forms in Air" is the debut album by Italian composer Francesca Marongiu under her own name. It draws inspiration from mid-1980s Japanese ambient music — Hiroshi Yoshimura, Satoshi Ashikawa, Takashi Kokubo — and, more subtly, from Italian experimental echoes rooted in both personal and cultural memory.

The album unfolds like suspended time, like architecture that quietly bears witness to the shifts that have shaped our cities and the ways we live in them. These tracks reflect an emotional and urban landscape, shaped by a gaze cast upon the mid-1980s and early ’90s — a time of subtle yet lasting changes in the form and meaning of shared space. That period marked a delicate turning point, later described as les années d’hiver: the slow onset of fragmentation beneath a surface of creative openness.

"Still Forms in Air" doesn’t dwell in nostalgia (though it draws from it), but reimagines that duality through a contemporary lens. Its sound blends memory and presence, layering ambient textures with a refined spatial sensitivity. It is a dialogue across decades — clear-eyed, affectionate, and quietly luminous.


Written, arranged and recorded by Francesca Marongiu in Rome and Pistoia between May 2024 and March 2025. Francesca Marongiu: electronics, synthesizers, vocals, sound objects. Antonio Gallucci: wind arrangements on track 1 and 4, bass and sound objects on track 3, drums on track 3 and 4. Mixed by Francesca Marongiu and Antonio Gallucci. Mastered by Antonio Gallucci at Mercurial Mastering in Pistoia. Artist photo by Elisabetta Scarpini. Artwork by Daniel Castrejón




cassette & digital

A Dome Under The Pines

This is a recording of what we believe is a culverted stream below Fallenbrunnen in Friedrichshafen. We noticed this almost as soon as we arrived there, the night before we played at VOD-Festival (19 July 2025), right across the street from Kulturhaus Caserne, the festival venue. The recording was incorporated into the live show, a hidden sound from somewhere almost beneath our feet as we played.

If you know more about the history of this, particularly the name of the stream if it has one, let us know.

Fallenbrunnen

“Like a Bird”, recorded live at IKLECTIK × Waterloo Festival, St John’s Church, Waterloo, London — 12 July 2025.

The original album version appears on Quiet Pieces, released 30 May 2025 via Soft Echoes.

Photo by Colin Hickie.

BUY ALBUM

Like a Bird (Live at IKLECTIK × Waterloo Festival, St John’s Church, London, 12 July 2025)

Rough re-edit adding various effects and things, its rough  so some parts work better than others, completely improvised.  I actually think it sounds quite good like this , but you know..

Aphex Twin-Tha (Qeta Remix Q)

Track started Aug 13, 2016, finished Sep 14, 2025.
Photo by Learda Shkurti @ pexels.
------------------
Look at the little king
He found out all he wanted to know
It doesn’t change a thing
No-one is near to cushion the blow

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream

We came so far
To meet the raging breakers on the bar
They leave their mark on the sand
But where is the helping hand

We came so far
To meet the raging breakers on the bar
They leave their mark on the sand
But where is the helping hand

Where is the helping hand
 
We must not separate
Over the sea, the crescent is gone
Time to accept our fate
Whether we lost, or whether we won

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean, the end of a dream 

I found my tribe
If I survive remains to be seen
I feel the need to hide
What does it mean

I Found My Tribe

Empty Space is an artistic platform based in Biel/Bienne, Switzerland. We explore the interactions of physical media, their characteristic formal languages, and their modes of functionality. To achieve this, we focus on projects that experiment with various art forms, aesthetics, and crafts. Our goal is to create works of art that challenge conventional modes of production and reception.

To bring each project to life, we collaborate with different artists, blending their distinctive approaches and methods into something new. Depending on the medium, many of our productions are conceived as one-of-a-kind pieces or one-time performances.

Empty Space operates as a non-profit association, with all revenue either supporting the artists or being reinvested in future projects.