Back in 2010 I was making music in a tiny closet studio, working silently in headphones while trying not to wake a one-year-old who was an impressively bad sleeper. Everything from that period leans chill — not by design, but by survival.

Mowgli is a warm, wandering tune named after the boy raised by wolves. It carries that feeling of quiet exploration, soft instincts, and moving through a world that feels both wild and familiar.

Another lullaby from the hush-era of my catalogue, finally seeing daylight as part of Lost Dubs.

Lost Dubs 018 - Mowgli (2010)

Hyperbasis 83

Shift in Ritual

Ghosts of Sine and Vine [disquiet0326]

Several tracks of staked warbling sine waves produced in pure data. These use mutiple sine waves with the shifting volumes to give a warbling effect. Some of the bassier tracks had a side chained beat pumping them using an expander gate- this was in time with the end-of-vinyl click sample. some other added crackle  and click samples . Compiled in pro tools. Only two of the drone tracks had delay/reverb the rest of the tracks are dry.

Samples:

https://freesound.org/people/DanielsonIII/sounds/68400/
https://freesound.org/people/ludvique/sounds/71854/

More on this 326th weekly Disquiet Junto project (Wave Turntable: In collaboration with composer Danny Clay, make music for his exhibit with artist Jon Fischer using only sine waves and turntable surface noise) at:
https://disquiet.com/0326/ 5
More on Clay and Fischer at:
http://dclaymusic.com 8
http://feather2pixels.com 1
More on the Disquiet Junto at:
https://disquiet.com/junto/ 2
Subscribe to project announcements here:
http://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co 3:
https://llllllll.co/t/disquiet-junto-project-0326-wave-turntable/ 2

Ghost Of Sine And Vine

Without establishing yourself, you can't love yourself and love others.

Vase without a tag

Bobby Rangell: alto sax
Nico Arnicho: percussion
Daniel Diaz: acoustic bass guitar & live synth sparkles

Live in the studio recording, circa 2007 in Paris, reworked and remixed Friday November 27th 2020.

Again, from the  masters I got back some weeks ago and I am rediscovering and reworking some music for there.

This is part of a one day session with these extraordinary musicians  this is the only session with the three of us together in the studio. We recorded tones of music that day, including [junto0463](https://soundcloud.com/daniel-diaz/two-memories-gradient-disquiet0463) and [naviarhaiku358](https://soundcloud.com/daniel-diaz/black-horse-naviarhaiku358) with a 4th element , Pajaro Canzani on guitar)

This is the introduction to an instrumental composition we recorded for a producer (documentary) who accepted the mix but later asked for the introduction to be removed.
So this free form 2 minutes remained unused.
I remixed this today for 27/NOV/2020 thanksgiving  junto challenge
https://llllllll.co/t/disquiet-junto-project-0465-you-thank 
as a thank you note for those excellent musicians.

I spent some time live and i the studio with Bobby since that day, but completely lost track of Nico, 10.000 Km between us...

Going back to these masters is a joy and reminds me how great it is to play together with fellow musicians and how grateful I am that I could do it with such great, talented guys.


Photo by DD: self portrait with blue forms

Happy thanksgiving everybody, love
DD 27/NOV/2020

Deep Blue 01 (Giving Thanks) - disquiet0465

TRAMPELFÂD
rec.name: "the balance home"
credit:vst synth,allen+heath,lyra4,sp404a.kp3
date:27-1-2021

exhausting cashmere (TRAMPELFÂD)

原祥太さんの変名バンドthe473への提供曲です

japan（日本）

Anycolor

This is contained in the 8th report. You can download:
https://epia-tloe.bandcamp.com/album/a-report-of-intergalactic-investigation-aug-2019

Long version for your work:
https://youtu.be/v2vAxn3XFt8

A Report Of Intergalactic Investigation Aug 2019

Download HQ

20190810Ens1 v3 (short edit)

ラウドネスについて間違った認識などが多いように思われるので、比較音源を作りました

前半が最大ピーク-1db近くまで音量の振り幅のある-14LUFSの音源
後半が前半の音源にマキシマイザーをかけて-6LUFS以上に音圧上げたものを-14LUFSになるよう音量調整したもの（ラウドネスノーマライゼーション）

ドラムに注意して聴き比べると違いが分かりやすいかと思います

ラウドネス比較

Epia is an experimental electronic project managed by Takashi Kuranaga based at Aichi ( or Kumamoto ) prefecture, in Japan.
Electronic/ Minimal/ Experimental/ Avant-garde/  Lo-Fi/ Noise/ Trance/ Techno/ Jungle/ IDM/ Chiptune/ Synthwave/ Dub Techno/ Chillout/ Ambient/ Meditative/ Background (BGM)/
16step Sequencer/ Dub/
Infimal/ Stochastic/ Focal/ Soft/ Poly Something