Alex Banks Remix of 'We Shall Burn Bright' by Husky Rescue

Out now on Amazon and iTunes:

http://www.amazon.co.uk/Shall-Burn-Bright-Munk-Remix/dp/B00AVGXZX2

We Shall Burn Bright (Alex Banks Remix)

Wed to Joy's Nectar

Buy limited edition coloured 7" single: http://store.houndstoothlabel.com/in-autumn-arms.html | Download: http://found.ee/AutumnDL
Buy the album 'Our Spaces' 2xLP / CD: http://store.houndstoothlabel.com/our-spaces.html | Download: http://found.ee/OurSpacesDL
Free WAVs when you buy vinyl from Houndstooth store. 

“Guy Andrews announces new 7” single and debut album on the Houndstooth Label.”

This 7” release marks Guy Andrews’ debut on fabric’s artist-led label Houndstooth, and will precede his forthcoming album ‘Our Spaces’, also to be released on Houndstooth. Entitled ‘In Autumn Arms’, the record includes one selected cut from the album, and one original piece of music exclusively for the single.

On the A-side is title track ‘In Autumn Arms’, which suitably captures the album’s overall pathos and emotive themes. A simple guitar melody falls melancholically over a bed of synth loops and string ensemble, while snares and thundering drums meld with distortion to heighten the pain and tension.

Having spent the last two years musically reinventing himself, ‘In Autumn Arms’ sees Guy Andrews take on a completely new creative direction. It took him over a year to find the right plug-ins, synths, and signal chains to be able to create the intense type of distortion he was searching for – hard and abrasive, but still musical and expressive. Guy’s re-focused approach breathes a new power and directness, with ‘In Autumn Arms’ opening up a new chapter in his musical career.

In Autumn Arms

Buy 7" / free WAVS

Guy Andrews - In Autumn Arms

Arovane's remix, taken from the Arovane & Hior Chronik remix EP now available on Limited Edition Vinyl + Digital download.

Available here: http://asip.me/asipv003r

Arovane & Hior Chronik - After Tomorrow (AMX)

Download: https://www.xlr8r.com/mp3/2017/09/jilk-become-the-build/

@jilk
@projectmooncircle

Joy In The End [via XLR8R]

Download

Download: Jilk - Become The Build

For my Grandmother Ruth Claire MacIntosh (née Hampson) [March 14th 1926 — September 15th 2017]. 

All music written, produced & recorded by Jesse Somfay.
Recorded @ ↈ during the summer of 2016. 
Optical and literary content by Jesse Somfay. 

Mastered by Illl @ Soun Studio (www.sounstudio.com). 

3GG001 
℗ + © 2017 Three Graces

Lemon Tranquil

Somfay - Spiral

PURCHASE EP NOW - http://itunes.apple.com/us/album/acquiescence-ep/id510232868

A companion piece to the upcoming full-length debut ‘Inner Hue’ from Anenon (aka Non Projects founder Brian Allen Simon), ‘Acquiescence’ is a moment in time, frozen. It’s a diary of acceptance, of surrendering into your surroundings and not looking back. It feels unhurried and relaxed, yet was recorded in just under a week in Madrid, Spain at the Red Bull Music Academy, in which Brian was a participant. Production and arrangement took place back home in Los Angeles also in just under a week’s time. Strong yet vulnerable, the music on ‘Acquiescence’ moves with an air of confidence, but also feels tender and exposed - a deer caught in the headlights. A product of both extreme personal highs and lows, the music of ‘Acquiescence’ finds a delicate balance, grand piano and tenor saxophone up front with very minimal processing throughout. The sound of ‘Acquiescence’ uncovers an artist fearless of the tradition, yet fully capable of molding old technologies with new in ways that feel unquestionably modern, always looking deep inside and always moving forward.  

“Clairvoyance” sets the scene with delicately seductive dissonances between slowly repetitive piano chords on top of a curtain of saxophone drones. Harmonic staccato reed slaps from the saxophone arrive and build, polyrhythms budding against each other, a perfect compliment to what comes next. Arguably the standout of the EP, the title track is a push-and-pull dialogue between ivories, breathy and melodic saxophone playing, a string quartet and drum programming. One of Brian’s most cinematic pieces yet, the tension between all elements is palpable - polyphonic lines of highly melodic and reverb soaked saxophone coalescing into each other on top of a bed of stark piano chords and contrapuntal strings, technical yet physically human drum programming pushing each line forward into the ether. “Rites” closes out the set with an affectionate and upfront piano refrain over sequenced 909 kicks and blankets of piano decay and ambience – layers of an artist’s dreams and desires seeping through the speakers throughout.

Acquiescence

Daniel Brandt, co-founder of acclaimed German ensemble Brandt Brauer Frick, is set to release his second solo album via Erased Tapes on October 12th. Called 'Channels', the new record follows the release of the London and Berlin based producer’s solo debut Eternal Something from 2017.

