2020|04 - The Composer's New Music Playlist

Copyright - Eric Schultheiss
https://www.youtube.com/user/951tech
https://www.facebook.com/eric.schultheiss.1

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IONIATE MUSIC PUBLISHING
http://www.ioniate.com/
https://www.facebook.com/Ioniate-1023092597795587/
https://www.youtube.com/channel/UCYK05Qc7j5xj8YtX2M_UWrg

Short But Sweet | IONIATE Sketches In Progress | Eric Schultheiss

Dynamic orchestral composition written in F min for piano, strings, woodwinds

Time is running away

This track was exclusively scored with software-based instruments by 8Dio - primarily driven by the Century Ostinato Strings - Advanced Patterns. A software instrument that allows you to create completely realistic string patterns with elegant velocity controls and round robin features.

The demo also features the following 8Dio software instruments:

8Dio Century Ostinato Strings - Advanced Patterns
8Dio Century Brass Ensemble and Solo
8Dio Century Harps
8Dio Anthology Strings Legato
8Dio Claire Woodwinds
8Dio Hybrid Tools Equinox and IV
8Dio 8Dioboe
8Dio Age Glockenspiel Ensemble and Windchimes
8Dio Hybrid Tools Neo II
8Dio Majestica Timpanys
8Dio Studio Vocals Operatic Soprano

8Dio Century Brass Brass "Deal Of A Century" by Troels Folmann

An enhanced version of "My Way" For MIDI Violins, Violas and a Harp

Delmonia

My Way (Enhanced version)

Just a short little tune about gravy boats..

by t anderson ..In Steep... 52 , 24

Hope you like it.
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Jonas Aden - Tell Me A Lie | PRISAM Remix

Blues at 186

Blues at 185 - 2020-01-24, 9.41 AM

『Tell Me You ~皆が狂いはじめた~』
作詞・作曲 / Papyrusたくや

【Music Video】
https://youtu.be/L9Au90lZOuw

皆が狂いはじめた
奇妙な集団の揺れるような踊り あぁ
端っこの方で見ている少年少女が
「私も仲間に入れてほしい」と

あぁ 大好きな皆と一緒にさわぎたい
加速していくように感じる時間の流れが
もどかしいんだよ
今 出掛けたい

音も無い世界には
人々の生活や 争いや
どうしようもない悲しさや 嬉しさが

あぁ どこか行こうぜ

Tell Me You 君の瞳には何が見える？
Tell Me You 僕の事がどう見えているんだ

光にはなれそうにもないからさ
自分に光を灯したい
それだけなんだ

皆 皆 狂ってる
皆 皆 楽しそうだ
おれ おれ 狂ってる
君 君 楽しそうだ

頭 回転しっぱなし
休まる事なんか無いんだ
牛が草を食べるみたいに
繰り返す考えだ

懐かしい世界には
人々の生活や 優しさや
どうしようもない悔しさや 後悔が

あぁ どこか行きたい

Tell Me You 君の瞳には何が見える？
Tell Me You 僕の事がどう見えているんだ

光にはなれそうにもないからさ
君に光になってほしい
それだけなんだ

皆 皆 狂ってる
皆 皆 楽しそうだ
おれ おれ 走りだす
どこかで何かが変わり出した

Tell Me You ~皆が狂いはじめた~

SQ6. Prestoaiff

Crucial

Quartet #6- 1

Arabesque I

Uploaded with AudioShare app - http://kymatica.com/audioshare

WALK ALONG WITH ME

Tm Organ

You Mean So Much To Me

That's my submission to 5 Notes Melody Contest in "Composers Challenge" Facebook Group. I just choose a simple chanson style.

The sheet music of some of my compositions can be downloaded from my website https://pianoimprovictor.com/
If you like my music – share it with your friends!

Five Notes Chanson

A reflective piece of mourning for the dead using my Haken Continuum for the drone and melodic components.


Visit my Bandcamp site to listen and purchase my music.
https://jamesnewman.bandcamp.com/

Drone For The Dead

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.