@0 EP1

Morning Spring

Spring

Today, Penguin Cafe announce their fifth studio album, Rain Before Seven… due for release on July 7. They also share the video and single In Re Budd. Watch: https://youtu.be/Jgo0vj8OkOQ

Discussing the track, band leader Arthur Jeffes explains; "This was the first piece I ever wrote on the balafon — and the day I was recording it I heard about Harold Budd's passing away. I never met him but I’ve always loved his work and I felt that the incongruity of the track wouldn’t be at all inappropriate for a dedication."

The In Re Budd video is a sublime performance with visuals and backdrop inspired by the cafe in Simon Jeffes’ infamous fever dream hallucinations, which led to the creation of the original Penguin Cafe Orchestra.

The group will be headlining the Erased Tapes label festival at the National Concert Hall in Dublin on May 20, as well as appear at this year's Wilderness Festival, followed by a UK/Europe tour in November, with plans to tour Japan and North America in early 2024.

A sense of optimism infuses Rain Before Seven… not the braggadocious, overconfident kind, but more a blithe, self-effacing optimism in keeping with the national character. Even when all signs point to the contrary, it operates within the certainty that things are going to be alright. Probably.

Penguin Cafe - In Re Budd (Radio Edit)

'Dysnomia' out on June 1, 2015 via Erased Tapes.

Order 2xLP/CD/DL here:
http://www.erasedtapes.com/store/index/ERATP068

Dysnomia

Algol

Dawn of Midi – Algol

Rarian Fields - Demeter

Infinity Zone

Elements Chord Mode

Physical: geographic-north.com/cassette/coyotes/
Digital: geographicnorth.bandcamp.com/album/coyotes
Catalog #: GN49
Cassette, limited to 100

Félicia Atkinson is a composer, sculptor, painter, poet, and publisher from Rennes, France. Atkinson has led a fruitfully fantastic run of eerily blissful, serenely euphoric sounds. Whether under her own name or via her defunct recording pseudonym Je Suis Le Petit Chevalier, Atkinson has released work on Umor Rex, Digitalis Limited, Aguirre, and Shelter Press, an imprint co-run with Bartolomé Sanson.

‘Coyotes’ is an EP inspired by Atkinson’s last voyage to New Mexico in February 2017, when she visited and took in the geographic landscapes from Taos to Ghost Ranch. The same vistas also inspired much of Agnes Martin’s and Georgia O’Keefe’s painting, as well as Jerome Rothenberg’s poetry and translation’s works.

Atkinson describes a ‘Coyotes’ as a “Carnet de Voyage,” a tape you could directly play in your car while traveling somewhere, a kind of imaginary map to a sentimental journey. A spontaneous gesture, close to the notion of gift or offering. Or, simply, a postcard to a friend.” But it’s also a praise to the conservation of national and state parks and its human and non-human souls, menaced as we know now by drilling and violent economic speculations.

Here, coyotes act as a kind of metaphor of ambiguity and doubt, a state of mind that Atkinson find interesting to transcribe musically; the ambiguity furthered by Atkinson as a literal “foreigner” in New Mexico. She conveys a sense of visiting these native sacred lands and wondering what you are doing there.

Musically, ‘Coyotes’ is composed of two long tracks, “Abiqiu” and “Lighter Than Aluminium.” Each track features an effervescent froth of piano, midi sounds evokes marimbas, Fender Rhodes, bells, sub-basses, and spoken word poetry written by the musician to display a melancholic landscape made of transparent but deep layers of pale colors and blurry lines.

Félicia Atkinson - "Lighter Than Aluminium"

From the album "Tea Notes". All music by Jatinder Singh Durhailay & David Edren. Recorded january to march 2018 in Antwerpen and London. Mixed and edited by David Edren at ll150. Mastered & cut by Anne Taegert at Dubplates & Mastering Berlin.  Artwork by Victor Robyn. Vinyl + digital release on Ekster: 12th of September 2019: https://eksterlabel.bandcamp.com/album/tea-notes

Tea Notes

Jatinder Singh Durhailay & David Edren: "Shincha"

http://elliotbergman.bandcamp.com

Peace Bells is a glimpse into the multi-layered world of artist and musician Elliot Bergman. The cassette, reissued by Leaving Records, was recorded over a weekend at the Felix Art Fair in Los Angeles, in the booth of Shane Campbell Gallery. Over the course of several days, Bergman gave durational performances utilizing his collection of self-made instruments, which he looped and layered into the music you have on this tape. For the past 15 years, Bergman has been building amplified variations on the African Mbira, which he refers to as Metal Tongues. He has also been making Peace Bells, from melted guns and bullet casings. Using this rich collection of instruments as source material, he builds looping and layered soundscapes that evoke comparisons to Moondog, Reich, Bertoia, Eno and Konono No. 1. These rhythmic and otherworldly textures range from minimal and meditative to driving and danceable.

LTD CASSETTE

Elliot Bergman - On The Table

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone