Over two decades in dance music have made Hoj more than capable of living up to his reputation as a sonic storyteller. His cinematic sets explore the deep house landscape with a fervor that resonates through dance floors across the globe.

Close colleagues like Lee Burridge simply refer to his style as “Hoj house” rather than attempting to pin down its eclectic nuances. Although a longer road, staying the course of his artistic vision has paid off. In addition to a residency and landmark releases on Burridge’s All Day I Dream imprint, he now provides a platform for like-minded producers by way of their joint venture, Tale and Tone.

An extensive background in the visual arts set Hoj (pronounced with a long Ō) on a path less traveled by the average DJ/producer. Born in Iran and raised in the Bay Area of the U.S., he grew up exposed to film and music alike. Prior to DJing full time his background was in film, design and new media. He was the brainchild behind All Day I Dream’s brand identity, coming up with the single cloud design.

Hoj also discovered electronic music early in life. He attended his first rave in San Francisco in the early 90s, and he experienced the inauguration of legendary warehouse venue Homebase. After DJing for a few years, he made his San Francisco debut at Qoöl Happy Hour, an event series that took place at 111 Minna Gallery.

Soon afterwards he got involved with outfits like Opel Productions and Spundae, which afforded him audiences at the city’s more prominent nightclubs. He went on to help build the inaugural Opulent Temple sound camp for the 2003 edition of Burning Man. He has performed annually at the transformative gathering ever since.

Upon moving to New York City in 2008, however, Hoj outgrew the category of local DJ. Each passing year after that point brought bigger milestones and more momentum.

After his set on the Robot Heart art car during the 2010 edition of Burning Man, he was booked at the world-famous Berlin nightclub Berghain’s Panorama Bar. 2011 saw Lee Burridge launch All Day I Dream to serve the dual purpose of a record label and event brand, and he enlisted Hoj as a resident DJ of the latter. Since then Hoj has brought dance floors to life across the globe. Los Angeles, San Francisco and New York City account for much of his fan base, but his following has also grown significantly in locations like Canada, Mexico, Australia, South Africa, Dubai, Romania and London.

2017 marked two especially groundbreaking turning points for Hoj: His long-awaited debut as a producer and the unveiling of he and Burridge’s new record label, Tale and Tone. The label features music the founding DJs play at night, unique tunes with both story and groove. Around the same time, his own Telefade EP, released on All Day I Dream. The three-track EP included  “Leap Day” as well as a remix of the title track by Bedouin. Hoj followed up Telefade with his own Tale and Tone release in 2018. Titled “Ramblefog,” it appeared on the imprint’s Prologue compilation,.

Two decades of experience behind the decks have equipped Hoj to captivate any crowd. The twists and turns of each sonic journey almost surprise him as much as those he entertains, resulting in moments that make up unforgettable memories. Given his track record, it’s surely no accident that his audience has only grown over the years.

As far as his own story is concerned, a promising future lies out on the horizon for Hoj. Deep house enthusiasts far and wide are excited to see how his tale will unfold.

@tamangorecords boss
bookings/mgmt: leo@causebooking.com

Bringing his African ethnic roots together with his good Italian taste, Tamango Records boss Yaya is one of the hottest names in the electronic music scene. Yaya grew up in Turin, where the tunes of his father - percussionist and leading voice of the “M’bamina” ensemble - helped him to discover his inner sense of rhythm, thus starting his relationship with music at an early age and performing as a drummer around the city. Since joining the mighty Desolat family back in 2009, he never stopped moving between the biggest meccas of European electronic music, playing at the best clubs and festivals from all over the world. Besides his unique DJ sets, Yaya is also a prolific producer: after releasing on some of the most respected underground labels, he went on and in 2016 founded his own imprint Tamango Records which has seen names from the likes of Loco Dice, Enzo Siragusa, Cuartero, Rich NxT, Cassy, Toman, and S.A.M. to name a few.

SEND YOUR MUSIC TO: promo@yayamusic.net (only SC download links with download enabled) or via TRACKSTACK: https://tstack.app/yaya

Bristol-based producer Sean McCabe released his first tracks in 2003 and has since fine-tuned a trademark sound that is effortlessly soulful.

McCabe made his name in house, developing a long-running relationship with legendary US garage label King Street Sounds and remixing the likes of Dennis Ferrer, Evelyn Champagne King, Carolyn Harding, Blaze, and Roland Clark. Since then he’s amassed an impressive discography, delivering inspired productions for labels like Local Talk, Strictly Rhythm, Vega Records, Tribe, and Quantize – plus an original solo album for Z Records.

A quick listen to any of his productions or one of his superb DJ sets will confirm this attractive, emotion-rich aesthetic. While rooted in house, his sound regularly takes on flavours of disco, boogie, Afro, deeper grooves, proto-house, ‘90s garage-house dubs and much more besides.

