PLEASE NOTE THAT ALL OF MY MUSIC FILES ON HERE ARE MP3'S AT 96KBPS.

Also Note that I cannot accept demos or promos through Soundcloud. Please send all promos and demos to radio@freerangerecords.co.uk. 
Thank you.
 
Finding a love for house music at an early age, Matt Masters started working for Freerange Records in early 2004. Having DJed for several years before that, he decided to spend his first season in Ibiza that summer and gained residencies with two large island promoters as well as securing a residency on the sunset strip and appearing at many venues including the 10,000 people capacity club Privilege. When he returned from the island, Matt was invited to join the Freerange team permanently that year and the label and its artists have played a fundamental part in his musical influences and ambitions.

As a DJ, Matt has played alongside Jimpster, Milton Jackson, Switch, Hipp-E, Palmskin, Mike Monday, Fish Go Deep, Kirk Degiorgio, Shur-I-Kan and more at the London Freerange Records label parties. He has also appeared at various venues and events across the globe including 360 Dubai, The Warm Up South Africa, The Sonar Music Festival Barcelona and the Garden Festival in Croatia with his unique house sound. He has enjoyed a Freerange Records residency at The End, London and also at Horse & Groom, London for his Wayward parties with Norm De Plume. 

In addition to his DJ gigs, Matt hosts the bi -weekly Freerange Records Radioshow with Jimpster. Guests so far have included the likes of DJ Yellow, Stimming, Manoo, D'Play, Salvatore Freda, Manuel Tur, Gorge, Brothers Vibe, Solomun, Jimpster, Roberto Rodriguez, Pezzner, Diesel (X-Press 2), Deetron, Kasper, Nikola Gala, Fred Everything, Tony Lionni, Andreas Saag, Simbad, Nacho Marco, Milton Jackson, Mike Monday, Palmskin Productions, Andrew Crom, Frank Spangler, Trackheadz, Brett Johnson, Shur-I-Kan, Kresy, Hyenah & more. This show is syndicated worldwide on various radio stations including Kiss FM (Australia), Ibiza Sonica 95.2FM (Ibiza), SS Radio (UK), Club FM (Macedonia), Universal Vibes (UK), Proton Radio (USA), Lush Radio (Dubai), Dance Tunes Holland), Sceen FM (Germany), Sweat Lodge (Germany), Dinamo FM (Turkey) & Pulse Radio (Australia). The show is coming up to it’s 150th episode. 

March 2007 saw the release of Brett Johnson's Life in the Emerald City EP which featured Matt's debut remix, a digital exclusive of WeR1 after Matt decided to delve into the world of production. Matt's 2nd remix for Freerange was a re- work of Jimpster's A Love Like This and received airplay on Pete Tong's Essential Selection on Radio 1 when Groove Armada filled in for Pete. Recent artists Matt has remixed since then Dirty Vegas, Pezzner, Onionz, Tony Lionni, Dale Howard, Pablo Fierro, Evren Ulusoy & more.

Matt has worked with MrCenzo under their MidiDropMusic guise on various EP's and remixes. They have enjoyed number 1 and 2 top chart successes on download stores Beatport and Juno whilst working with labels including Glideslope, Guess, Raw Cutz, Shifted Music, Brown Eyed Boyz, Loudeast, 54 Music and Plastic City Records to name a few. He is currently working with Pezzner under their Arithmetics guise on a new EP and have so far had tracks featured on the annual Freerange Records Violet and Grey compilations as well as a remix on Tom Budden’s Alive imprint. 

As for his solo production endeavours, Matt has had success with releases through Urbantorque (4/ 5* in Mixmag Magazine UK), Pack Up And Dance (Number 2 on Beatport deep house chart for several weeks), Metroline (Record Of The Week on Loudeast FM Spain), Dirt Crew, Saw, Beef, Nightbird & more and has been fortunate to have the likes of Milton Jackson and Soul Minority remix his productions. Another alias of Matt’s is Sam Matters (anagram of Mat Masters) where he has enjoyed an EP on Freerange so far as well as remixing Tony Lionni’s Precious. 

