Great fusion work with  nice solo instrumentation and percussion, nice happy sounds!!

great playing and such a peaceful,  happy vibe, Jamie

Loving how this is moving Jamie...gorgeous jazz fusion!

Love how this run resolves and then gently falls to hit the next change. Beautiful.

The drum breakdown was a fun shake-up in the middle. That was a delightful way to start my Saturday...

2020|04 - The Composer's New Music Playlist

© Joe Liberty 2025, all rights reserved

* Subjective observations
* Selective square dance calls
* Abbreviated golden rule

DoRight

Never have a care or want
Sing out a playful tune
By the famed authority 
Of the silver spoon

Weave the Ring
Dosado 
Alamo style

Fortunes of the pedigree
Afforded to few
Among peers so cavalier 
The devil gets his due 
 
Do right
Do right to
Do right
Do right to you
Do right
Do right to
Do right
Do right to you
  
Ladies In
Men Sashay
Couples Trade
Wheel and Deal 
Yea

Write the rules for all the fools
With style and a smile
Another game played without shame 
Leaving all beguiled

Bend the Line
Ferris Wheel
See Saw 

A never ending story
Of natural selection
For all the fame and glory
And progression of succession  

Do right
Do right to
Do right
Do right to you
Do right
Do right to
Do right
Do right to you 

Spin the Top
Walk and Dodge
Box the Gnat 
Shoot the Star 
Yea

DoRight

I invite you to listen to my piano improvisation "Games of Shadows".

The sheet music of my compositions can be downloaded from here:
https://www.sheetmusicplus.com/publishers/victor-birkan-sheet-music/3028943?isPLP=1

Find all my music here: https://linktr.ee/victorbirkan


Games of Shadows - Improvised Piano Piece

learning to love can feel like being cooked in a pot ... you have to face your own feelings and all the discomfort you feel from the trauma and misinformation and the way reality is not set up to comfort and console you or fulfill your fantasies. you have to reform yourself and then open up to the beautiful mess that is the other person.  learn to love. make it fun somehow.  the fate of the world depends on it     ; ) 

learn to love

I`m Free

Dear Mr. Dream Maker

Cast of Characters:
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision Bass
J.J. Terrell– @j-j-terrell – synth and organ
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals, whistling, and lyrics
TexMex Shaman– @texmex-shaman –Stephen — Tom Anderson Custom T model electric guitar, production, mix, and mastering
This song began at the end of last summer, August of '24, when Tez sat down and composed it on his guitar. He shared it with us right away, and while everyone jumped on it immediately, it sat on the shelf for so long because we all felt we needed a singer for it. Fast forward a year, and lo and behold, we picked up Carl, who is down for whatever vocals a song needs. 
  We began construction on this by creating the rhythm section. Ken first adding his explosive drums, followed by Josh completing the rhythm section with his four string, fretted bass, which he used a plectrum to play.  JJ entered the fray next, adding his otherworldly synth and thickening organ. 
  Then it sat. And sat. And sat some more, until Carl found us, or we found him, and he was finally able to add the missing puzzle piece. He also did something that none of us had ever heard before. He added the whistling at the end, too. But before we put it to bed, Stephen added some thrilling solo work with his axe, too, also towards the end. 
  Now that it was a completed song, we asked Stephen to mix it, even though it's really Tez's song, and that honor would usually go to him. However Tez was experiencing some technical difficulty, so the honor went to Stephen, who did his always professional production work on it. 
  This is a straight rocker from Eclectic Collective, being in all of our wheelhouses. This one was all made in house, too, so it's a great representation of our rocking skills as a band. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by The Beautiful Dark:

Curing core
Great lucid lore
Ore of iron dreaming
Alluring more
Grace lucid door
Assuring new real scening

Iron dreaming
Earth's core revealing

Tick tock that hope
Dream that design
Tick tock that goal
Aspiration in mind
Love locked to luscious
Living for time
New rules got rhyme
The future is fine

Iron dreaming
Earths core revealing

We need not fists
We need no guns
Just words and wits
Dreams for daughters and sons
You get the jist
A felt future is on
We'll clear the mist
Open those fists
It's a hug and a handshake
Then let's all move on

Iron Dreaming (Eclectic Collective)

Hoping you are having a lovely weekend....Just a little French inspired number !
Thank you for your very kind plays reposts and playlists.

