Both of you are so talented! fantastic collaboration !❤️

perfect beautiful collaboration, i love it..

Beautiful arrangement and really epic Celtic sound!

Such Beautiful Mystical Celtic music. where are you from? beautiful

check out Annars Epic Music. you guys shoukd travel the world with an orchestra with this music. Annars is Epic so spectacular aswell.

Voici une pièce que j'ai faite il y a un certain moment avec Gary Courtland-Miles (Anomon).  Il m'a demandé si je pouvais ajouter des orchestrations sur une de ses magnifiques pièces de piano.  Sur le thème de l'Amour et l'importance de sa place dans nos vies.

Here's a piece I did some time ago with Gary Courtland-Miles (Anomon).  He asked me if I could add orchestrations on one of his beautiful and heartfelt piano pieces.  This is all about Love and the importance of it in our lives.

https://soundcloud.com/gary-courtland-miles

It's Something Like This - with Anomon

Phantom World

Music by Robin
Vocals are a poem by Kyli Santiago

free

Music Video
https://youtu.be/YN2kZj_prjQ

Epic Fantasy Collaboration with Brilliant Celtic Instrumentalist and Composer, Philleann! @philleann

Beyond the Gauntlet (Eric Heitmann and Philleann)

“Second Passacaglia for String Orchestra” was completed in July, 2022 in Fairview, TX. 

From the composer's publisher Creative Spirit OnLine: "Brooks’s Second Passacaglia unfolds broodingly over a 17-bar, slowly moving bass line in cellos and basses, while the variations above increase in movement and intensity until finally arriving at a subdued and haunting final cadence."

The work is in one movement. Performance time is about 10 minutes. 
Printed and electronic scores and parts are available from www.CreativeSpiritOnline.com
A virtual recording of this work is posted on www.soundcloud.com/robert-john-brooks.

Performance notes:
•	Tempo, expression, and dynamic markings should be strictly observed.
•	There is no key signature. Accidentals apply to the end of the measure or to the note or notes tied over the measure, and only to notes of the same pitch class, in the same octave.
•	Hairpin pairs (e.g.: mp <>, mf ><) indicate a temporary volume change of one dynamic level.
•	Passages marked  fff  or ppp  indicate playing as loudly and as quietly as possible, respectively.
•	Double-bass “C-extension” is required.

Contact information: 
Email: robtjbrooks@yahoo.com 
Web: www.soundcloud.com/robert-john-brooks
Web: www.CreativeSpiritOnline.com

View/Purchase Score

Second Passacaglia for String Orchestra

Many years ago, at one point I accidentally noticed the chorus of some of my songs were inter-changeable. From then onwards, I made serious efforts for my songs to sound not so alike. I know I am not a decent singer but as a songwriter, I would be very glad if listeners can differentiate between my songs.

This new entry here is another love song mainly inspired by a drama. The purple rose is the closest song pic I could find as I think the petals do look like lips. Just see what you think.

Thanks for stopping by.

[CREDITS]
Music / Lyrics / Vocals / Synth / Programming – Michael C. Lynn
Guitar Solo – Brent Mason @Band_in_a_Box

[LYRICS]
Feelings I never showed
Embedded in stories untold
Love sounds we built underground
Too much for this heart to hold

Songs that never rhymed
Revelry that once was mine
Tried so hard to be with each other
Always ran out of time

CHORUS
Time passed quickly by in the blink of eyes
How I missed the purple kisses
You were there, beautiful & rare
Couldn't resist the purple kisses

Out of mind, out of reach, chances ditched but after all these years
You still appear in dreams

Memories of us seemed trite and pressure was never light
Drowned in an overworked affection
My thoughts remained with you

Instrumental

Time passed quickly by in the blink of eyes
How I missed the purple kisses
Longings sealed, passions unfilled
Carried away in the magic of your touch
…..haunted me so much

Repeat Chorus

Purple Kisses

Excusez Moi

(Written by Terry Reeves)
Terry Reeves: Vocals, Acoustic Guitar
Hans Albers: All other instruments, Arrangement & Production

I think it’s important to say that a lot more women than you think have had one or multiple miscarriages. It’s just that it is a subject not often talked about because of the very personal pain that the couple go through. The unborn life has no contact with anybody else except the mother and the emotions are often only remembered by the mother and father.
When Jo and I were expecting our second child we were very excited and looking forward to having another Reeves in our growing family. I will never forget the day that we were told we were going to lose the baby and once told, left sitting in an open A & E waiting area having to cope with all our raw emotions and the prospect of the impending loss amongst the rest of the other patients.
Jo had to go through a painful operation to terminate the pregnancy and it is a day she will never forget. We were a family of three planning being a family of four having now to plan being a family of three recovering from an invisible loss and explain it to our young son.
It was an extremely difficult time but we were fortunate that after a few years we did have two more children. Jo tells me that although it is difficult to explain the connection she had with the unborn child that the presence of life inside her will never be forgotten.
I felt I couldn’t let this moment in our lives pass by without acknowledging our unborn child in some way. The rollercoaster of emotions we shared at that time from euphoria at increasing our family to devastation and bereavement at our loss were felt intensely only by Jo and myself played it’s part in forging the strong bond we have had throughout our relationship. (Terry Reeves)