In addition to Freerange he works for Delusions Of Grandeur under his Marcelle La Roque guise and they are currently having great success with their down-tempo disco goodies. Matt has been described as “fast becoming a force to be reckoned with” and Jimpster has described some of his productions as “Excellent tracks full of originality and deep, dancefloor friendly loveliness”. Another busy year for Matt it seems…

Selected Releases 
Matt Masters – 6 & 3 Twos [Dirt Crew]
Matt Masters – The & That EP [Beef]
Matt Masters – Always Delayed [Saw]
Matt Masters – Nocturnal Toms EP [Metroline]
Matt Masters – On Course [Nightbird Records]
Matt Masters – Live Again [Metroline Records] 
Matt Masters – Deep Or What [Pack Up And Dance]
Matt Masters - Walk The Walk EP [Urbantorque]
Sam Matters – Matter & Motion EP [Freerange]
Arithmetics – Freerange Records Violet Sampler [Freerange]
Arithmetics – Freerange Records Grey Sampler [Freerange]
MidiDropMusic – The Answer EP [Plastic City]
MidiDropMusic – Better Taste EP [Sophisticate]
MidiDropMusic – Joints From The Lab EP [Glideslope]

Selected Remixes
Tony Lionni – Precious (Sam Matters Remix) [Freerange]
Dale Howard – Sub Text (Matt Masters Remix) [Something Different]
Martijn – Londonderry Lowdown (Matt Masters Remix) [Save Room]
Pablo Fierro – Alone At Home (Matt Masters Remix) [Disclosure Project]
Evren Ulusoy – Chord Interrupted (Matt Masters Sunset Mix) [Night Drive Music]
Pezzner – Blacklist (Matt Masters Remix) [Freerange] 
Onionz – Space Bass (Matt Masters Remix) [Endemic]
Jimpster – A Love Like This (Matt Masters Remix) [Freerange]
Dirty Vegas – Tonight (Matt Masters Remix) [Toolroom]
Steve Mill – Mind Games (Matt Masters Remix) [Deepology]
Corregated Tunnel – 2nd Thoughts (Matt Masters Remix) [Urbantorque]
Nacho Marco – Crash Test (Matt Masters Remix) [Pacha]
Brett Johnson – WER1 (Matt Masters Remix) [Freerange] 
Proff - Breathe (MidiDropMusic Remix) [Brown Eyed Boyz]
Takayuki Higo -Wise & Beautiful (MidiDropMusic Remix) [Troublekids Records]
Timewriter – Heartstring (MidiDropMusic Remix) [Plastic City]

https://drop-music.bandcamp.com/

DJ’s, Producers and label owners, Andy Riley and Laurence Ritchie (AKA Inland Knights) have created a brand name that most House heads have heard of.  Whether you like it deep , tech or more funky – when you think about Drop Music or Inland Knights a certain style of House comes to mind that is uniquely their own. Andy and Laurence’s reach is global, and their label’s continue to produce some of the finest House music 15 years after they started back in the UK, within Nottingham's party scene.

Andy and Laurence  met in ’93 and cut their teeth Dj’ing for Smokescreen, the renegade sound system from which they drew their early inspiration. Smokescreen consisted of dj’s, lighting people, sound people, a truck, a P.A, a generator and general helpers. Old warehouses, woodland, fields, quarries and houses were utilized with the sole intention of having a good time…. for free! By the mid 90’s smokescreen could guarantee a crowd of hundreds in attendance at their parties(which were most weekends), and their club nights became local institutions that ran for years with packed dancefloors. Into their 21st year, Smokescreen are still going strong and are still hosting quality club nights and parties in and around the Midlands.

By ’98 Laurence and Andy had made the inevitable step into production and the same year their fledgling label, Drop Music, was born. With the release of ‘Inland Knights vol 1’ , Riley and Ritchie undertook a busy schedule to write tracks for Drop  (almost all of the early output was Inland knights, despite many monikers). Drop Music has gone on to become one of the most highly regarded House labels in recent years (with 80 plus releases to date), and Inland Knights have gone on to become one of the most respected and prolific production outfits in the House community, carving a unique and distinctive House sound, and regularly taking on remix and Ep duties for fellow labels and producers. Highlights include the acclaimed ‘Mohammed Ali’ remix for Faithless on Cheeky Records, CD compilations and remixes for NRK and Om Records, three Ep's on 2020 Vision, Inland Knights first full length album entitled ‘Creative Spaces’, and more recently, Inland Knights album to mark 10 years of Drop Music entitled ‘Dust till Dawn’, not to mention countless Ep's on other labels over the years and a 30-minute live mix on Radio 1’s ‘Essential Selection’ show. More recently, the pair released 'Inland Bytes', a retrospective look at Inland Knights career so far.

