DT 011 - Track 07

Lyrics:

In the corner they linger near,
Whispers threading splinters in my ear.
Mouths like moths on the blackout glass,
Names erased in the dust that will not pass.
Floorboards ache with a borrowed weight,
Keys in the lock that hesitate.

They twist my steps like broken roads,
Knot my breath with a wordless code.
Heavy hands, a blinded guide—
Lead me deeper where I hide.

Inner demons scream so clear,
Their laughter burns—
it sears, it sneers.
A child lost in fear—
the child in me takes its final breath,
a soft eclipse beneath my chest.
Oh dear…
Disappear,
Disappear.

Eyes like mirrors that show no truth,
Steal the minutes, barter youth.
The clock ticks backward—cracks the booth,
Pages curl, unlearn the proof.
Static hymns through neon rain,
Salt-white halos naming pain.

Footsteps fold into the wall,
Stairs forget how to be tall.
I touch the doorknob—cold, severe,
Hear them breathe inside my ear.

Inner demons scream so clear,
Their laughter burns—
it sears, it sneers.
A child lost in fear—
the child in me takes its final breath,
a quiet hush that feigns a death.
Oh dear…
Disappear,
Disappear.

The house is a throat that swallows sound,
Pictures blink and then look down.
Fridge hum prayers in minor keys,
Curtains learn the art of freeze.
I count the nails in the windowsill,
Hold the quake until it’s still.

This is the hour the lights forget their names.
The floor remembers every step I didn’t take.
There’s a note I never wrote, folded in my tongue,
and a door that never learned which way is home.
If anyone asks—tell them the night was heavy,
and I carried what I could.

The echoes rise—
they never cease.
A haunted hymn,
a dark caprice.
They pull, they push,
they bruise, they tease—
Release, release… (please.)


[Chorus – Variant]
Inner demons sing so clear,
A choir of ash I used to fear.
The child in me lies limp with sleep—
not gone, but folded, buried deep.
Oh dear…
Disappear,
Disappear.

Inner demons fade to near,
Their echo thins—
it wanes, it clears.
The child in me who learned to fear
exhales the dark and keeps what’s dear.
I’m still here—
through disappear,
through disappear.
--------------------------------------------------------------------------------------------------------

Track: Disappear
Lyrics: NTENSEIFIED
Music & Vocals: NTENSEIFIED, Nick Stevens
Produced By: NTENSEIFIED

Disappear - Feat. Nick Stevens

A concert version 2016, Yerzmyey & Pinokio at Riverwash 2016 party: 
https://youtu.be/qAaCJUdbN24

This time a regular chiptune: ZX Spectrum 48K with AY-interface. 
One AY chip, 4 bits, 3 channels.

Made in 2015.

The full album "DEATH SQUAD" with this song - is here: http://yerzmyey.i-demo.pl

Yerzmyey - Trip to Japan

I've just finished a small test of Amiga1200 working with MIDI. 
Hardware: Yamaha QY70 + Amiga 1200 (MIDI).
Software: OctaMED 4.00.

Amiga 1200 - a computer launched in 1992. 14Mhz of Motorola CPU on-board. Mine has 10Mb of RAM. The song surely would work on standard 2Mb, without problems. 

Yamaha QY70 has been released in 1997. It's a very small synthesizer with sequencer (but can also work in MIDI mode), similar in its look to Atari Lynx handheld game-console. 
Sound generation method: AWM2.

OctaMED 4.00 - the series generally has been closed in 1992 (later the program became freeware). 
You can use 16 channels here, in the MIDI mode, however it still works as a tracker, so - for example - You cannot put a chord into one channel: You have to use 3 separate channels to make the chord. 

The full album "DEATH SQUAD" with this song - is here: http://yerzmyey.i-demo.pl

Yerzmyey - Ceres' Pyramid

Soundtrack composed for a highlights video from the airshow at Kjeller Airport June 2016. 

Watch the video here: https://youtu.be/LEp7gBD2u-Y

Retro Grooves Vol. 1

Contrails

Dreams Inc.

Dreams Inc

The intro jingle for 8-Bit Keys channel on Youtube.
Listen to the full version of the remix here: https://soundcloud.com/eox-studios/8bit_keys_theme-remix

Notation: http://www.eox.no/projects/8-Bit_Keys_Intro_Remix.pdf

Check out The 8-Bit Guy's channels here:

8-Bit Keys: https://www.youtube.com/channel/UCcTt3O4_IW5gnA0c58eXshg

The 8-Bit Guy: https://www.youtube.com/user/adric22

8-Bit Keys Remix (Short intro jingle)

VIDEO: https://www.youtube.com/watch?v=MI62NEy0RtQ&t=4s

Song for Thelma, one of the little Border Terriers I've been so fortunate to babysit these last three years. Unfortunately, Thelma had to cross the Rainbow Bridge Christmas 2016 due to illness. This song is in her memory and is dedicated to her owners; Mona, Morten, Mads Vetle, Alexander and William. Run free, little one.

Song for Thelma

Song For Thelma

Maybe it's only obvious to me, but I always imagined that most of my funky / bluesy / jam session tracks are played by the same band, faffing about while waiting for that diva singer to show up.

The goal of resurrecting this old track was to give the solo lead a more robust backing, and the organ accomplished that quite nicely. The solos are pretty much untouched, except for some vibrato and note length tweaks. This was also a great excuse to dive into Harmor resynthesis, importing the actual single-cycle waveforms used in the XM.

All in all, I think the band has matured a lot since 1996, wouldn't you agree? =)

Original XM: http://archive.scene.org/pub/music/artists/tito/kleine.zip

Eine Kleine Funkmusikk

Download

The Quietest Agony [WeeklyBeats#02]

A Cover of this beautiful track created with my Roland FA synthesizer workstation.

Roland FA-06 - Cerror & Xylo - Dans La Rue (Tracker Module Cover)

Electronic musician from Norway. I started playing piano/keyboards in the mid 80s. After a few years at the municipal music school, I quickly grew tired of the simple piano-only education and got to move on to classes with keyboards and synths. From the early beginning with Technics K-200 rhythm keyboard from 1983 via some Casios/Hohner keyboards, I evolved with the later Technics KN-1000 and KN-2000 before moving on to Roland XP-50. As the computer revolution made DAWs affordable, 1999 made sequencing using Cubase easy and the studio grew ever larger with more outboard gear. Today the studio has become a sizeable and functional MIDI/arranging studio with over 40 synths/modules and more centered around a MacPro with MOTU’s Digital Performer, and numerous more or less famous productions.

I have always had a musical approach towards sound engineering and composing, rooted mainly in vivid harmonic structures and saturated compositions. Inspiration has always been the likes of Jean Michel Jarre, Vangelis, Eric Serra to name a few giants in the electronic scene, but also a heart towards well produced pop music from the 70s and 80s as well as epic film scores from John Williams, Alan Silvestri and Hans Zimmer. The baby era of computer music from the late 80s and early 90s was also a heavy influence.

Contrails

Anders Enger Jensen