I started producing this song in my bedroom. Inspired by Bonnie & Clyde, tragic love, running away, doomsday. I sampled car windshield wipers as the beat, used sirens as synths to create the feeling of being in a getaway car. The song is about knowingly wasting time getting romantically involved with someone, and this song is the storyline of its consequences catching up with you, the beginning of the end. The overall metaphor is that 'Killing Time' is the crime that's been committed.

Killing Time

Bad Guy

Soft Skin, Restless Bones

Don't Ask

Heartbreak Hotel

eat me alive

rumination as ritual

CRUSH!

love & limerence

here, alone, again

for your validation

oh my

Death Wish

Death Wish (Live from The O2 Arena)

I Am Digital, I Am Divine

Light in the Static is the closing chapter of the trilogy that began with A Tear-Stained Journal and Shadows on My Skin. Where the first two tracks lingered in confession and darkness, this one steps forward into clarity, resilience, and hope — transforming scars and shadows into strength.
Original Version
A cinematic dark-pop journey blending whispered verses with swelling, atmospheric choruses. It captures the intimate honesty of writing in a journal, while the production builds into a powerful statement of survival and self-awareness. Both vulnerable and uplifting, it’s the sound of learning to rise from the wreckage.
Raw Version
Stripped back and exposed, this version leans into the fragility of the lyrics. Sparse instrumentation keeps the focus on the vocal delivery, as if the pages of the song were being read aloud in the quiet. Every breath and every crack in the voice is left untouched, creating an unfiltered connection to the heart of the song.
At its core, Light in the Static is a song about turning pain into purpose, recognising that every scar points the way forward, and choosing to breathe, feel, and rise again.


Light in the Static

⋆｡°✩ · my ep “I Am Digital, I Am Divine” is out now

a 22 year old artist, singer, songwriter, producer & eternal work in progress from essex

Don't Ask

erin lecount

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