Une Histoire

The worst is not certain but it happens sometimes.
Le pire n'est pas certain mais il arrive parfois.

Minimalist piece of music for Quartet and Choir. Created with Session Strings 2 and Sonara (Komplete Suite).
Pièce de musique minimaliste pour Quatuor et Chœur. Réalisé avec Session Strings 2 et Sonara (Komplete suite)

Inclus dans la série  REPETITION
https://on.soundcloud.com/Xg40rCInFLg7JwsBMz

Glow of War

an older tune I cleaned up a bit
it is a tribute to actor, singer, dancer, artist, and author Russ Tamblyn, who turns 91 in December.

I wrote the song around the time I retired from my  medical career. So  along with references to  Russ and childhood memory, there are veiled allusions to this strange  new exciting but a bit unsettling life circumstance in the lyric.

As per Russ 
He danced and acted in Westside story  and Seven Brides for Seven Brothers most famously but was in a bunch of movies in the 50s and 60s.. and ....my favourite as a kid was the War of the Gargantuas, which  for Russ was a creative low point ..but  it got him to Japan
opening clips from WotG...the middle and end clips from his movie Highschool Confidential



PS The line in the last verse Words stuck in my throat..lifted from the song The Words Get Stuck in My Throat From the movie War of the Gargantuas...sung by the wonderful Kipp Hamilton who has to contend with a Gargantua groupie..dont worry she survived....clip of the song in the movie is here
https://vimeo.com/358726099?fl=pl&fe=sh
Devo did a cover of it years later


Russ Tamblyn

I'll get a Tokyo life                             
Say some words off the script          
Monsters in play                                
Career gone adrift                               
I can make it in spite                          
Of the way they dub my lines              

I'll sail to the East
Maybe take me a bride
Dance out regret
Act up with pride
Let me do it 
Let me do it
Let me do it brother, what do you say?
My little boy brain wants to be Russ Tamblyn for a day

I wanna be cool
I’d like to be strong
A fighter who dances
A singer of songs
Add some rhythm 
Put some muscle on these rhymes 

The streets of the West
I'll be taking a side
Living forever 
This world’s opened wide
Let me do it
Let me do it
Let me do it, what do you say?
My little boy brain wants to be Russ Tamblyn for a day 

In 1970                                         
I saw him on the TV screen        
With those creatures, one             
brown, one green                         
My Gargantuan celluloid dream   

They said I could bail    
I’d much rather swim
Head above water
Life on a whim
I can make it in spite
Of their doubts and their goodbyes

Words stuck in my throat
What's left to say?
There's only myself
I can't stay away
Let me do it 
Let me do it
Permit me if I may
My little boy brain wants to be Russ Tamblyn for a day
My little boy brain wants to be Russ Tamblyn for a day





Russ Tamblyn(the Ballad of the HotR)

Years ago, my brothers and I had spent several weeks getting my dad's house ready to sell after he had passed. I was in the realtor's office ready to sign the paper work when the prospective buyers asked why I wasn't buying the house I grew up in.  I said (not thinking) "Too many ghosts".  The realtor immediately jumped in and said, "he means memories" to which I smiled confirming the needed clarification:)  It does beg the question however, how many "ghosts" haunt our lives; bad decisions, fractured relationships, things we did or failed to do.  I have found hope and forgiveness in the Christian faith, others have found healing in the passing of time, others still carry a heavy burden of what could have been or should have been.  Peter explores the theme in poignant verse to Seagull's quixotic soundtrack.  I am honored to  contribute a few colors to the tapestry;)
Acoustic guitars left & right; David Dunham; @david-dunhamuser589535203
Superb Poetry/Lyrics, Narration; Peter the Poet; soundcloud.com/user-264930040/tracks
Master of the music, lead guitar solo, mix & production;  Seagull @farout-music-studio
Wonderful voice: Clara Sorace
Track art: Bing images
Ghost of a Sense:

Yes, I know you.
I can feel your presence.
I can touch you, smell you.
I see you not by sight of eye
And yet I ken that you are I
That vespered wraith that writhes within
To test my faith, try my sin
Push the bounds to cause offence
A moral, soul thing, ghost of a sense recalls myself, so well defined
Entrenched, walls behind, built so sound of dust that crowned the pity, falling soft amiss,
Deep inside the tears I cry as here I find my self-abyss.

