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Liberation Frequency is known for being intolerant to soft bassdrums, jazzy melodies and combed hair. Sometimes we wear hats. Erik is a lousy singer, but computers can do almost anything these days.

"The universe never explains why" 
— Rick Rubin

Peder Mannerfelt splits the difference between playful immediacy and daring experimentation. You’re as likely to find him premiering a live show at Berlin’s Atonal festival as pulling apart fabled techno meccas from Berghain to Fabric with synapse-frying precision. One minute he’s being asked to remix Björk, and the next he’s dropping EPs of non-conformist techno for Karenn’s Voam label. 

As a prolific collaborator throughout his career, Mannerfelt has veered from the orchestral tension of Roll The Dice (with Malcolm Pardon) to the anything-goes maximalism of Aasthma (with Pär Grindvik). As a producer, he’s worked on every one of Fever Ray’s acclaimed albums and live shows, as well as projects from alt music heavyweights such as Smerz, Blonde Redhead and Glasser. His Peder Mannerfelt Produktions label has become another outlet for his singular approach, presenting his work alongside similarly experimental operators like Sissel Wincent, Machine Woman, Klara Lewis and Hodge. 

More recently, his PM+ series celebrates the immediacy of club-focused tracks, and Mannerfelt thrives on the energy and community of contemporary club music. What makes him different is his response to that energy, as he pushes the music’s possibilities in wild, unpredictable directions.

Beatsurgeons baby, modern classics!
Sidewalk darling, hippie-rappers!


Throughout decades, (West-) Berlin native KALLE KUTS has been a household name in the German capital’s club culture. When it comes to soul, funk, house, hip hop, r&b, disco, electronica, jazz or all in between, he is known for being a sure shot on the decks with musical authenticity and credibility at the same time. 

 

Bookings include: John Legend, The Black Eyed Peas, The Roots, Simply Red, Raphael Saadiq (vip aftershow)  |  P!nk, Chromeo, Nightmares On Wax, Robin Thicke, Incognito, Dam Funk, Die Fantastischen Vier (live support)  |  Art Basel, IFA, Berlinale, Echo awards, o2 World/ UBER Arena Berlin opening, Quentin Tarrantino’s „Jackie Brown“ Europe premiere (vip parties)  |  Adidas, airbnb, ALBA Berlin, BMG, Bucherer, Campari, Carhartt WIP, Chopard, Coca Cola, Ernst & Young, McKinsey, Miramax, Native Instruments, o2, Porsche, Puma, Samsung, Sony, Soundcloud, Telekom, Universal Music (corporate events).

His G.I. DISCO events are focussing on the „80s soulful club sound“ that is now influencing modern club music and originally was imported to Germany by the American G.I.’s, their clubs and radio station AFN. Yet the party concept toured clubs from London to Barcelona. In 2010 a G.I. DISCO cd/vinyl compilation was worldwide released by acclaimed British record label BBE Music. It received raving reviews from the international music press, newspapers and news magazines including Der Spiegel and Die Zeit. Also concept and co-curation for the special exhibition „From G.I. Blues to G.I. DISCO“ (Allied Museum Berlin 2013/14), showcasing the history of the German music-, club- and youth culture under the influence of the U.S. soldiers stationed in Germany since end of World War II, gained international attention and reputation for the project.

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