The software sounds pretty impressive as does the track.

Another fine slice of sonic loveliness! ❤️😍❤️

Nice track, really enjoyed it. And thanks for the heads-up about ppooll. Interesting tool — I’ll look for some tutorials. It reminds me of the old USINE I used a lot years ago.

Disquiet Junto Project 0724: Work It

The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

This week’s project is timely and open-ended. The year’s almost over. Do that thing you’ve been meaning to do.

Deadline: Monday, November 17, 2025, 11:59pm (that is: just before midnight) wherever you are.

Details: disquiet.com/0724

Disquiet Junto Project 0724: Work It

Hard to believe

Track text is spoken by sono-poet Ilaria Boffa from her book Beginnings and Other Tragedies. Translated it says "Time does not pass, we pass through time in stages or blocks and we become. Spatially and temporally scattered we have experiences in other places inaccessible to us here and at other times unavailable to us now."  Also spoken:  "Clouds are moving fast. They're shifting perspective. Carry me with you"

Non è il tempo a passare (feat Ilaria Boffa)

I’ve been meaning for ages now to make a track using only one single suite of plugins … and this week’s Disquiet Junto brief has finally inspired me into action! ALL of the sounds you hear in this track are courtesy of wonderful Sinevibes plugins, and it’s been really fun to explore more of what these genius little plugins can bring … with plenty more exploration to be had! @sinevibes

This track uses Torsion as the main synth source, with Diffusion also providing sounds from its wave shape modelling synth engine. As you can hear, I’ve gone slightly mad on the effects front! I’ve made use of Sinevibes’ Emission, Hexonator, Inertia, Luminance, Multitude, Cluster, Drift, Droplet, Octagon, Array, Zap, Albedo, Atom, and Dispersion …!

Enjoy! 😁🤗 It's been enjoyable, and there could easily have been a 20 minute version of this! 😂

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

more halF unusuaL

halF vibE [disquiet0724]

UN GAUCHO – solo bass

A simple, heartfelt solo bass piece — part of a series of intimate instrumental moments I play live or record at home for fun.
Five-string bass (high C), light effect pedals — just melody, warmth, and a great instrument.

Thanks for listening!
— dd

Photo (C) Elena Nicolai


For this @disquiet junto meeting
https://llllllll.co/t/disquiet-junto-project-0724-work-it

Un Gaucho (disquiet0724)

track for V/A Compilation: "Beyond the Body". released at witch-house label.-

1 Consciousness 2 Bodies

Recorded, edited, mixed & mastered in 1996, & on 04 Nov 2019 & 14 Nov 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA.

Tape, time & effects

Photography/Art - Jim Lemanowicz, 02 Oct 2009, microscope, Massapequa, NY, USA

Music & art © 1996, 2009, 2019, 2025 Jim Lemanowicz

---

This original version of “Audio Hog Rubber” was submitted as part of Disquiet Junto Project 0724: Work It The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Patreon - https://patreon.com/blisterpop
Soundcloud - https://soundcloud.com/blisterpop 
YouTube - https://www.youtube.com/@JimmyLem 
TikTok - https://www.tiktok.com/@jimmlem 
Bluesky - https://jimmylem.bsky.social
Linktree - https://linktr.ee/blisterpop

Audio Hog Rubber (disquiet0724)

My track notes regarding the creation of this track can be found here:

Disquiet Junto Project 0724: Work It
The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

This week’s project is timely and open-ended. The year’s almost over. Do that thing you’ve been meaning to do.

[Disquiet Junto 0724] The Search (early draft)

This was my contribution for Disquiet Junto Project 0724: Work it. The Assignment: The year’s almost over. Do that thing you’ve been meaning to do.

Here’s a copy of my post on the Disquiet Junto 0724 discussion thread on Lines:

I have a tendency to overwork a track to the point where it drifts away from what I initially envisioned. Many times it works out okay but other times, it doesn’t. So this time I backed off and tried to keep it minimal, which was my original vision.

