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A beautiful collection of enchanting neo-classical and ambient music. Including artists such as Nils Frahm, Julia Kent and Olafur Arnalds. And record labels such as Erased Tapes and Denovali.

Neo-Classical & Ambient

afternoon 2

musique preferé

Chillout your life

Taken from the album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: www.erasedtapes.com/store/index/ERATP055
US order link: www.midheaven.com/item/spaces-by-frahm-nils-cd
iTunes Worldwide order link: snip.ftpromo.net/spaces

9/10 Drowned In Sound · 9/10 Clash · 4.5/5 Fact · 4.5/5 Resident Advisor · 9/10 Popmatters · 9/10  The Line Of Best Fit ·  8.5/10 Under The Radar · 8/10 Exclaim! ★★★★1/2 Music Omh · ★★★★ The Irish Times ·  ★★★★ Arts Desk

‘Frahm truly excels’ 9/10 Uncut 
‘Frahm works his magic’ ★★★★ Mojo
‘The infinite elasticity of sound’ 7.8 Pitchfork 
‘Improvisatory, wild, heartfelt’  Interview Magazine
‘A fantastic record’ The Guardian Album of the Week 
‘Frahm creates something mesmerising’ ★★★★ The Observer
‘My favourite new piece of music this year’ Mary Anne Hobbs, BBC 6 Music

www.nilsfrahm.com · www.erasedtapes.com

Spaces

Hammers

Buy LP/CD/DL

Some of my favorite songs from 2013.  A wonderful year for music.


Tracklist:

0:00 - 1:12 - Dustin O'Halloran - New Day (from "The Beauty Inside")

1:12 - 5:22 - Lusine - Another Tomorrow (from "The Waiting Room")

5:22 - 9:46 - Photek - Pyramid (from "Ku:Palm")

9:46 - 13:49 - Bibio - Tout L'hueure (from "Silver Wilkinson")

13:49 - 19:49 - Ben Boysen - Gravity (from "Gravity")

19:49 - 25:28 - Jon Hopkins - Form By Firelight (from "Immunity")

25:28 - 29:24 - Airhead - Autumn (from "For Years")

29:24 - 33:51 - Andy Fitts - Yarn Tale (from "Smoky Wilds")

33:51 - 36:12 - Don Peris - Swansea (from "The Old Century")

36:12 - 43:19 - Brambles - Half-Gramme Holiday (from "PF Edition One")

43:19 - 46:46 - Ex Confusion - What It Means to Me (from "With Love")

46:46 - 55:33 - Taylor Duepree - Shutter (from "Faint")


Cover image by Colin Kenniff.

http://www.unseen-music.com



Best of 2013 Mix

A WINGED VICTORY FOR THE SULLEN - 'ATOMOS VII'
12"/digital out on Erased Tapes/Kranky (US) on April 28, 2013

PRE-ORDER: 
http://www.erasedtapes.com/store/index/ERATP056 (worldwide excl. North America)
http://www.kranky.net (North America)
http://www.awvfts.com (band shop)

Erased Tapes and Kranky are pleased to announce the release of A Winged Victory for the Sullen's 'ATOMOS VII'. April 28 sees the first installment leading up to the release of the second full length studio album 'ATOMOS', and score for choreographer Wayne McGregor's long form dance piece. 

McGregor was heavily influenced by the duo's 2011 self-titled debut, playing it repeatedly during practices with his core group of dancers. After noticing the group's reaction with the music, he contacted Adam & Dustin to see if they could write the score for his new oeuvre. 

The duo recorded more than sixty minutes of music over a four month period during the summer of 2013 in Brussels, Berlin and Reykjavik with the help of their longtime collaborative sound engineer Francesco Donadello. This EP also sees the involvement of Ben Frost, who composed the music for McGregor's previous work 'Far'.

McGregor, mastermind behind the Random Dance Company and resident choreographer at the Royal Ballet since 2006, is known in popular culture circles for serving as movement director for the film 'Harry Potter and the Goblet of Fire'. He has also choreographed the Radiohead video 'Lotus Flower' and 'Ingenue' by Atoms for Peace.

