music maker (1990-1999) 
music selector (1999-2003; 2009-?)
music writer (occasionally)
music vendor (circa 2019)
music lover (eternally)

◇ ▲ ◇   booking: julia@katerblau.de   ◇ ▲ ◇
Insta: instagram.com/mimi_love_berlin/

Foto: © maxiwittek.de

<3

You can download most releases for free @ http://retortrecords.com or get a vinyl version. 

Current releases:
helicon 1 - http://retortrecords.com/index.php/retort-releases/ret005-lodsb-helicon-1
Aero - http://lodsb.org/aero and http://retortrecords.com/index.php/retort-releases/ret002-lodsb-aero
lazer.eyes.love - http://lodsb.org/lel 

The stems are available for lazer.eyes.love and Aero at their respective mini-pages :)

Everything should be on itunes, spotify, juno etc etc.

Back in the 80s when the PCs were available, I started very soon to combine computers with synthesizers. Klaus Schulze and Tangerine Dream introduced me to electronic ambient music.
The 'magic' when power becomes sound is still fascinating. 
Today I produce and design sounds and music in an Sonic Core Xite-1 enviroment. 
Actually I am focused on developing DSP synths, effects and sounds that I use in my music. 



the [ spheric lounge ] is a [ live ambient music ] project. an open circle of musicians, video artists and dancers meets from time to time in munich / germany to do live ambient sessions. improvised ambient music, creative visuals and improvised dance melt into a dense atmosphere. the style [ live ambient music ] serves as a musical frame. ambient is a strongly sound-oriented music - rhythm, harmony, melody and singing appear secondarily as sound events without being durably dominant - sound remains the main object. it is the nature of ambient music to stay in the background. a detailed audio and video documentation of these events is an important part of the [ spheric lounge concept ]. the [ spheric lounge ] wants to be as transparent as possible for the global [ live ambient scene ]. every session gets recorded, a postproduction process follows and titles are published under a creative commons licence. within 9 years we have published 500 titles - which is approximately 70 hours of music. we do not make money, we enjoy making music. it is all about the fun of common improvisation and to dive into a fascinating, creative flow. but in the long run it is also important to improve every aspect of the project and to do so in an creative excange with other [ live ambient ] projects. 

enzo cage is following