As an artist, his 2014 debut album entitled ‘It’s Time’ on Z Records displays his musical range and versatile quality production skills. The album hit Number 1 on Traxsource in its first week and has received support from the likes of Solar Radio, Mi-Soul, Kiss FM, and Jazz FM.

As a DJ, he forged a reputation at the legendary Southport Weekender, where he performed regularly. Anyone who can impress the notoriously knowledgeable Southport Weekender crowd must be doing something right. Sean has also travelled the world, playing as far afield as Asia and South Africa, as well as regular appearances across Europe and the UK. Refreshingly, he seems to have no particular aspirations to play in gargantuan clubs, and admits to preferring gigs in small, intimate venues, where he can make a connection with the crowd.

As a producer, McCabe is constantly learning and evolving, taking his sound in different directions. He admits to a love of vintage synthesizers – picked up from listening to classic New York boogie and ‘80s soul. In 2016, Sean continued his musical journey by launching ‘Good Vibrations Music’ record label – a natural evolution of his renowned Good Vibrations events in Bristol.

With a successful album under his belt, his own record label and notable collaborations with the likes of Karizma, Turbojazz, and DJ Spen, his reputation for bringing quality soulful dance music to the masses continues to rise.

High-Tech Minimal
be serious!

In 2024, the single "Gravity" went gold in Mexico.

https://www.instagram.com/officialprunk

DJ & Producer, House 

- Bookings: nick@meanwhile.nl
- Management: jeroen@spektre.nl
- Released on: PIV, Defected, EWax, King Street Sounds, Nervous, Electronique, Midnight Love Club, Soweso, Nitegrooves, Toolroom, Moulton, Inner City, DHA, Soweso, Double Tree Records.

Prunk is a Dutch DJ/ producer and owner of PIV Records. PIV club nights are organised in venues as Chicago Social Club, Marktkantine and Claire. Prunk is a STRAF_WERK and DGTL regular.

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DJ/producer Prunk is working at his own pace, but this doesn’t mean he’s taking things slow. His label PIV, which he started in 2015, has been steadily releasing EP’s, like his own production ‘Sexy Brasil’ that was released on the imprint in the spring of 2016. Together with his sparring partner Chris Stussy, Prunk released the ‘Material’ EP on EWax in the winter of 2016 and the two also released ‘The Machine’ EP that came out on the notorious Nervous Records and EP’s on Moulton and Innercity Records. These EP’s caught the attention of vocalist Alex Mills, who you can hear on Miguel Campbell’s hit Something Special. Prunk and Mills hooked up in the studio with No Cure as a result. Other labels Prunk has released records on are: Electronique, City Soul and King Street.
Next to producing Prunk is a resident STRAF_WERK and he is a regular at DGTL and Jenja (Bali), has played in Monaco, Barcelona, Zürich, Lille, São Paulo, Ibiza and at Awakenings Festival. His warm and sexy, but always dancefloor orientated and uplifting sound that finds its influences in artists like Kerri Chandler, Djebali, Mark Farina and Mr Ks is definitely attracting attention from promoters.
After editions at Chicago Social Club and De Marktkantine Prunk’s PIV Label night has moved to Amsterdam’s freshest club Claire and already had an impressive first edition in April. Prunk will also host a PIV stage at The Ark, a cruise that will take-off from Barcelona sets sail to Ibiza. In 2018 you can see Prunk play at the following festivals: The Hole Festival Brazil,  Awakenings Festival, Welcome to the Future, Straf_werk Festival, , Amsterdam Open Air and Extrema Festival.

Music producer / DJ from Bahrain 

Music & Bookings: 
zoneplusmusic@gmail.com

Ramiro Drisdale - Glade EP 
https://orcd.co/glade

Lost Desert & Lee Burridge - November Snowflakes
https://orcd.co/novembersnowflakes

All Day I Dream explores beautiful, emotional and melancholic shades of House and Techno through its label's releases, events and artists.

All Day I Dream events began on a Brooklyn rooftop back in 2011 and have since become an international sensation. Around the world, crowds continue to be drawn to the experience and to become a part of it's community. Spurred on by the music of Lee Burridge and his unique roster of artists, each brings his or her own emotive musical vision to the daytime party. Sounds that are all too rare in the current electronic music scene.

Each year the events continue to spread out across the world. From Los Angeles to London. Melbourne to Moscow, Berlin to Beirut to Brazil and back to their spiritual home base of New York City. They continue to flourish due, in part, to a core ideal. To create something truly magical. The passion to create magic manifests itself  both in those organizing as well as those attending the events.  

All Day I Dream also continually forges it's own unique ambience through a combination of the musical journeys taken by it's listeners as well as noteworthy venue choices. Each location transformed with the event's bespoke production design. Structural art, hanging gardens, colourful fabrics, fairy lights and lanterns. All melded together to fashion an unparalleled, irresitable atmosphere.

Erick Hux is following