Credits:
Vocals, Backing vocals and Ukulele: Emma O'Reilly
Drums and Percussion: Dennis Cassidy
Guitar: Reuben Teskey
Bass guitar: Kevin Healy

Written by Emma O'Reilly
Produced, Recorded and Mixed by Les Keye at Arad studios, Dublin
Mastered by Liam Grant

Join Emma on: 
FACEBOOK: http://www.facebook.com/emmaormusic
TWITTER: http://www.twitter.com/emmaormusic
SOUNDCLOUD: http://www.soundcloud.com/eoreilly
BANDCAMP: http://music.emmaoreilly.ie/
OFFICIAL: http://www.emmaoreilly.ie

Fractures EP

Emma O'Reilly

Shake

Eclectic electronic/acoustic producer, composer, guitarist and multimedia artist.

You can watch an audiovisual of my work here www.youtube.com/watch?v=1UCbl-BrCxE&ab_channel=CelseyMcFadden

I have released with BMG, Zest, Deep East, Diatribe, Jump, Traum Shallplatten, Covery, Mostar records and Sony/ATV, EMI among others.

I was also producer and guitarist of organic electronica group 'TeaTronik'. There are some tracks from our new album here too. Our debut single released by Mostar Records has got some great reviews and we released our debut album with Diatribe Records in May 2013.
Here are some tracks from our album.
http://soundcloud.com/tea-tronik

"Classical at its core, the music can be described as mad, instrumental, elegant, nonchalant, cinematic, fearless, foolish, and somehow very heroic - we love it. If parallel universes exist, this is how classical music sounds in the neighboring universe to ours"

Secret Eclectic

"Celsey manages to reinvigorate this timeless piece. Imagine the warm sound of analog electronics you could hear in a Vangelis’ song, sprinkled with some psychedelia drops wrapped in a melancholic package. A modern rework that is not afraid to experiment but at the same time respects and acknowledges the original work"

Music Dances While You Sleep

"Newly formed Dublin-based duo Celsey and Monica Harkin are already producing intriguing electronic sounds with nods and winks to Amiina, Fever Ray, and Portishead. Hear and download latest tracks on their Soundcloud page."

Jim Carroll, The Irish Times

"I love the rich texture of their sound involving field recordings, balanced beautifully by the sweet vocal."

The Confused Eclectic

"Wilder" connects Monica's sweet voice with all the elements above and it is truly almost impossible to put a genre on this one, but it really doesn't matter since it's an outstanding piece of electronic music."

Adalberto, Origamitracks.blogspot.com

“An excellent example of chilled out electronic that could easily rival the big names in the field. TeaTronik’s new release ‘Home’ is successful at developing a slow, easy-going pace that is neither boring or repetitive. Definitely looking forward to hearing future releases from this band; they’ll go far”. 4/5

"Newly formed Dublin-based duo Celsey and Monica Harkin are already producing intriguing electronic sounds with nods and winks to Amiina, Fever Ray, and Portishead. Hear and download latest tracks on their Soundcloud page."

thetearoommusic.tumblr.com/

For more info and music go to  www.celsey.net

I also play live in a guitar/violin duo -  'Les Troubadours' https://soundcloud.com/les-troubadours

https://linktr.ee/celseymcfadden

Dramatic alternative pop from Galway via Dublin.

www.emmaoreilly.ie

KLONQUE release a bold new Single and Video that is a summary of what is going on these days, the election of Donald Trump as the president of the USA. It also describes what goes on in the world where right wing populism and hate speeches are gaining strength in a very scary way. 
A way that has been there before in Germany. #makestupidgreatagain

bit.ly/MakeStupidGreatAgain6

Founded early in 2015, KLONQUE is a German based progressive metal group hailing from Berlin and Frankfurt. The group is fronted by Thomas Neitsch (Holy Moses) and Peter Geltat (Holy Moses), both on lead guitars and vocals. KLONQUE is completed by Gerd Lücking (Holy Moses, ex Courageous) on drums and Ishay Sommer (The Outside, Ahvak) on Bass.

After playing thrash together for 20 years, Thomas and Peter have evolved from being side men to front men, both taking on guitars and vocals. Fueled by the desire to create hard, fast and complex metal, they started combining death, thrash, black and progressive technical elements. 

Because the two have been friends and bandmates since high school, songwriting together is second nature. Thomas exchanged his bass guitar, which he wielded for most roles over the last years, for a 12 string guitar.