"While we were re-amping guitars at Greenhouse studios, Ben expressed interest and admiration in the sounds we had created. We were planning for the B-side to be a metamorphosis of part VII, and Ben seemed the obvious choice. With the multi-tracks transformed, it follows a trajectory that we had not felt comfortable with before. But with Ben's involvement and influence, it was a painless entrance to this crooked, distorted world." - Adam Bryanbaum Wiltzie

"We never imagined 2013 would be such an explosively creative year. The first record took us 2 years from start to finish, but in the micro span of time over last summer we were able to change the formula for the way we write, record, and let go. It was incredibly liberating." - Dustin O'Halloran

'A surprisingly emotional score' ★★★★ The Telegraph
'Intense, reflective, occasionally threatening and wholly enveloping' ★★★★ Times

TRACK LISTING:

A1 Atomos VII - taken from the upcoming full length album ATOMOS
A2 Minuet For A Cheap Piano Number One - outtake from debut album sessions
B1 Atomos VII (Greenhouse Re-Interpretation) - with Ben Frost

LIVE DATES:

24.05. KORTRIJK (BE) – Festival van Vlaanderen Kortrijk
29.05. BARCELONA (ES) - Primavera Sound
20.10. LONDON (UK)  - Milton Court (Barbican)
25.10. ANTWERP (BE) – De Roma

awvfts.com · erasedtapes.com · kranky.net

A Winged Victory For The Sullen - Atomos VII

This was supposed to be official but it's not so .. enjoy guys. 

Twitter : https://twitter.com/adam_phazz

Free DL

M.I.A. - Yala (Phazz Remix)

Another exclusive courtesy of mixmag.net

For his next EP, Kolsch will release via Kompakt's dance-focused series Speicher and the record once again showcases the unique and impressive sound that the producer is pushing.

From the two-tracker we have the premiere of second cut 'Cassiopeia' and the piano-laden banger is reminiscent of 'Der Alte' and will be the perfect fit for any end of set euphoria. Check it.

http://www.mixmag.net/music/exclusive-music/kolsch

Buy here: http://www.beatport.com/release/speicher-79/1318746

More exclusive music

Premiere: Kölsch 'Cassiopeia'

'Entanglement' is out on April 13, 2015.
Pre-order CD/LP/DL via Erased Tapes:
http://www.erasedtapes.com/store/index/ERATP067
Or via iTunes: http://geni.us/entanglementitunes

“No click tracks, no headphones, and no film. Just the spontaneity of performance and the sound of musicians hearing, connecting and responding.” 

‘Entanglement’, the debut album by Michael Price fulfils his long-term desire to explore new musical territories, featuring Michael on the piano, with the addition of cello, soprano voice, string orchestra, modular synth, tape effects and electronics.

Throughout the record you will hear street sounds from 'Budapest' captured and processed on Michael’s mobile phone, as well as chamber music recorded direct to tape with vintage microphones in single takes. Album track ‘The Attachment’ was partly recorded onto a 1940s magnetic disc recorder, which immediately connected the piece back to a pre-digital musical age.

The cello and soprano vocal parts throughout the album were written specifically and directly for cellist Peter Gregson and vocalist Ashley Knight, whose expressive voice features on tracks ‘Maitri‘ and ‘The Uncertainly Principle‘. The lyrics for both songs are Japanese poetry sung in English, dealing with age, loss and the inevitable fading of beauty.

‘Entanglement’ was written over a period of two years on paper and by hand with Michael exploring oldest and newest technology at Abbey Road Studios and Snap Studios in London, before most of the recording and mixing took place at Vox-Ton in Berlin.

“I wanted to make an album that sounded like a dark, Berlin record store discovery from the 30s. Something that had timeless emotive power, and pre-digital rawness. Something that I hope would make a deeper connection in superficially networked times. I think there is a duty for artists to be honest, and vulnerable. Because then there is a possibility of real connection. Entanglement is both honest and vulnerable and to go through the two year process of writing, refining and recording an album has been more intense and more beautiful than I could have possibly imagined.

Entanglement is a very personal expression of my obsessions: music, love, physics and the inter-connectedness of things. There is structure and freedom, chaos and control, and the beauty of ancient instruments set against impassive machines." – Michael Price

ABOUT THE ARTWORK: Resembling the inter-connecting parts, the cover art for ‘Entanglement’ was created by South London artist Supermundane, with the packaging’s layout done by long-term Erased Tapes-collaborator Torsten Posselt at FELD in Berlin.

TRACK LISTING:

1. Tape Overture 2. Easter  3. Little Warm Thing 4. Budapest  5. The Attachment  6. Maitri  7. Digital Birds  8. The Uncertainty Principle 9. Entanglement

erasedtapes.com · michaelpricemusic.com

Entanglement

Budapest

Michael Price – Budapest

advanced

'Dysnomia' out on June 1, 2015 via Erased Tapes.

