Available here: http://news.lnk.to/hidein

Following on from ‘The Owner’ released last year, NTEIBINT and Stella join forces once again to bring their elegant sound to Eskimo Recordings with ‘Hide In’. 

https://soundcloud.com/nteibint reveals that “originally ‘Hide In’ was a slow and melancholic ballad, with pompous synths supporting Stella's beautiful vocals. I revisited the original recordings and started deconstructing and rebuilding the song using a live bass as the foundation of the track. ‘Hide In’ is essentially a love song you can dance to!”

NTEIBINT is the musical alter ego of Greek producer George Bakalakos. The gifted producer is known for lush, sonic soundscapes that are masterfully constructed taking the listener to new dimensions. George Bakalakos is also the host of a daily radio show on the Athenian radio station En Lefko 87.7.

Stella (née Stella Chronopoulou) is a pop singersongwriter and musician also based in Greece. Her debut album was released in February 2015 on Inner Ear. Acclaimed by listeners and critics alike, it became one of the most successful Greek indie albums of 2015.

1. NTEIBINT feat. Stella - Hide In (Original Mix)
2. NTEIBINT feat. Stella - Hide In (Ewan Pearson Remix)
3. NTEIBINT feat. Stella - Hide In (Ewan Pearson Instrumental Mix)
4. NTEIBINT feat. Stella - Hide In (Zombies In Miami Remix)

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NTEIBINT feat. Stella - Hide In

Eskimo Recordings is a label based in Ghent, Belgium, and was founded in 2000. Eskimo has always approached the divide between electronic and indie music with a reckless abandon that suggests that there is no divide at all. A mix of Indie Dance / Cosmic & Balearic Disco / Italo / EBM / House and more. Welcome!

### Biography of DJ Yestin

DJ Yestin began his musical journey more than twenty years ago, when he first discovered the turntables. His love for music and the craft of spinning vinyl records formed the basis of his career. Born and raised in Belgium, Yestin quickly developed a reputation for his skill and passion, which soon earned him a spot as resident DJ at some dance spots

In the early days of his career, DJ Yestin specialized in fat, pumping techno music. His sets were energetic and compelling, and he managed to fill up the dance floor time and time again, with residencies at clubs such as Seven in Ghent, Prior in Lokeren and Foxy in Elversele. His unique style and technical skill made him a beloved DJ among music lovers.

As the music industry evolved, Yestin made the switch to digital mixing. He embraced new technologies and seamlessly integrated them into his sets, adding even more variety and creativity to his performances. This transition allowed him to broaden his musical horizons and explore new genres.

In addition to techno,retro and house music,  DJ Yestin also developed a passion for sultry kizomba music. He began incorporating this sensual and rhythmic style of music into his sets, leading to a whole new experience for his audience. His ability to seamlessly switch between different styles of music made him a versatile and dynamic DJ.

In his career, DJ Yestin has played at several prestigious venues. In addition to his residencies at Seven, Prior and Foxy, he has also performed at events such as the Night of Salsa and at Charanga in Edegem. These performances brought him in contact with a wide audience and reinforced his reputation as a talented and versatile DJ.

Today, DJ Yestin is a fixture at Monty's in Zelzate. Here he continues to surprise and entertain his audience with his unique blend of music styles. His years of experience and dedication to his craft make him a respected and beloved figure in the Belgian music scene.

DJ Yestin's journey from spinning vinyl records to digital mixing, and from techno to kizomba, illustrates his constant evolution and passion for music. His ability to innovate and keep growing, combined with his unmatched technical skills, ensure that he has a lasting impact on the dance floors of Belgium and beyond.

style: house,techno,retro, kizomba,....

INFO, BOOKING, : kiztotech@gmail.com

website : www.kiztotech.be


The universality of music and its importance in the life of man is in many ways analogous to water. It may exist in countless forms and several states. It nourishes and sustains many kinds of internal life. 
It nourishes religions, philosophies, and – sciences, without being identical with any of them. Like beauty it is forever ministering, enriching, and expanding the potentials of human consciousness. This is harmony as controlled dynamic force. Music is disciplined sound. 
It is important that all students of philosophy and comparative religion should appreciate the spiritualizing force of great music. 
It is equally valuable to consider the development of music consciousness and music appreciation through the ages and among the different civilizations which have been enriched by its gentle and gracious persuasion. Music has a meaning for man; it fits into his moods without any compromise of its own integrity. Like water it adapts itself instantly to the shape of its container. In a square vessel, it is square; in a circular vessel it is circular. This is true because of the nature of the element itself, and not because it is catering to the shape of the jug, the vase, or the bowl. We must learn to appreciate the difference between music and noise, but overcome the tendency to consider unfamiliar musical forms as merely untutored sounds. While musical impulses are common to all mankind, musical forms divide into familiar and unfamiliar. As we have difficulty in understanding persons whose ways of life are different from our own, so we have difficulty in recognizing and responding to the arts of peoples psychologically remote. The final measure is sincerity, not proximity, but until we have experienced some kind of social communion with a larger world of human aspirations this communion is comparatively impossible. As psychological sympathy develops we gain the possibility of measuring arts and art values in terms of basic integrity rather than by the false standards of personal taste. We have forgotten completely that great music must originate in a great concept of life. 
It is just as important, in fact more important, to release music from within the self than merely to listen. We need the growth resulting from personal performance as well as the civilizing force of appreciation. To the old philosopher, the human body itself was a musical instrument. It is the musician within the body who must control and direct the impulses which flow outward through the personality. We talk much of the science of living but we should think more about the art of living. By surrounding himself with the art which is meritorious, true and beautiful, the music of integrity which wiII restore his ideals, Products of small minds are no to be compared with those of great minds and cultures. This is all we need to understand, even in a jittery world, to sharpen the edge of discrimination for the choice of surroundings and the environment that will spiritually achieve for us that desirable thing known as the balanced life. - Manly P. Hall