Myclassicall

Classic

Alexander Scriabin

Heuvelrugkoor-optreden13feb2011-au-joly-jeu

Clément Janequin (1485 - 1560)

Au joly jeu - Clément Janequin (1485 - 1560)

Heuvelrugkoor-optreden13feb2011-toutes-les-nuits

Clément Janequin (1485 - 1560)

Toutes les nuits - Clément Janequin (1485 - 1560)

Wagner  to Franz Liszt:

"Never in my life having enjoyed the true happiness of love I shall erect a memorial to this loveliest of all dreams in which, from the first to the last, love shall, for once, find utter repletion. I have devised in my mind a Tristan und Isolde, the simplest, yet most full-blooded musical conception imaginable, and with the ‘black flag’ that waves at the end I shall cover myself over – to die"

Richard Wagner - Tristan und Isolde, Prelude

Richard Wagner - La Obertura De Rienzi

Lamentation - instrumental piece for classical guitar

Lamentation

Folle ben che si crede - Tarquinio Merula

Philippe Jaroussky sings "Lascia ch'io pianga," from Händel's "Rinaldo"

The recording of Jaroussky's Hong Kong concert was broadcast by rthk radio; it will be re-broadcast on May 29th 2014 at 2 o'clock local time, so be sure to tune in! 
http://programme.rthk.hk/channel/radio/index.php?c=radio4

*Lascia ch’io pianga* - (Let me weep my cruel fate)
Georg Friedrich Händel, Rinaldo
Philippe Jaroussky
Almirena’s aria

Lascia ch’io pianga mia cruda sorte
 E che sospiri la libertà!
 Il duol infranga queste ritorte
 de’ miei martiri sol’ per pietà.

Let me weep
 my cruel fate,
 and sigh for liberty.
 May sorrow break these chains
 Of my sufferings, for pity’s sake.

Laß mich mit Tränen mein Los beklagen,
 Ketten zu tragen, welch hartes Geschick!
 Ach, nur im Tode find’ ich Erbarmen,
 er gibt mir Armen die Ruh’ zurück.

**We believe the publication of this sound to fulfil the criteria of 'fair use,' discussion and study. If you have any concerns about this excerpt being public here, please get in contact, and we will remove the track immediately. **

Philippe Jaroussky sings "Lascia ch'io pianga" from Händel's "Rinaldo"

Me playing the opening movement of Beethoven's Pastoral sonata. LVB walking through nature, wrestling his demons, being all immortal... Hope you like.

Beethoven Piano Sonata In D Major, Op. 28 - 'Pastoral'  I. Allegro

Johann Vexo au grand-orgue Cavaillé-Coll de la Cathédrale de Nancy
Concert du 19 juillet 2015

Johann Vexo on the Cavaillé-Coll great organ of Nancy Cathedral
Concert on July 19th 2015

J. Alain - Variations sur un thème de Clément Janequin

Pérotin Le Grand - Point D'Orgue at Catedral

G.F.Händel, Duet ‘Son nata a lagrimar’ (from ‘Giulio Cesare’, HWV 17); Brian Asawa, Robert Crowe, Elezabeth Wallfisch, Concerto d'Amsterdam

Duet "Son nata a lagrimar", Giulio Cesare

Prélude Op 11n°2 / Alexandre Scriabine
Piano: Eric Dartel

Prélude Op 11n°2  Alexandre Scriabine

Étude Op 2 N°1  / Alexandre Scriabine
Piano: Eric Dartel

Étude Op 2 N°1  Alexandre Scriabine

Prélude Op11 N° 22  Alexandre Scriabine
Piano: Eric Dartel

Prélude Op11 N° 22  Alexandre Scriabine

Prélude Op 11 N°4 / Alexandre Scriabine
Piano: Eric Dartel

Prélude Op 11 N°4 / Alexandre Scriabine

Prelude OP 13 N°2 / Alexandre Scriabine
Eric Dartel: Piano

Prelude OP 13 N°2 / Alexandre Scriabine

This week’s program features recordings of Debussy’s Prelude to the Afternoon of a Faun and Ravel’s Noble and Sentimental Waltzes. We’ll also hear Berlioz’s Harold in Italy as well as his song-cycle, Summer Nights. Sir Colin Davis, Kurt Masur, Pierre Boulez and Leonard  Bernstein conduct The New York Philharmonic.

BERLIOZ: Les nuits d'été, Op. 7
Ian Bostridge, Tenor
Sir Colin Davis, Conductor

DEBUSSY: Prélude à l'après-midi d'un faune (L. 86)
Jeanne Baxtresser, Flute
Kurt Masur, Conductor

RAVEL: Valses nobles et sentimentales
Pierre Boulez, Conductor

BERLIOZ: Harold en Italie, Op. 16, H. 6
William Lincer, Viola
Leonard Bernstein, Conductor

00:00:00 Opening and Introduction to Summer Nights
00:03:09 Berlioz - Summer Nights
00:35:18 Introduction to Debussy
00:36:40 Debussy - Prelude to the Afternoon of a Faun
00:48:09 Introduction to Ravel
00:50:03 Ravel - Noble and Sentimental Waltzes
01:05:55 End Part 1
01:06:12 Introduction to Harold in Italy
01:07:50 Berlioz - Harold in Italy
01:49:29 Closing and Credits

The New York Philharmonic This Week 19-07

Host: Alec Baldwin
Producer: Mark Travis
Executive Producer: Vince Ford
Underwriters: Kaplan Brothers Fund; Audrey Love Charitable Foundation; The National Endowment for the Arts; MetLife Foundation

Photo: Leonard Bernstein and William Lincer circa 1960. Courtesy of the New York Philharmonic Archives.

Berlioz, Debussy, and Ravel

Richard Wagner/ Die Meistersinger Prelude
Carnegie Mellon Philharmonic
Walter Morales, conductor
October 15, 2004
Great Hall of the College of Fine Arts
Carnegie Mellon University
Oakland, Pittsburgh

Richard Wagner: Die Meistersinger Prelude

Aranjuez

Concierto de Aranjuez: II. Adagio

Beethoven - Moonlight Sonata (FULL)

Pianiste, Compositeur.
Eric Dartel compose au piano sous l'inspiration d'harmonies riches qui s'assemblent naturellement en mouvements fluides sous ses doigts. Il enrichit parfois sa musique du timbre d'autres instruments acoustiques, voire électro. Libres de toute contrainte, ses propositions mélodieuses aux couleurs multiples sont autant d'invitations au voyage.
 Eric Dartel composes inspired by the rich harmonies naturally emerging in fluid movements underneath his fingertips. From time to time, he enriches his work with the voices of other accoustic instruments, possibly even adding an electronic touch here and there. Dartel's music, multi-colored and melodious, free from all constraint, invites the listener on a journey.