West Coast Weekender is an event production company specializing in travel destinations, warehouse and day time vibes!

DJ E.A.S.E
Producer/Writer/Spiritual Conductor/CEO of MY Life. In honour of creation xxx 
Enquiries: kr@endlessloveshow.com

The Los Angeles DJ/Producer/Remixer David Montoya has gained notoriety as one of LA's top AfroHouse Producers. Featured in many record labels such as Pieces of Life, MoBlack Records, Defected Records, Cabeau Music, Open Bar Music, Polyrhythm Music, United Music, Vida Records, Leisure Music Productions,, Uncover Music, NULU Music, D.M. Recordings, Tribe Records, Sole Channel Music, Tru Thoughts, and many more.

But who is he? Raised in Los Angeles. The beginning of his musical journey started in the 80's and 90's, he developed a taste for a wide array of musical styles such as Hip Hop, Freestyle, Funk, Nu Wave and Latin Music. In 1991 he bought his first DJ set up and began mixing Hip Hop, House and Techno Music. As time went on, David honed his skills in the production studio as well as behind the DJ decks and steadily built a name for himself worldwide.
He has DJed events around the world such as RISE (Watergate,Berlin), SUNCEBEAT (Croatia and Portugal), Hong Kong, Amsterdam, New York, Boston, Playa Del Carmen, Las Vegas, Toronto, Chicago, Oakland, West Coast Weekender, SOULEIL (San Diego), Grand Park (Los Angeles). He's been fortunate to share the decks with the likes of Enoo Napa, Hyenah, Manoo, Shimza, DJEFF Aluku Rebels, MoBlack, and many more. David has been hosting a podcast on Soundcloud called Modern Soul Radio since 2007.

Since 2003, House Music lovers. 

Anhanguera, formed by DJs and producers Dudu Palandre and Décio Deep, has 20 years of experience in the most diverse dance floors in Brazil. With a prominent work both in the studio and in the Dancefloor, the duo built their identity as one of the references of national house music, marking presence in renowned labels such as Defected Records, Glitterbox Ibiza, Robsoul, Magnetic and Guesthouse. Currently the duo commands the radio show Beat Gateu on Veneno radio dedicated to musical prospecting, presenting reference tracks for their sound, navigating through varied styles such as house music, disco, Balearic, Brazilian music and grooves in general.

bookings @ Brasil: 
+55 11 99466-0758
+55 16 99461-1047

Beat Gateau Radioshow on Veneno
https://veneno.live/shows/beat-gateau/

Detroit-born and Atlanta-based, Ash Lauryn is an international DJ, curator, and cultural voice pushing the Black American roots of house and techno forward. Her acclaimed platform, Underground & Black—which began as a blog and evolved into a beloved NTS Radio show and event series, has become a cornerstone for honest storytelling and celebration within the dance community.

Bookings:
NA/SA: mariesa@liaisonartists.com
EU/WORLD: naomi@earth-agency.com

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

DJ Mes

Guesthouse Music // Oakland, Ca

Bay-Area bred DJ Mes (Jason Sutton) rarely slows his groove. Since the 2004 inception of his Oakland-based label, Guesthouse Music, Mes has produced a prolific catalog of bass-heavy tracks that have scorched dance floors amid the ebb and flow of electronic music. As a DJ, his sets have inspired; as a producer, his montage of disco-dredged beats meld bump with rhythm and bass to create hot buzz in front of and beyond the speakers. In 2011, Traxsource honored Mes with the top spot on a list of 100 best house tracks of 2011 following the release of the bumpy Chicago-sound behind “Fools Gold” (Cajual Recordings). 

Mes’ career dates back to the mid-1990s, when the future producer took early influence from the likes DJ Dan (Funky Techno Tribe) and Tony Hewitt (Tango Recordings). Some two decades later, it would be DJ Dan who would join the talent ranks of Guesthouse Music, Mes’ genre-defying imprint that earned him notoriety beyond numerous festival appearances, club residencies, and as co-founder of Daddy’s Records (1996). Unlike previous endeavors, Guesthouse bloomed as a personal and creative project inspired by the underground house community that embraced the sound in the U.S. and overseas. While Mes continued releasing tracks on acclaimed labels such as Nettwerk, Black Cherry, Magnetic, and Flapjack, it was his own Guesthouse Music that set the pace, releasing 150 EPs—including 40 vinyl releases—since its inception. 

Mes’ ear for talent led to the unveiling of some of the most successful names in underground house, including breakout artists of 2011, J Paul Getto, who scaled the charts of Traxsource with “Need More Music” and “Paris Fried Chicken” Boundary-bending producers, such as Gramphonedzie, and classic acts, such as Cosy Creatures and The Sound Republic, exploded onto the scene under Mes’ own A&R moxie. Even while he introduced new DJs and producers to audiences, he continued creating his own body of boompty sounds.

 While Mes looks ahead for talent, he creatively nods to sounds that inspired him to slide behind the decks more than 16 years ago. In 2011, Mes followed up his seminal “Fools Gold” release (Cajual Recordings) with a second EP, “Town Business.” “Love Affair,” a rework of First Choice’s classic “Love Thang,” climbed the underground charts alongside a remix of Two Ton’s Of Fun classic, “I Got the Feeling.” Even while maintaining a regular touring schedule throughout the U.S. and Europe, Mes continues partnering with the some of the scene’s most lauded producers, such as DJ Sneak and his own greatest influence, DJ Dan. 

In December 2011, Mes and Guesthouse created another piece of house music history by releasing their 100th track, “3000” (J Paul Getto). For Mes, it marks the beginning of another phase of underground house evolution. 

Adds Mes: “I’m always working to sign new or undiscovered music and talent to the label, and maybe even throw a curve ball to startle people with a new, unexpected style or sound. It’s what it’s all about.”

New York’s Eli Escobar has been a familiar face on the city’s scene for the last two decades. 

For North & South American bookings please contact:
inbal@prismaartists.com

For ROTW bookings please contact:
ed@arcade-talent.com

Management & remix inquiries please contact:
josh@colludedmanagement.com
sam.holt@colludedmanagement.com

Erika Cabral is following