Currently, as well as remix, production and label commitments, the pair maintain a busy international Dj schedule which takes them further and further afield as their reputation grows. Bookings have included regular slots at UK clubbing institutions such as Fabric, The End, The Egg, The Cross, Turnmills, Shindig, Back 2 Basics,  Sanky's, Chibuku Shake Shake, Ministry Of Sound, Cargo, Déjà Vu, The Arches and The Sub Club in Scotland, as well as smaller more intimate venues nationwide. Countless international trips have seen them tour the Globe. Most weekends Inland Knights can be found DJ'ing up and down the UK or Europe with regular international tours a permanent fixture in their Diaries.

Follow Us On:
Soundcloud http://soundcloud.com/inland-knights
Twitter         https://twitter.com/#!/Inland_Knights
Facebook     https://www.facebook.com/inland.knights
Band Camp https://drop-music.bandcamp.com/

For Bookings Please Contact:  
Paul@elitemm.co.uk (Worldwide)
shannon@aptentertainment.com (Americas)

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Contact/Show Inquires: escapepodradio@gmail.com

Worldwide Bookings: David at Constellate Talent - do@constellatetalent.com

Jimpster: The UK House craftsman shaping soundscapes with soul and subtlety

If you’ve ever lost yourself in the smooth, rolling rhythms of deep house, you’ve probably had Jimpster to thank without even knowing it.  Behind the decks, in the studio, or even just in the groove of his own life, Jimpster—aka Jamie Odell—is one of the quiet yet crucial architects of the genre, a producer who’s somehow managed to keep his sound fresh while paying homage to house music’s roots.  With releases stretching back to the early 90's, Jimpster’s sonic journey has evolved from the cut n paste, sample-heavy bedroom productions of his early releases to the deep house anthems he’s known for today.  He’s the artist who’s mastered the art of organic warmth, blending digital precision with analog textures in ways that sound both timeless and ahead of their time.  His music often draws from a deep well of influences: jazz, funk, soul, electro and even ambient textures—but it’s always tethered to the dancefloor.  He’s the kind of producer who can make a sub-bass rumble feel like a heartbeat while surrounding it with lush, atmospheric synths and intricate percussion that push his tracks into a hypnotic, almost meditative space.

Jimpster's discography is packed with both original tracks and remixes that make you move without even realising it: there’s the spaced-out, trippy disco allure of “English Rose”, the groove-heavy slo-mo swagger of “The Sun Comes Up” (which is basically the soundtrack to *that* sunset), and let’s not forget the timeless “Dangly Panther.”  Each track feels like a wave—a smooth ride that pulls you along effortlessly but leaves you wanting more.  His remix of Osunlade’s Momma’s Groove has become iconic but he has also offered his golden touch to artists as diverse as Seal, Bob Marley, Kerri Chandler, Josh Wink and Adam Port to name just a few.

But Jimpster’s influence doesn’t just stay in the studio.  As a DJ, his sets are like a carefully curated journey, blending stripped back disco, underground house and the more soulful end of techno into smooth, liquid transitions that captivate without ever feeling rushed.  Whether he’s playing an intimate, low-key club night or a larger festival stage, his mixes retain a sense of control—an ability to weave a narrative out of tempo, tone and texture, always keeping the dancefloor locked in.  From Panorama Bar (Berlin) to Cielo (NYC), Womb (Tokyo) to Fabric (London), Jimpster has pretty much span there and returned with the T shirt.

As co-founder and A&R of Freerange, Delusions Of Grandeur and most recently Cyphon Recordings, he’s helped nurture an entire generation of producers, sharing his deep understanding of groove and sound design with those who came after him.  Despite his three decades in the business and pivotal role in shaping the electronic music landscape, Jimpster remains relentlessly focused on who, or what, will come next, as excited as ever by discovering the freshest new talent and sounds to expose to the world.

Jimpster’s music is a reflection of his unrelenting pursuit of musical depth in club music.  A balance between nostalgic warmth and forward-focussed vision that continues to captivate listeners and dancers alike. For him, it’s not about creating music for the moment, but building sounds that resonate over time, long after the track has finished playing.

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