Impro Move "deux pistes lubriques"

Peace Through Suffering

Peace Through Suffering  [COtu + Belial Pelegrim]

Cover
Original by Maria Carey

I sang this song a while ago..Then with a simple guitar I found at the internet.. Then Axel Menningen was so kind, offer to make this beautiful music to it.  And he really did a wonderful job!  He completed it all so beautifully:) 
Thank you so much, Axel!

I love the lyrics in this song..  it is all about finding hope and Inner strength... 
 
Axel also made this great cover art

Listen to Axel Menningen: @axel-m-501052973

Hero  (Cover)

A song about using my defense mechanism of humor to avoid conflict and achieve romance. Dedicated to class clowns everywhere.
Sorry I've been off SC lately, I've been taking care of a few things.

Lyrics:
I was just having a drink
In a bar on the rough side of town
Yeah, minding my own business
And these tough guys come up to me
They say: "Hey, we're tough guys."
"we don't like you drinking sparkling Chablis,"

Well, I had a real good read on the situation
I've got the gift of gab (talk) from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I said: Gentlemen, may  I suggest a truce?
Let me be the peacemaker and buy you a bottle of booze
Then I got loose
I left them with a bill
For a three hundred dollar
Bottle of Chartruse

Oh, I listened to what my Mama say
You're gonna have to fight those boys someday
But if you use your brain
Then you'll find another way
Fight back, hit em in the funny bone (3X)
Funny bone

I was a young undergrad
A full-time miscreant
A part-time handsome man
I needed to get the attention of the ladies
But I wasn't that good-looking
But I knew what I had

I had a good read on the situation
I have the gift of gab from my Dad
I'm a samurai of summation
I buy my sarcasm firsthand

I listened to what my Mama say
If those girls don't give you the time of day
You're gonna have to use your brain
Then you'll find another way 
Step back, appeal to her funny bone (3X)
Funny bone

Funny Bone

thinking about you

Outrageous atmospheres from eclectic & analog sound sources.  A collection of compositions, the pieces have just enough dissonance and just enough melody for balance. This is modern avant-garde for the new millennium. - All Music Guide - Review by Jim Brenholts

Meditation on Innocence In C

This is a bit of a spiritual sequel to me and Stephen's last track "Got A Light?" since it continues in a similar direction mood-wise. Once again I'm adding a little guitar into the mix. My parts are the very simple straightforward guitar picking and Stephen is doing all the complex shredding haha. I also produced the beat and electronic elements.

Black Coffee (A Texas Tea Production)

from the EP "Funny Days" by Imre Lodbrog et Sa Petite Amie
available on
open.spotify.com/intl-fr/album/10…3Ds20LZwmXCscjae
music.apple.com/us/album/funny-days-ep/1822802207
www.youtube.com/channel/UCm8WMUk78ieCvdKBsnjLuVg
recorded in Area 52 Studio, Saugerties New York
Steve Rust on Bass, Harvey Sorgen on Drums, Imre L. Vocals, Guitars, Hammond organ


TIMOTHY LEARY  LONG TIME
YOU AND I NO SEE
FROM THE OUTSIDE LOOKING IN
SHINE ON CRAZY STRAWBERRY
BLURRY IS THE OPEN SEA
CLOSE YOUR EYES AND YOU WILL SEE

EMOTION IN MOTION
THAT’S THE WAY TO FUNCTION
COOLNESS IN A POTION
SPIRITUAL ACTION
TUNE IN TURN ON DROP OUT

TIMOTHY DEARIE OH BABY
IT IS CLEAR TO SEE
FROM THE INSIDE LOOKING OUT
A HORSEMAN WITH NO HORSE
A HORSE WITH NO NAME
LEARN TO BE AND NOT TO BE

EMOTION IN MOTION
CAN YOU FEEL THE SUCCION
CHOCOLATE EXPLOSION
MARTIAN REVELATION
TUNE ON TURN OUT DROP IN

TIMOTHY LEARY (Lyrics + notes)

You just stand there (Piano Version) is the reduced, intimate version of my epic track DestKorn – You just stand there, released on Saturday, November 1, 2025.
In fact, the piano version came first, and from it the vocal version evolved - Link: https://soundcloud.com/destkorn/you-just-stand-there
No orchestra, no vocals – just one piano.

Performed on the legendary NOIRE piano (Native Instruments, VST), a custom grand recorded in Hall 3 at Funkhaus Berlin. The sound moves between “Pure” (clear, present) and “Felt” (soft, muted, almost like a whisper), so every note sits right in front of you.

The mood is vulnerable, reflective, but not without hope. The piano quietly says: “You just stand there,” and the melody drifts through sadness, closeness, fragility, and small traces of light. A lot of space, a lot of air, no distraction.

Musical style: minimalist solo piano with a cinematic feel. No beats, no layering – just keys, played slowly on purpose so every tone can breathe.

What is this track for?
For late hours. For thinking. For that moment where you don’t want words, only feeling.

🎧 Piano: NOIRE (Pure / Felt)
🎹 Tempo: 60 BPM
🎵 Genre: Cinematic / Emotional Piano

Deutsch / German
You just stand there (Piano Version) ist die reduzierte, intime Ausgabe meines  Tracks – You just stand there vom Samstag, 1. November 2025.
Eigentlich ist die Piano-Version zuerst entstanden / daraus entwickelte sich dann die Version mit Gesang - Link: https://soundcloud.com/destkorn/you-just-stand-there
Kein Orchester, kein Gesang – nur ein einzelnes Klavier.