Peter: "People don't really know it, but Thomas is a really great guitar player. He wrote a lot of the riffs and songs for Redefined Mayhem."

Since the foundation of KLONQUE, four instrumental play­through videos have been released on YouTube ( https://goo.gl/WcAZjd ). Vocals have been recorded with the songs. 

Thomas: "We discovered that our voices fit really well together, when we made pre-production for Holy Moses Redefined Mayhem. With KLONQUE we try to go further and include more melodical lines. As the Beauty and the Beast, but instead of the Beauty just… well, two furry beasts".

KLONQUE incorporates a variety of metal elements into their compositions. Each song is layered heavily in thrash, with grooving bass licks, interweaved progressive solos, and traces of death and black metal all tied together with the accelerated pace of the drums. 
It is clear that bands such as The Haunted, Mastodon, Extol and Gojira have a heavy influence on these compositions. Thomas and Peter are able to translate their musical ideas into vocal expressions. The lyrical themes range from philosophical nihilism and horror to political criticism against nazi fucktards.Thomas growls disdainfully whilst Peter screams about the naked realities of this world. The visual images conjured by these lyrics are intended to provoke critical thought.

Ich wuchs auf mit Platten von George Gershwin, Hildegard Knef & Antonin Dvorak...
Mein Vater war Psychiater und spielte Klavier. 
Durch die Familie waberten Andeutungen und Gerüchte über zwei Grosstanten, die mit Klavierunterricht ihr Dasein fristeten und als "Blaustrümpfe“ bezeichnet wurden, da sie nie heiraten wollten, was zur damaligen Zeit mit Missbilligung betrachtet wurde...
Nach dem Tod meines Vaters verkaufte meine Mutter das Klavier.

Ich erinnere mich, dass ich als Kind im Auto meiner Mutter saß und mir die Zeit damit vertrieb, kleine Gedichte zu schreiben.
Worte kamen mir in den Sinn, Stimmungen, während Häuser und Landschaften vorbeiflogen auf der Fahrt über´s Land zu meiner Großmutter.

Mir war nicht bewusst, dass diese Gedichte mit einer Melodie verbunden waren.

Wir tranken oft Tee beim Nachbarn meiner Großmutter, der ein Klavier hatte.
Wie magisch zogen mich diese weissen und schwarzen Tasten an, und ich drückte einzelne Tasten wie Knöpfe, deren Zusammenhänge mir völlig rätselhaft schienen...

Eines Tages hatte meine Mutter die Idee, ich könnte doch Akkordeon lernen. 
Das gefiel mir nicht. Es war groß und schwer und machte komische Geräusche.
Der Lehrer hatte mir ein Heft mit Noten mitgegeben. Ich starrte auf die schwarzen Punkte, die ich nicht verstand und maulte:
„Das ist blöd!“

„Wir schauen uns mal den Gitarrenunterricht an“, sagte meine Mutter.
Der Lehrer steht mit fahrigen Bewegungen in einem düsteren Zimmer und ein abgestandener Geruch hängt in der Luft. 
Er blafft eine Schülerin an, die noch bei ihm ist und fuchtelt mit einer Klarinette in der Hand.
„Sie müssten noch eine Gitarre kaufen...“ ruft er uns nach.

„Der is blöd,“ murre ich.
„Hm...“ seufzt meine Mutter.

Einige Zeit  später:
„Du könntest doch Geige lernen,“ schlägt meine Mutter vor.
„Das ist doch ein nettes kleines Instrument für ein Mädchen...“
„Nein!! Geige mag ich nicht“, sage ich bockig.
„Das Kind hat seinen Willen...“ meine Mutter schüttelt resigniert den Kopf.
„Egal, was ich dir sage, du machst sowieso was du willst...“

Etwas Zeit verstreicht.
„Ich habe dich beim Klavierunterricht angemeldet“, verkündet meine Mutter.
„Bei Schwester Leokadia“.
Schwester Leokadia schien mir würdevoll und freundlich und war Kirchenmmusikerin. 
„Ja“, sage ich widerstandslos...

Eclétique, foisonnant, avec l'âme profondément créateur

The eponymous debut outing by THIN LIPS is a concept album based on the poetry of Karen Alkalay-Gut, the renowned Israeli poetess, who, by the way, writes more in English than in Hebrew.

All music: by Roy Yarkoni. Lyrics: Karen Alkalay-Gut.
Arrangements: Roy Yarkoni & Ishay Sommer.

Music based radio show on 92.5 Phoenix FM