Pre-order 'Channels' on LP/CD/DL: https://www.erasedtapes.com/release/eratp113-daniel-brandt-channels

The seven-track LP is Brandt’s biggest statement yet, with the album’s thrilling avant-garde framework interweaving chord-driven techno, orchestral flourishes, rich electronic textures and hints of dark cinematic pop. Following on from Eternal Something, which captured a contemplative kind of isolationism, with Channels Brandt set out to create an album that captures the essence of minimalism whilst lending it to a more playful context.

Intricate floor-filler and lead track ‘Flamingo’ synthesises the measured pacing of Detroit techno with an orchestral background. As with all of the tracks on Channels, ‘Flamingo’ began life as a sketch with very basic instrumentation, before taking it into the studio to rehearse with his band members, giving the album a live and visceral sound that sets it apart from his debut; “It was a great experience to do it this way as I have always wanted to have the chance to try out something in a live setting before recording it in the studio and not the other way round,” explains Daniel. “The actual typical rock band recording style that I never had the chance to do before.”

With Brandt also being skilled as a filmmaker, directing and producing visuals for BBF and Eternal Something, much of the new album’s creative ideas reference a rich visual palette. He directed the video for ‘Flamingo’, a sideways glance at the art world that takes the concept behind John Cage’s 4’33” and turns it on its head.

“The video for Flamingo is deliberately non performance — people sitting in a room and watching basically nothing, never really sure if anything is ever going to happen. It’s also a play on John Cage’s 4’33”, except in this instance there isn’t even a performer present.” — Daniel Brandt

Daniel’s passion for film even prompted him to kick start his own online television channel Strrr.tv in 2017 that since attracted a lot of attention with guest moderators including BBC Radio DJ Gilles Peterson, modular synth legend Suzanne Ciani and Berghain bouncer Sven Marquardt counting amongst the most popular episodes.

Recorded between Berlin and London, Channels is a deeply enthralling listening experience, which sees Daniel Brandt build upon his distinctive percussive sound whilst exploring new and expansive horizons.

Praise for Daniel’s previous album, Eternal Something:
“Propulsive, tense, and entirely mesmerizing” 7.6 — Pitchfork
“An evocative ray of multi-instrumentalism” 9/10 — DJ Mag
“A fizz bomb of overlapping ideas” — Record Collector
“Utterly abstract and wholly melodic” — Clash
“A cracker”  — Electronic Sound

Released by:
Erased Tapes Records Ltd.
Release date:
12 October 2018
P-line:
℗ 2018 Erased Tapes Records Ltd.

Channels

Buy LP/CD/DL

Daniel Brandt - Sailboats III

"Them Is Us" by Rival Consoles

Listen to this track and many more at adultswim.com/singles

Adult Swim Singles 2018-2019

Rival Consoles - Them Is Us

Fans of Burial's debut masterpiece (how about a second album now fella?) will find something to connect with in this warped double header from Holy Other, which has already had the blogs getting pretty excited. Well maybe not the ones that feature recent mums talking about babies or ones featuring stolen clips of Lindsay Lohan in prison but the decent music ones anyway...

Beautifully melding dark analogue synths with layers of samples flying in all directions, there's also a touch of the Gold Panda in this mournful gem that proves Berlin has more to offer than 77 hour techno sets in disused Cold War factories. Although said bleak buildings could be said to be the perfect location for Holy Other...

Anyway, we digress... If there's to be an apocalypse in the coming months, and we're desperately hoping there's not, then this will be a perfect first tune for the next generation. God, what a bleak write-up!

Holy Other - Yr Love

Throwing Snow
‘Aspera’
December 3rd 2012
Snowfall

Having minted his Snowfall imprint with the acclaimed ‘Clamor’ EP earlier this year, Ross Tones aka Throwing Snow returns on December 3rd for his second EP of 2012, the eagerly awaited ‘Aspera’. As with its predecessor, the title comes laced with Latin rhetoric: “Aspera” translating as “to make rough”, providing an apt description for the aesthetic of the four original tracks on offer. 

From the title track Tones' creative direction is clearly displayed. Hinging round a warming bass, coarse stripped back drums accompany frosty arpeggios and washed out synths atop a bed of hidden strings, whilst on ‘Melum’ flickering percussion, ethereal guitars and throbbing melodic jabs combine with Throwing Snow’s trademark distortion, culminating in an unexpected segment of footwork punctuating the track’s expansive growth.

‘Lingerwell’ sees four knackered piano chords wrapped in warm crackles and hypnotic atmospherics blooming into life with a burst of pulsating stabs, before ‘Behest’ closes the EP with a climactic slugging match of drowned drums, throbbing bass and ecclesiastical synths, and a drop to make even the most atheistic of us think again.

Snowfall is now two releases strong, and having set out with an honest mission statement we are left highly anticipating what will surface next.

For all press enquiries please contact jack@toastpress.com (print) / noam@toastpress.com (online) / 020 7326 1200

Aspera

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Daniel Brandt - Sailboats III

Erased Tapes

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