excellent change, cool section... all round nice track indeed

Such a rich soundscape.  And love that low growl.  Not overused!

It would have been great to hear this developed a little further.  Such lovely sound from this synth.

This is good - it all comes together -- but then just...... ends......

Yea this has a great feel already.  Tight and and interesting breadth of textures.  Catchy but not overbearing lines that fold right into the rhythm.

Yea really impressive and organic sound you got here.  It could really go much longer and I wish it continued into the next section, maybe in a different form.

Crazy changeup but it's still very smooth and works well.

Idk how you got such good strings, but bravo.  Great mix, sound design and track.

This track shows the sound designers potential of the Synth, nicely composed with lots of variety in sounds and moods...

One Synth Challenge

Composed for KVR One Synth Challenge 181 using only sounds from SurgeXT

All sounds made from scratch.

DAW: Reaper 7.12

20 x Surge

CHOWTapeModel
epicVerb
kHs Channel Mixer
kHs Filter
kHs Limiter
ReaComp
ReaEQ
SurgeXT Effects
TAL-DUB-II
TDR Kotelnikov
Valhalla Supermassive

eraze the borders - Thankful [OSC 181]

Composed for KVR One Synth Challenge 183 using only sounds from Audible Planets.

All sounds made from scratch.

DAW: Reaper 7.16

23 x Audible Planets

epicVerb
Deelay
FerricTDS
FetDrive
FreeClip
kHs Trance Gate
kHs Transient Shaper
MAnalyzer
Pancz
ReaComp
ReaEQ
SPAN
TAL-DUB-II
TAL-Filter-2
TDR Kotelnikov
TheMasker
Unlimited

oYo [OSC 183]

Composed for KVR One Synth Challenge 184 using only sounds from ToneZ by Retornz.

All sounds made from scratch.

DAW: Reaper 7.17

25 x ToneZ

BootEQmkIV (Variety Of Sound)
Cramit (Sixth Sample)
Deelay (Sixth Sample)
epicPLATEmkII (Variety Of Sound)
FreeClip (Venn Audio)
GSatPlus (TBProAudio)
ISOL8 (TBProAudio)
IVGI2 (Klanghelm)
kHs Filter (Kilohearts)
kHs Ladder Filter (Kilohearts)
kHs Trance Gate (Kilohearts)
kHs Transient Shaper (Kilohearts)
Lens (Auburn Sounds)
MEqualizer (MeldaProduction)
MSED (Voxengo)
NastyDLAmkIII (Variety Of Sound)
Oculus Spatializer (Oculus)
Pancz (Spectral Plugins)
ReaComp (Cockos)
ReaEQ (Cockos)
ReaGate (Cockos)
ReaXcomp (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
Spiral Delay (Davisynth)
SumChannel S2 (Tukan)
TAL-Filter-2 (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
TDR Nova (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)
Youlean Loudness Meter 2 (Youlean)
ZL Equalizer (ZL)

JA JAJA [OSC 184]

Imagine you are walking in the woods towards a small village and you hear a flute player accompanied late by musical friends and you get to be there.

All sounds are created with Ragnarok synth by Full BucketMusic for the OSC195 challenge

Johnkhf_OSC195 Happy

My entry on OSC#195.

One instance of Ragnarök synth.

FX: kHs Haas, kHs Filter, kHs 3-Band EQ, kHs Dual Delay, epicPlateMKII, ModernExciter, SonEQFree, bx_Masterdesk Classic, Raum

PeterBPL - En Último Lugar

Entry for One Synth Challenge 195 - Full Bucket Ragnarök2

Concocted in Reaper, using 35 instances of Full Bucket's Ragnrök2.
9 instruments, 7 effects, and 18 percs ( layering involved this time. ) No 3rd party sounds present. 
Lightly massaged, here and there, by TDR Nova at track level. Also present: HOFA System Gain & Hy-Delay 4.
Drums snipped by KClip Zero, subsequent light revitalising by Flux Bittersweet
Reverberated by U-he Protoverb and Valhalla Supermassive, aided by TDR Nova, HOFA System Pan & Delay, JS Mixer & A1 Stereo Control
Light manipulations at master level by TDR Nova, Flux Bittersweet, A1 Stereo Control & Limiter No6

Bouquet de Fleurs

"Ooriv the weird professor was close to despair and wanted to give up so many times... He just couldn't do it and yet another village lay in ruins. He had followed the notes exactly. But every time he tried to create a Phoenix, it turned into a fire-breathing monster that knew neither friend nor foe. This time it hit Harold's flock of sheep... Only a few animals survived the attack. Fortunately, the creature turned back to ash in a few minutes. Was the merchant in KreVaRon ripping him off when he sold him the old manuscript from Ragnarök? He made his way to his old mentor Norat. He looked at the notes, but couldn't find any serious errors. Of course, as always, he found fault here and there. He was never completely satisfied with Ooriv's work, but that was always incentive enough to continue. Ooriv took notes and went back to his laboratory to try again. This time it had to succeed..."

Made with FL Studio and Fullbucket Ragnarök Mark 2 for KVR OSC 195

All Sounds made with Ragnarök Mark 2

Used Plugins: Ozone EQ 11, Firecomp2, Mix Space, TDR Nova, Panagement 2, Raum, Transpire, OTT, LoudMax, DD Filter, Deelay, Plateau 2, kHs Filter, Valhalla Supermassive, Lushtraq, Airwindows Galactic Reverb, Replika, Protoverb, DD Monodelay

The untold Story

Viroo - The untold story

Composed for KVR One Synth Challenge 195 using only sounds from Ragnarök 2 by Full Bucket Music.