Gespielt auf dem legendären NOIRE Piano (Native Instruments), einem speziell präparierten Konzertflügel aus Saal 3 des Berliner Funkhauses. Dieser Klang wechselt zwischen „Pure“ (klar, präsent) und „Felt“ (weich, gedämpft, fast flüsternd) und bringt jede Nuance direkt an die Oberfläche.

Die Stimmung ist verletzlich, nachdenklich, aber nicht hoffnungslos. Das Piano spricht leise: „Du stehst einfach da“ – und trotzdem wandert die Melodie durch Traurigkeit, Nähe, Zerbrechlichkeit und kleine Lichtpunkte. Viel Raum, viel Luft, keine Ablenkung.

Musikalischer Stil: minimalistisches Solo-Piano mit filmischem Charakter. Keine Beats, keine Layer, nur Tasten – bewusst langsam gespielt, damit jede Note wirken kann.

Wofür ist der Track gedacht?
Für ruhige Momente. Nachts allein. Zum Durchatmen. Für Szenen im Kopf, die eigentlich kein Wort vertragen. Genau dafür existiert diese Version.

💿 Credits
Music, lyrics, arrangement, mix & master: DestKorn (Matthias K.)
Vocal rendering: 
Artwork: DestKorn
℗ 2025 DestKorn | © 2025 DestKorn
All rights reserved. Unauthorized use, reproduction, or distribution is prohibited.
SenneRecord2025

you just stand there (Piano Version)

The Composer Speaks:

I always knew that I wanted to be a musician when I grew up. Admittedly, there were times around the age 7 or 8 when I thought that that maybe I could become a scientist for, as a child of the 60s and besotted with space and rockets, science was a very big and popular part of my childhood. There were also times, somewhere around my first big double digit birthday, when I felt so alone and detached from children and adults alike, that I seriously wanted to be a horse - not that I particularly liked horses but it seemed easier than being me. Throughout all this though, playing in the background as it were, being a musician was the thing I really dreamed of being, and it was playing music that made me feel alive.

After the age of 11, I hated school so much that I simply stopped going. I educated myself by watching programmes for schools on the TV and reading encyclopaedias and the like. It was around this age that the classical music that I had listened to previously gradually gave way to more modern influences, mainly European bands, generally the stranger the better. At 13 I played my first gig, and at 16 I officially ‘left’ school and I threw myself whole-heartedly into music.

I’ve always written my own music; the songs of my youth have gradually given way to more instrumental compositions and now at 65, and edging ever closer to 66, lo and behold, I’m not only a musician but also a composer. The fundamentals of being a musician these days are so very different to when I first began; in those days I wanted to be successful and rich and so famous that I could have my own studio and be left alone to record and release music whenever I felt like it. Nowadays, although I’m neither remotely rich nor famous,  I do have my own studio, am more or less left alone and I can release music whenever I feel like it - so I guess, in a way, I’m living the dream; I’m living in Dreamtime.

This simple composition appeared beneath my finger tips as I sat in my studio thinking about all of the above; with the old nursery rhyme running through my mind that accurately says it better than I ever could:

“Row, row, row your boat 
gently down the stream;
Merrily, Merrily, Merrily, Merrily
Life is but a dream” 

Dreamtime

Stars Go Cold

Earnest Woodall who writes exploratory musical journeys that take listeners into the realm of Classical, as well as Minimalism and Music Concrete. 
Official Website - https://www.woodallproductions.com

Music Available at iTunes https://itunes.apple.com/us/album/pondering/id1164755896

"Modern avant-garde for the new millennium." AMG REVIEW: 13 by Earnest Woodall is a true character. He creates outrageous atmospheres from eclectic sound sources. 13 by Ernest Woodall is a collection of 13 compositions, each of which deals with or recognizes a different superstition. The pieces have just enough dissonance and just enough melody for balance. This is modern avant-garde for the new millennium. It will appeal to fans of Terry Riley, Pauline Oliveros, and Dmitri Shostakovich. - All Music Guide - Review by Jim Brenholts﻿
 
My music is influenced by - Terry Riley, Pauline Oliveros, Dmitri Shostakovich, Radiohead, Björk, Mogwai, Muse, Alt-J, Animal Collective, Coldplay, Oasis, Sigur Rós, The Flaming Lips, Flying Lotus, Nine Inch Nails, Pink Floyd, Kronos Quartet, Kate Bush, Brian Eno, Arcade Fire, Coldplay, Bill Frisell, Thom Yorke, LaMonte Young, Steve Reich, Terry Riley, John Adams, Jon Hassell, Meredith Monk, Harold Budd, John Cale, Elmer Bernstein, Alla Rakha, John Cage, Bang on a can, Aaron Copland, Scott Johnson, Erik Satie, Mike Oldfield, Karlheinz Stockhausen, Stereolab, Laurie Anderson, Philip Glass, Arvo Pärt, Deep Listening Band, George Crumb, Pierre Boulez, Iannis Xenakis, Jon Hassell, Kronos Quartet, Jack Quartet, Arditti Quartet, Ethel, Turtle Island String Quartet, Zapp String Quartet, eighth blackbird, London Sinfonietta, Ahn Trio, Arthur Russell, Lee Hyla, Lois V. Vierk, Michael Nyman, David Watson, Alarm Will Sound, Louis Andriessen, Tan Dun, Tom Waits, Thom Yorke, Forest Swords, Stwo, Burial, Marcus Marr, Everything is Recorded, Smear, Floating Points, Agnes Obel