Two giving chance for more to love
Sharing excitement of a life that grew
Future moments by imagination
Holding tightly to a dream, not knowing who

The moment will always be there

No blessing from a hand of friendship 
Could change the feeling of love untried
A desperation of disappearing contact
Sixteen weeks of wonder with a life inside

The moment will always be there
Will always be there x2

Will always be there x3

It’s hard to share the tears of life unborn
Expectations waiting, true feelings strong
Growing three to four into a family together 
Not knowing where to be or why we belong

The moment will always be there
Will always be there x2

Many questions asked reasons who or why
Emotional growth but no name it’s true
An everlasting memory impossible to share
Changing 4 back to 3 kept just between two

The moment will always be there
Will always be there
Will always be there
Will always be there

FOUR TO THREE - CRIPPLE CLUB & HANS ALBERS

The October 2022 DIAMC writing prompt was about displacement, taking a character either fictional or real and putting them into an alternative reality. I imagined a world where Little Red was all grown up and off to the bright lights and big city, in search of Mr Wolf.

Demo, recorded in the spare bedroom of our holiday cottage in Ackergill.



Little Red

Little Red she’s grown up proper
Little Red, nothing’s going to stop her
She’s going to shine, like the moon
Mr Wolf, big man in the city
Mr Wolf sure likes them pretty
In for a surprise, Mr Wolf
You’d better watch that back
Look both ways
She’s coming for her due
Little Red

Little Red, headed for the Hood
Telling Granny she is going to be good
She may be lying, but honest she’s trying
Little Red steps into his bar
Mr Wolf greets her with a snarl
“Hrrrrrrrr, Babe, you’re looking swell”
Little Red flicks back long hair
Walks by, ignoring his stare
“Make mine a double on the rocks 
And wipe that look, off your face,
I swapped out that blunt old axe,
For some Mace
And I’m not afraid to use it,
Don’t need a Woodcutter no more.”

Little Red, now she’s a star
Mr Wolf, he’s gone and bought her a car
And a house, and a yacht, and a ring
He fell under her spell
Little Red, she played him so well
But damn, that girl could sing
Ahoooooo, Little Red
Ahoooooo, Little Red
Ahoooooo, Little Red

“Turned out there’d been a bit of a misunderstanding. Mr Wolf isn’t all bad, you know? Last I heard…he’d gone and bought Granny…a new condo”

Ahoooooo, Little Red
Ahoooooo, Little Red

"Turns out, it had all been a misunderstanding. Mr Wolf, well, he is all bad you know. In fact, the last I heard, he'd gone a bought Granny a new condo.

Ahoooooo, Little Red
Ahoooooo, Little Red

© S Barr 2022

Little Red - Demo

Hiya Peoples! 😊

As seeds, budding plants, shrubs and bears awaken from the depths of winter in the Northern Hemisphere and Spring comes, we're delighted to finally Release a New Track for Spring of 2023! 😎  
   
We call it 'Awakening'. 

And thank goodness that as usual, the fingers of Tim Elliot are on his Telecaster and mine on the ancient Upright Grand Piano .

and together, they work their magic as we continue to explore the sonic landscape together through Improvisation.

Of course this can only happen within a space of Deep Listening.  A place Musicians can go in their totally individual inimitable ways.                      
                                                                                                                               
In our case, we almost immediately found ourselves being 'Led' into a Tonal Awakening....
Subtle grooves that were an outer manifestation of the Joy we were experiencing as we explored the spaces in between the notes.  😊  

Of course, the very best kind of Awakening is to one's own inimitable Truth, no matter the noise and apparent confusion all around. And sure... there's all kinds of negativity and nonsense in this ol world, but who needs to Awaken to that? It's more than obvious!
 
Far better to explore and express one's unique Creativity! To share the Love one feels for whatever they're passionate about, through their Music! 😉

May you enJOY what Tim and i have been up to lately. 


© Gary Courtland-Miles & Tim Elliot 2023
℗ Gary Courtland-Miles 2023 & Tim Elliot 2023

Arranged and MiXed by Anomon

Awakening *

a decidedly gothic start to this piece and although the theme is consistent, there are developments which may be construed as unorthodox.....
think Ryuchi Sakomoto's "Sheltering Sky". 
the harmonies provide a hint of something unearthly or maybe from the crypt? 
the efx include local rooks and a very ancient bell located in Veauche, France.

Romanesque

A former San Francisco 49er Offensive Lineman, Eric now composes and produces music in the epic, cinematic, and ambient genres. His compositions are, by design, ultra melodic and follow a hybrid orchestral style similar to film composers Hans Zimmer and James Horner, and epic cinematic artist Two Steps From Hell.

Eric lives in Austin, TX, with his wife Emily and their two young daughters, both aspiring musicians :) 

Thanks for listening everyone!  Such a wonderful community here on Soundcloud!

Beyond the Gauntlet (Eric Heitmann and Philleann)

Eric Heitmann

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