DAW: Reaper 7.39

29 x Ragnarök

ChowMatrix (chowdsp)
Doppler Dome (Aegean Music)
epicVerb (Variety Of Sound)
filtrrr (blepfx)
GATE-12 (Tilr)
GraphHack (Analog Obsession)
HZ Multiplier (HigherHz)
ISOL8 (TBProAudio)
kHs Filter (Kilohearts)
Lens (Auburn Sounds)
NastyDLAmkIII (Variety Of Sound)
MIDI Note Repeater (Cockos Reaper)
Raum (Native Instruments)
ReaComp (Cockos)
ReaEQ (Cockos)
Ripple Delay Free (Davisynth)
Solaris (Adam Szabo)
SPAN (Voxengo)
TAL-DUB-II (TAL-Togu Audio Line)
TDR Kotelnikov (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)

The Orbit Space Conundrum [OSC 195]

for OSC 195, made entirely with Full Bucket's Ragnarok 2, plus a handful of delays and a reverb.
Tuned in 22edo.


Leonard Bowman - 22 steps back

This is my entry for the KVR One Synth Challenge #195 Feb 2025.
All sounds are made with the "Ragnarök 2" AU plugin by Full Bucket Music in Logic Pro.

Körangar (OSC#195 May 2025)

Submission for One Synth Challenge #195 - "Ragnarok 2".
One Synth Challenge archive: https://sites.google.com/site/kvrosc/2025/osc-195-ragnarok-2

A new enhanced edition of this song is out on my YouTube channel. A slightly revisited mix and a few sounds added. Plus I recorded my bass guitar for it: https://youtu.be/141BdyqeZP0

More music:

Mercenaries: https://www.youtube.com/watch?v=tc6QpwOlc0c&pp=0gcJCbAJAYcqIYzv
All Gunz Blazing: https://www.youtube.com/watch?v=ojxE-rMtfOI
VVasabi: https://www.youtube.com/watch?v=5WHc3NVnn4s
Trailblazer: https://www.youtube.com/watch?v=CiEgYpJuoZQ
Ashes Of Time: https://www.youtube.com/watch?v=9CSN9S2Vq7U&pp=0gcJCbAJAYcqIYzv

I've been brought back to my video game soundtrack drafts lately. This song focuses on an atmosphere of a lush alien world that was turned into a battlefield. Although I'm happy with the usual Simmons style drums I made with this synth, there is a strange behaviour that occurs when two that uses noise instances playing simultaneously, some kind of weird phasing/flanging effect. I tried to minimize it as much as possible, but I can still hear it. The synth itself has good tone shaping capabilities and it's CPU efficient just like all Full Bucket instruments. I really like the sound of an overdrive and chorus effects, the much needed sauce for a virtual analog.

34 instances used to create a track.

Jungle Assault (OSC#195)

Entry for the KVR One Synth Challenge 196 using only Primer 2 synth

Alto del León (OSC 196)

Composed for KVR One Synth Challenge 197 using only sounds from Odin 2 by thewavewarden.

DAW: Reaper 7.42

25 x Odin 2

Ambient Reverb 7 (Stone Voices)
Deelay (Sixth Sample)
epicVerb (Variety Of Sound)
Free Clip 2 (Venn AUdio)
GATE-12 (Tilr)
HZ Multiplier (HigherHz)
ISOL8 (TBProAudio)
kHs Filter (Kilohearts)
Lens (Auburn Sounds)
Raum (Native Instruments)
ReaComp (Cockos)
ReaEQ (Cockos)
SPAN (Voxengo)
TDR Kotelnikov (Tokyo Dawn Labs)
Unlimited (Sonic Anomaly)

Cover by Fernanda Arias
https://unsplash.com/de/fotos/nahaufnahme-einer-pflanze-mit-grunen-blattern-8fdzVuEFRjU

Salvia Salvation [OSC 197]

My Submission for August 2025 OSC. 7 Tracks, powered by FLStudio and Quilcomm's Trout. Maximus for loudness.

Based on various incarnations of the Trautonium - a Synth Design originating in the 1930's. I chose Trout because I've wanted to try my hand as something very old and very strange with the plugin. And oh my - it's strange.

Cover is AI generated this time - Colors and some things fixed/added afterwards. My blender skills aren't THAT good. 

Early synths defined some of the sounds and vibes that powered Science Fiction, so I went with something that evoked a dangerous and strange job in space. Enjoy!



Starsickle - Nebulous Journey

Made for KVR One-Synth-Challenge 199
https://sites.google.com/site/kvrosc/2025/osc-199-ripplerx

bzz - Mare Spei

Composed for the One Synth Challenge 107.

All sounds made from scratch with VK-1 Viking synthesizer by Blamsoft.

DAW: Reaper 5.70

19 x VK-1 Viking

ReaEQ
ReaComp
Boot EQ mkII
Engineers Filter
midiPolyphony
ToolChain (Only Engineers Filter & EQ)
epicVerb
TAL Reverb III
TAL-DUB-II
Leet Delay 2
TDR Kotelnikov
Thrillseeker VBL
S.LA.X
OTT
Unlimited

Photo by Matthew Brodeur

eraze the borders - Ladiecici (OSC 107)

Producer, Beatmaker (occasional MC & singer) from Berlin. Working with samples as well as synthesized sounds. Over 15 years of experience. Blending different genres, always with a hiphop flavour.

Regularly participating at Sample Science Berlin and KVR One Synth Challenge.

eraze the borders - Ladiecici (OSC 107)

eraze the borders

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