Whispers bringing shadows, filled of secrets therein held,
Memories, morose, piece me still, to wear in time, my wasted face.
And now reside, cast aside, to forge and ever meld,
Of haunting, ringing echoes, that will alone their chime erased.

Ah! But you won't twist me, nor bind me fast, to the sandy doctrines of the misty past,
With its beards and staffs and crinkled testaments.
My future's sprinkled here present with your crass irrelevance and matters not that sat right there,
The blackest chasm in my simpling world so spare,
Where space and time have overspilled the leaking psyche of a crippled mind,
That barely copes, unfulfilled, a crooked, limpid moral health of broken shrines
That hopes to find ....
.......some worthwhile inner self.

Ghost of a Sence (Seagull, Peter, David)

Copyright - Eric Schultheiss
https://www.youtube.com/user/951tech
https://www.facebook.com/eric.schultheiss.1

-----------------------------------------
IONIATE MUSIC PUBLISHING
http://www.ioniate.com/
https://www.facebook.com/Ioniate-1023092597795587/
https://www.youtube.com/channel/UCYK05Qc7j5xj8YtX2M_UWrg

Short But Sweet | IONIATE Sketches In Progress | Eric Schultheiss

You Mean So Much To Me

That's my submission to 5 Notes Melody Contest in "Composers Challenge" Facebook Group. I just choose a simple chanson style.

The sheet music of some of my compositions can be downloaded from my website https://pianoimprovictor.com/
If you like my music – share it with your friends!

Five Notes Chanson

A reflective piece of mourning for the dead using my Haken Continuum for the drone and melodic components.


Visit my Bandcamp site to listen and purchase my music.
https://jamesnewman.bandcamp.com/

Drone For The Dead

Eric Schultheiss stands at the vanguard of contemporary composition, forging a unique path that bridges the rhythmic drive of global percussion with the infinite possibilities of digital sound. As a composer, percussionist, and educator, Schultheiss is acclaimed for his hybrid electro-acoustic works—pieces that fuse the organic pulse of drums with orchestral richness and the sonic innovation of modern electronics.

Rooted in a Southern California upbringing steeped in progressive rock, classical discipline, and the improvisational freedom of jazz, Schultheiss draws on a vast tapestry of influences. His music channels the off-kilter accents of Stewart Copeland, the lyrical intensity of Neil Peart, the storytelling depth of Peter Gabriel and Sting, and the progressive artistry of Genesis, Dream Theater, and Spock’s Beard. This synthesis results in compositions that are as intellectually rigorous as they are emotionally evocative.

Currently, as Head of Percussion Studies and Electro-Acoustic Composition at the Middle Tennessee Conservatory of Music, Schultheiss is an outspoken advocate for the DAW as a true instrument. In his hands, digital workstations become canvases for sonic experimentation, allowing for real-time orchestration, microscopic precision, and the layering of polyrhythms and timbres that would be impossible with traditional notation alone. He champions technology not as a shortcut, but as an authentic extension of the composer’s voice.

Signature works such as Lights Twinkle—a Christmas percussion-ensemble piece blending Japanese Taiko, harp, and haiku-inspired vocal textures—showcase his ability to unite tradition with innovation. Airidea’s Journal explores the dialogue between structure and freedom through dance-driven percussion and atmospheric synths, while As You Sleep and Terminal Memory reveal Schultheiss’ penchant for ambient soundscapes, introspective melodies, and cross-media collaborations. His compositions have been commissioned for film, dance, and multimedia productions, performed by leading ensembles, and praised for their intricate interplay of rhythm and resonance.

As an educator, Schultheiss is dedicated to shaping musicians who are not only technically skilled but also creatively fluent in both acoustic and digital modalities. At the Middle Tennessee Conservatory, he mentors young composers in hybrid techniques, polyrhythmic structures, and DAW-based workflows, encouraging them to embrace technology as a creative partner. His influence extends beyond the classroom, as he helps students gain visibility in the digital era and equips them to thrive in an evolving musical landscape.

Through his relentless curiosity, innovative spirit, and commitment to artistic growth, Eric Schultheiss is redefining what it means to be a composer in the 21st century. His work is a testament to the power of bridging tradition and technology, and to the limitless frontiers that await those willing to explore them.

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

You Mean So Much To Me

Jamie Rhind

Recent comments

Владимир Стоев

MikePolcari

MikePolcari

Lizzie Taypen

Related tracks