FontanaMix Ensemble. Bologna Nov. 2022
Conductor: Beltrán González

macchinario: a handbook of imagined mechanisms // for voice & ensemble

Escenas mitológicas según Tiziano IV-VI (Diana y Calisto) - Orchestra Sinfonica d'Este  - Live

Ensemble Intercontemporain & Ensemble Next
Dir.: Nicolò Umberto Foron

Clément Saunier, trompeta
Alain Billard, clarinete bajo
Morgan Laplace Mermoud, percusión
Julia Sinoimeri, acordeón
Sengyun Kim, viola
Alexandre Teyssonnière de Gramont, contrabajo


Grabación del estreno.

27 - I - 2023
Espace Maurice Fleuret - Conservatoire de Paris

Atabala eta euria

“Somewhere, beyond the daring smokes, a feeding factory rests where reminiscing flames forge dead fireworks and invisible sounds.

Crippling choirs howl meanwhile.

And they blind your eyes with wonder”.

**********
for percussion duet, abandoned quartet, and 8chan tape (stereo version)

Percussion 1: Zoe Argyriou
Percussion 2: Rita Couto Soares

Su Ikustezinen Faktoria (stereo version)(-) Lur

Op. 28 No. 2, for saxophone quartet.

Javier Campos Collados - soprano saxophone
María Yuri Youn García de Alcaraz - alto saxophone
José Enrique Rodríguez Martínez - tenor saxophone
Ruth Segarra Gilarranz - baritone saxophone

Performed on 27th April 2023 at ESMUC (Escola Superior de Música de Catalunya).

Op. 28 No. 2

exiled in a pot (2023) for amplified sextet and objects.
Live recording, Ensemble Ascolta, Der Sommer in Stuttgart, Festival Neuer Musik (Musik der Jahrhunderte).
21st July 2023, Stuttgart.

exiled in a pot (2023) for amplified sextet and objects l Live Recording

Beltrán González (Argentina, Sweden, 1991): Dried Roses: Street Lights And Wet Curtains

HAPHES I – for amplified quintet
Eneko Lacalle Berasategi
________________________________________________________________
DE: HAPHES ist eine erfundene Sprache (conlang), die ich speziell für dieses Stück entwickelt habe. Das Stück basiert auf einem Gedicht, das in dieser Sprache geschrieben wurde. Nachstehend ist das Gedicht und seine englische Übersetzung zu lesen:

EN: HAPHES is a constructed language (conlang) developed by myself specifically for this piece. The piece is based on a poem written in this very language. Below is the poem and its English translation:

---

HAPHA, THÉSSA, PPHASSA, HATHHA
HAPHES TE THÉSSES TE PPHASSES TE HATHHES SAPHE

KAPHTATSAWA W’ATTHÉSSES, KKHATHA W’ATATHHES
TSAWES PO SAPHE THÉSSES
WASAPHA KAPHTAKKHATHES PO SAPHE
TÉTTE KAPHTATSAWES PO PPHASSES

LHAWA TOTHTSES PO SAPHE
TOPPHA THÉSSES TÉTTE HATHHA
TÉTTE TOPH KKHATHA PPHASSES, SAPHE
TOTH PPHOSH-PPHOSH HATHHES

TOPH LHAWA SAPHOHHES
ÉLHA PÉPHE HAPHES

---

Whisper/speak, blow/say, sound/play, listen
Speech, wind, sound and the listened are air

Born in the speaker, dead in the listener
the life of air is sound
Breathing is the killing of the air
and the birthing of the sound

One feels the coming of air
One takes being blown and listens
and when the air dies: the silence
that’s when the sound is loudest

Whenever one feels airless
all it takes is a whisper

________________________________________________________________
Flute: Sophie Mattiuzzo
Bassoon: Olivia Palmer-Baker
Violin: Kateryna Vashchenko
Viola: Sebastian Berck
Cello: Raquel Rivera Novillo

Premiered and recorded live at HfM Hanns Eisler Berlin, as part of the "Zoom+Fokus" Concert Series, the 20/07/2023.
YouTube video of the live performance: https://youtu.be/elBUISUw28c

HAPHES I (2023)

ill-use III (2020/23) for 7 Soloists and Conductor.
Live recording, Ensemble PHACE and Nacho De Paz, Festival Contemporáneo, FIMC.
14.10.2023, Espacio la Granja, Tenerife.

ill-use III (2020/23) for 7 Soloists and Conductor l Live Recording

drift (2023) for electric guitar and amplified harpsichord.

Live Recording. Written for and first performed by Yaron Deutsch and Jean-Marie Cottet (Ensemble Court-Circuit) on September 10th, 2023 in Abbaye de Royaumont (France).

The premiere was part of the Académie Voix Nouvelles.

drift (2023) for electric guitar and harpsichord l Live Recording

Unmixed documental concert recording of Orquesta de València on the 19th of April 2024. The 8 channel electronics are made of soundscapes from different cities and spatialized around the audience. In the stereo recording you get just an idea of it.

Performers:
Orquesta de València
Conductor: Alexander Liebreich
Sound direction: Daniel Miska and Tim Abramovicz, SWR-Experimentalstudio Freiburg

19/4/2024 - 19:30 - Palau de la Música de Valencia

Inside Metropolis

Basque composer based in Berlin and Barcelona.
https://enekolacalle.com/

HAPHES I (2023)

Eneko Lacalle Berasategi

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