Created in Ableton Live using Slate + Ash Cycles and a MIDI keyboard

More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

Remembering Stone Patterns [disquiet0724]

Having a play with the ppooll software, using one of my own samples (also recorded in ppooll in a previous session) and messing around with it. An awesome piece of (free!) software I'd highly recommend for anyone into sound experimentation. More details at https://ppooll.klingt.org/

Inspired by Oval, Jan Jelinek and other 90s trailblazers of the "glitch" genre.
Played in ppooll, then slight refinements after the performance, including fuzz guitars added on softly in the background.


More on the 724th weekly Disquiet Junto project, Work It — The Assignment: The year’s almost over. Do that thing you’ve been meaning to do — at https://disquiet.com/0724/.

sstart.act.lop {disquiet0724}

Electric guitar, analog bass synthesizer, effect pedals, voice, unsynchronized loops, two tube amps, broken heart beats and a lot of time manipulation. Field recording: electromagnetic waves made audible with Soma Ether. All sounds, voice, mixing and production: Velvet Something Superdark. Image: inside a shop-window in Berlin Neukölln (photo VSS).
This is the second part of https://soundcloud.com/velvetsomethingsuperdark/wonderful-wasted-world-part-1

Wonderful Wasted World, Part 2

slowworldmusic - a remaster from 2013 release
Andrew Janik is awesome at:- https://soundcloud.com/soundpainter
Illusions In Retrograde Remastered -4 tracks out now:https://burythejar.bandcamp.com/album/illusions-in-retrograde-remastered
available on all other streaming services in the coming weeks

Soundpainter & The Oxford Ambient Collective - Illusions In Retrograde - 01 Illusion 1 Odyssey

Inspired by and built around a field recording of the last, lurchy moments of arrival by rail into Grand Central Terminal, as carriages clatter across successive marshaling-yard merges.

Lower Level

A years-overdue COIL tribute.  Rest in peace, John & Sleazy.  


11-29-25 (Coil:  MU-UR reworked)

Claiming _Razor Blade Part 2

Io sono Rosa Ricci is the origin story of Rosa, a girl from Naples whose life collapses after her father’s violent disappearance. Kidnapped and forced into a world of danger and betrayal, Rosa finds an unexpected inner strength that transforms her into the fierce figure we meet in Mare Fuori.

The soundtrack features the distinctive sound of Paolo Baldini DubFiles, whose deep dub rhythms, atmospheric basslines and cinematic textures amplify Rosa’s emotional journey.


'O nfame

idk wtf I did I just create, but here it is, I guess? xd

prod. by me
Lyrics:

[Chorus]
Agony, my name
Screaming, he-he-he-hey!
(x2)

[Pre-Chorus]
Demons next door
I'm so fucking close
To hell I desire
I can tell
(x2)

[Chorus]
Agony, my name
Screaming, he-he-he-hey!
(x6)

HE-HE-HE-HEY!

agony, my name

My 33 1/3 series book about the Aphex Twin album <i>Selected Ambient Works Volume II</i> was published in 2014. The book was one of the top 5 bestselling titles for the calendar year, and in 2015 was ranked by Pitchfork as one of the "33 best" of the 100-plus books in the 33 1/3 series. It has subsequently been translated into Japanese (2019) and Spanish (2018)

Since 2012 I have moderated the Disquiet Junto group, which began on SoundCloud. More at disquiet.com/junto. 

I've written for Nature, Pitchfork, The Wire, Down Beat, Boing Boing, NewMusicBox, Red Bull Music Academy, Art Practical, the website of The Atlantic, and many other publications. 

I've exhibited sound art at galleries in Los Angeles (Crewest), Manhattan (apex art), and Dubai (DUTAC), and I had a audio-visual installation at the San Jose Museum of Art as part of its 45th anniversary.

And since 1996 I've run the website Disquiet.com about the intersection of sound, art, and technology.

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

Latest: "Clique Plaisir" on BC: https://encym.bandcamp.com/album/clique-plaisir

"Crown Shyness" by encym & Wodwo: https://encym.bandcamp.com/album/crown-shyness

sstart.act.lop {disquiet0724}

encym

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