Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

PAOLA PINEDA BIOGRAFÍA
Paola Pineda nacida en Tegucigalpa Honduras. Actualmente es una fuerte referencia
femenina en la escena de la región centroamericana. Desde corta edad indago en eventos
culturales hasta fiestas en las que acumulo una experiencia desde sus inicios en el 2013.
Es creadora junto a Loht Vostok del Colectivo Alien Community en el cual se esmeran en
innovar con diseños creativos de interiorismo y ambientación en sus eventos. Como
también un canal/ podcast llamado Space Lab Podcast en el que presentan sesiones y
entrevistas de artistas de diferentes nacionalidades.
Ha realizado presentaciones en muchas de las promotoras más importantes del circuito
centroamericano, como ser: The House Project (SV); Kairos, Retune Music, La Tribu ,
Modular, Kollektive One, Pulsar Sound, Luna y Sol, Alien Community (HN); The Box (GT)
Santo Perdido (GT), Merak (Nic). Y ha compartido eventos con artistas de renombre
internacional como ser: Alex Hunter, Doubting Thomas, Giorgio Maulini, Jade, Andrey
Pushkarev, Dandy Jack, Bernat.
Con un estilo muy propio, desarrolla versatilidad y atrevimiento en la selección y mezcla
desde House, Techno y el fundamental Minimal, hasta explorar elementos del Nu Disco ,
Acid Techno, Leftfield House y Garage.

Melodic death metal with black and NU from the gulf coast of Alabama. Follow us and share us we will greatly appreciate it thank you.

Kafkian is a metal band from Honduras with a strong influence in Progressive Metal and Tech Death. Our lyrics depict the line of thought of Franz Kafka and other Philosophers that deconstruct how reality can be so absurd and unforgiving for everyone. We formed in the 2017 and had some changes in our lineup along the way. Currently we are working on the pre-production of our first LP.

Sumerian Records is an independent record label harboring some of the most cutting edge and ground breaking bands today. The Sphinx is real.

After The Burial
Animals As Leaders
Bad Omens
Black Veil Brides
BONES UK
Born of Osiris
CHON
Des Rocs
Diamante
The Dillinger Escape Plan
The Faceless
Gideon
Hollywood Undead
I See Stars
Kittie
Lee McKinney
Meg Myers
Mestis
The Native Howl
Nita Strauss 
Oceano
Palaye Royale
Poppy
The Pretty Wild
RVSHVD
Seven Hours After Violet
Slaughter To Prevail
Sleeping with Sirens
The Smashing Pumpkins
Starbenders
Vana
Veil Of Maya
Weathers
Youth Code

Erick Stanley is following