Seems to be that you’ve taken a more analogue approach to production of these latest tunes encym, really nice! 

how can stutters and glitches resolve themselves into something so very still and soothing? there is a beautiful balance achieved here with fading guitar lines...

Lovely shimmery/stuttery atmospherics. Feels a bit like watching insects in nature, as they go about their day. :)

Definitely stimulates my imagination. Evocative melancholy soundscape, my friend.

Beautiful piece 😍 🙏 🍀 🎶 🎧 

I could see this as part of a wild west sci-fi soundtrack

What a beautiful release, particularly like this section.

Here's an outtake of a live performance recorded in March 2021.

Download this track at https://encym.bandcamp.com/album/rask-evighet-ep

Looped different instrumental voices (guitar and bass), with a minimal-ish "percussion/micro-sample/click" track forming the basis, recorded minutes before the rest of the session.

The unbridled flow was helped along by Pladask Elektris's Fabrikat and my trusty CBA Mood, as well as the Polymoon. These creative pedal designers/builders have enabled me to work in a completely new way. Thanks chaps!

Rask Evighet EP

Rive (Peek)

music for prepared vibraphone and electronics

Tin Foil

"Lias" taken from the new album "Alluvium" by Maps and Diagrams.

[Released on 07 July 2014]

http://www.handstitched.net/

http://handstitched.bandcamp.com/album/alluvium


Maps and Diagrams - Lias

This week's haiku, by Enomoto Seifu (1732-1815), led me to this improvisation on Mai Tai VST synth. Recorded in Studio One and edited in Reaper, with Frostbite added.
Naviar haiku challenge: www.naviarrecords.com/about/naviar-haiku/

Drifting Butterfly (naviarhaiku501)

June Pattern 3 (2023)

Little Things 2

Taphead

Taphead (feat. Andreas Vold Løwe, Jo Berger Myhre & Andreas Lønmo Knudsrød)

Disquiet Junto Project 0639: Path Ways (4 of 3)
The Assignment: Rework musical trios using the constituent parts — one of two ways.

These instructions are fairly lengthy. Please read carefully. Originally this trios sequence of projects would have ended with the completion of the trios after three consecutive weeks. However, those went particularly well, so let’s see if we can push it a little further.

Please note: You needn’t have participated in any of the prior Junto projects to participate in this one.

Step 1: In the previous project, we completed musical trios. Project 0638 was the third of three consecutive projects. In the first one, 0636, musicians recorded solos. In the second, 0637, musicians took those 0636 tracks, nudged them to the left side of the stereo spectrum, and then added their own music to the right, forming duets with a hole in the middle. In project 0638, other musicians introduced a third track down the center of the 0637 recordings, completing the trios. You can revisit the music via the blog posts disquiet.com/0636 1, disquiet.com/0637 2, and disquiet.com/0638 2, and you can follow the forking paths through the related Google Drive spreadsheet 9.

Step 2: The goal of this project is to rework the material that accumulated over the course of the previous three projects. There are two main ways to go about this. One is to simply choose one or more tracks and remix, combine, mash-up, or otherwise transform them. The other is to move on to Step 3.

Step 3: Choose one 0636 track, a solo, that yielded more than one 0638 trio. (These are highlighted in light blue, or maybe it’s teal, in the leftmost column of the spreadsheet 9.) Trace the various routes that 0636 track took. Perhaps it also led to some 0637 tracks that never went any further. Perhaps there are various 0638 versions based on varied 0637 versions. In any case, record a piece of music that lets the listener experience the branching paths that the original 0636 track took over the course of the three phases of the trios project sequence. Clearly you will be using a linear form to represent variations, so how to achieve that will require some compositional ingenuity. But you’re up to the task.

Tasks Upon Completion:

Label: Include either “disquiet0639remix” (if you follow the loose rules of Step 2) or “disquiet0639paths” (if you follow the more specific rules of Step 3) in the name of your track.

Upload: Post your track to a public account (SoundCloud preferred but by no means required). It’s best to focus on one track (but if you post more than one, clarify which is the “main” rendition).

Share: Post your track and a description explanation at https://llllllll.co/t/disquiet-junto-project-0639-path-ways-4-of-3/

Discuss: Listen to and comment on the other tracks.

Full circle (ft @Raincat, @tristan_louth_robins, @xhg, @krakenkraft, @SinnySounds) disquiet0639paths

Things Your Ex-Wife Told Me

Recording sessions from 12/11/2023 - 30/01/2024
3 tracks MOOG Modular V3 (vst Arturia),
presets, mixing, processing and editing: Pier WILL.
________________________________________________________________________
- Made with MOOG & Modular / Multi-tracks
- Composed, arranged, performed, produced by Pier WILL & Studio 4H09
- Artwork - Pier WILL
- Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile, Focusrite,  Korg, M-Audio, MSI, Sony, SoundCloud, Teac, Techniks, Yamaha.
- #Ambient #Movies #Experimental 
________________________________________________________________________

[p*dis] distribution sampler for January 2013

Mika Vainio - Oleva - Koituva (Sahko Recordings)

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

New: LDNTWLGHT out now on OFF: 
https://stilll-off.bandcamp.com/album/ldntwlght

More recent releases:
"Bloom/Foam": https://encym.bandcamp.com/album/bloom-foam
"Hyphe" with Wodwo: https://encym.bandcamp.com/album/hyphae
"Trajectorize EP": encym.bandcamp.com/album/trajectorize-ep

Rive (Peek)

encym

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