Order 2xLP/CD/DL here:
http://www.erasedtapes.com/store/index/ERATP068

Dysnomia

Algol

Dawn of Midi – Algol

vantablack

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

Tears Of Unicorn

Masayoshi Fujita – Tears of Unicorn

from 'Machine To Machine' [CD|2xLP|DIGITAL]
Denovali Records · den235
available in July on all formats at [http://denovali.com/ricardodonoso]

Following on from early 2015’s exercise in dissonant formalism “Sarava Exu”, “Machine to Machine”, Donoso’s newest full length work sees a return to a more melodic sound. “Machine to Machine”, continues to bridge the gap between Donoso’s more rhythmic and melodic work alongside his more experimental, loose and dissonant side yet still maintaining his unique signature feel; “WTF”-polymetric rhythms, elegant cinematics and spine chilling tension. Recorded over the last two years in between visual commissions and more through-composed heady works such as “Sarava Exu” and “A Song for Echo”, “Machine to Machine” represents Donoso’s return to the songbook format for the first time since 2012. 

Influenced by the work of Edward Bernays, Gustave Le Bon and Ernest Dichter - wherein past efforts have seen Donoso looking inwards, “Machine to Machine” has him looking outward - incorporating subliminal advertising techniques such as backmasking, ZMET and steganography, “Machine to Machine” is a meditation on priming with and without awareness and a treatise on the psychophysics of our contemporary age. 
“Machine to Machine”’s collection of songs are Donoso’s most versatile yet, incorporating all major elements from his discography into a unified album. There is something for everyone on “Machine to Machine”, and that is well the point, a vast range of emotion eliciting stimuli for your consumption.
 
RICARDO DONOSO is a composer, percussionist and electronic musician from Rio de Janeiro, Brazil who currently resides in Boston. After having studied composition at Berklee College of Music and New England Conservatory he has participated in a slew of projects over the years, most notably playing drums for avant-death metal unit Ehnahre and being one half of the ever morphing electronic duo Perispirit. Ricardo's musical vocabulary draws as much from contemporary composition, drone, to techno and noise.


Machine to Machine

Ricardo Donoso - Dance of Attunement

Drake ~ Back To Back Freestyle

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Four

Buy 12"/DL

Ólafur Arnalds & Nils Frahm – Four

From the new album Asperities.

http://juliakent.com
http://theleaflabel.com/juliakent
https://www.facebook.com/juliakent.music
https://twitter.com/juliakent

Asperities

Empty States

I Wanna Feel

Spotify

STAMEN - I Wanna Feel (Original Mix)

Remix of "Clockscared" by MOGLI
(www.soundcloud.com/moglimoglimogli)

Artists:
Parcels --> www.facebook.com/parcelsmusic
Mogli --> www.facebook.com/moglimoglimogli

Original "Clockscared"
---> Parcels-music – Clockscared-1

Thanks to Hillydilly.com!
October 2015

Parcels - Clockscared (Moglii Remix)

North Star/Silent Space released 06/11  on R&S Records

Pre-order now
Bandcamp - bit.ly/1hso5vV
R&S - bit.ly/1GEdCEb
iTunes - hyperurl.co/3lpxd5

Written by Matteo Milleri and Carmine Conte.

Tale Of Us - North Star

When I am King - Something Inside. 

Facebook // https://www.facebook.com/wheniamkingmusic
Twitter // https://twitter.com/wheniamkinguk



Something Inside

Drum Pack Out Now 📡

Gold

Get it here: http://smarturl.it/ThrottlexEWF

<3 on Hype Machine http://hypem.com/artist/Throttle+x+Earth,+Wind+&+Fire


www.facebook.com/throttleofficial
www.twitter.com/throttlemusic
www.soundcloud.com/throttle
www.instagram.com/throttlemusic
www.youtube.com/officialthrottle

Throttle x Earth, Wind & Fire - September

Jon Hopkins piano version of Modern Driveway by Luke Abbott

Modern Driveway (Jon Hopkins piano version)

Nils Frahm asked his fans to rework 9 tracks on an album he completed and I decided to do one for fun. This one is called "You".

You (Reworked)-Nils Frahm

From the the album "Stories From Elsewhere".

http://rhiansheehan.bandcamp.com/

 www.rhiansheehan.com 

Rhian Sheehan - A Thimble Full of Sorrow

From the forthcoming album "Stories From Elsewhere" out on LOOP ? DARLA / PRECO March 26-2013.

FREE to download.

For future release information join the mailing list here: http://www.facebook.com/pages/Rhian-Sheehan/15584763065
www.rhiansheehan.com

More info at www.loop.co.nz

Rhian Sheehan - Little Sines

Manu Chao - La Vie a 2 (Technical Pillow Remix)

Mice on a table tennis court

Kinbrae re-work of Nils Frahm's song 'You' from the Erased Tapes released album Screws

Nils Frahm - You (Kinbrae Rework)

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone